Studies in Music, Words, and Imagery in Early Modern Europe
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Studies in Music, Words, and Imagery in Early Modern Europe
Hanning, Barbara Russano
Taylor & Francis Ltd
08/2024
304
Dura
9781032687681
15 a 20 dias
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Introduction
Part I: Music and Words
1. Opera Is Born: The Wedding of Music and Drama in Late Renaissance Florence
Originally published in The Cambridge Companion to Seventeenth-Century Opera, ed. Jacqueline Waeber. Cambridge and New York: Cambridge University Press, 2023, 3-21.
2. Music and the Arts [in the Seventeenth Century]
Originally published in The Cambridge History of Seventeenth-Century Music, eds. Tim Carter and John Butt. Cambridge and New York: Cambridge University Press, 2005, 111-31.
3. Music in Italy on the Brink of the Baroque
Originally published in Renaissance Quarterly 37 no. 1 (Spring 1984) 1-20.
4. Apologia pro Ottavio Rinuccini
Originally published in the Journal of the American Musicological Society 26 no. 2 (1973) 240--62.
5. The Ending of L'Orfeo: Father, Son, and Rinuccini
Originally published in the Journal of Seventeenth-Century Music 9/1 (2003)
https://sscm-jscm.org
6. Powerless Spirit: Echo as a Trope on the Musical Stage of the Late Renaissance
Originally published in Word, Music, and Song: Essays on Early Modern Italy, 2 vols., edited by Rebecca Cypress, Beth L. Glixon, and Nathan Link (Rochester, NY: University of Rochester Press, 2013) I: 193-218.
7. Monteverdi's Three Genera: A Study in Terminology
Originally published in Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca, edited by Nancy Kovaleff Baker and Barbara Russano Hanning. Festschrift Series No. 11 (Stuyvesant, NY: Pendragon Press, 1992) 145-70.
8. Tasso and the Italian Madrigal
Originally published in Teaching the Italian Renaissance Romance Epic, ed. Jo Ann Cavallo (New York: Modern Language Association of America, 2018) 271-79.
9. Love's New Voice: Italian Monodic Song
Originally published in The World of Baroque Music, New Perspectives, ed. George Stauffer (Bloomington, IN: Indiana University Press, 2006) 25-47.
Part II: Music and Images
10. Some Images of Monody in the Early Baroque
Originally published in Con che soavita: Studies in Italian Opera, Song, and Dance, 1580-1740, edited by Iain Fenlon and Tim Carter (Oxford: Clarendon Press, 1995) 1-12.
11. Glorious Apollo: Poetic and Political Themes in the First Opera
Originally published in Renaissance Quarterly 32, no. 4 (Winter 1979) 485-513.
12. From Saint to Muse: Representations of Saint Cecilia in Florence
Originally published in Music in Art (International Journal for Music Iconography) 29,
nos. 1-2 (Spring/Fall 2004) 91-103.
13. The Iconography of a Salon Concert: A Reappraisal
Originally published in French Musical Thought, 1600-1800, ed. Georgia Cowart (Ann
Arbor and London: UMI Research Press, 1989) 129-48.
14. Conversation and Musical Style in the Late Eighteenth-Century Parisian Salon
Originally published in Eighteenth-Century Studies 22, no. 4 (Summer 1989) 512-528.
Part I: Music and Words
1. Opera Is Born: The Wedding of Music and Drama in Late Renaissance Florence
Originally published in The Cambridge Companion to Seventeenth-Century Opera, ed. Jacqueline Waeber. Cambridge and New York: Cambridge University Press, 2023, 3-21.
2. Music and the Arts [in the Seventeenth Century]
Originally published in The Cambridge History of Seventeenth-Century Music, eds. Tim Carter and John Butt. Cambridge and New York: Cambridge University Press, 2005, 111-31.
3. Music in Italy on the Brink of the Baroque
Originally published in Renaissance Quarterly 37 no. 1 (Spring 1984) 1-20.
4. Apologia pro Ottavio Rinuccini
Originally published in the Journal of the American Musicological Society 26 no. 2 (1973) 240--62.
5. The Ending of L'Orfeo: Father, Son, and Rinuccini
Originally published in the Journal of Seventeenth-Century Music 9/1 (2003)
https://sscm-jscm.org
6. Powerless Spirit: Echo as a Trope on the Musical Stage of the Late Renaissance
Originally published in Word, Music, and Song: Essays on Early Modern Italy, 2 vols., edited by Rebecca Cypress, Beth L. Glixon, and Nathan Link (Rochester, NY: University of Rochester Press, 2013) I: 193-218.
7. Monteverdi's Three Genera: A Study in Terminology
Originally published in Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca, edited by Nancy Kovaleff Baker and Barbara Russano Hanning. Festschrift Series No. 11 (Stuyvesant, NY: Pendragon Press, 1992) 145-70.
8. Tasso and the Italian Madrigal
Originally published in Teaching the Italian Renaissance Romance Epic, ed. Jo Ann Cavallo (New York: Modern Language Association of America, 2018) 271-79.
9. Love's New Voice: Italian Monodic Song
Originally published in The World of Baroque Music, New Perspectives, ed. George Stauffer (Bloomington, IN: Indiana University Press, 2006) 25-47.
Part II: Music and Images
10. Some Images of Monody in the Early Baroque
Originally published in Con che soavita: Studies in Italian Opera, Song, and Dance, 1580-1740, edited by Iain Fenlon and Tim Carter (Oxford: Clarendon Press, 1995) 1-12.
11. Glorious Apollo: Poetic and Political Themes in the First Opera
Originally published in Renaissance Quarterly 32, no. 4 (Winter 1979) 485-513.
12. From Saint to Muse: Representations of Saint Cecilia in Florence
Originally published in Music in Art (International Journal for Music Iconography) 29,
nos. 1-2 (Spring/Fall 2004) 91-103.
13. The Iconography of a Salon Concert: A Reappraisal
Originally published in French Musical Thought, 1600-1800, ed. Georgia Cowart (Ann
Arbor and London: UMI Research Press, 1989) 129-48.
14. Conversation and Musical Style in the Late Eighteenth-Century Parisian Salon
Originally published in Eighteenth-Century Studies 22, no. 4 (Summer 1989) 512-528.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Early Modern Europe / / / / / / / / Early opera / Orfeo / Madrigal / Florence / Medici / Music iconography;Renaissance;Baroque;Monody;Monteverdi;Iconography
Introduction
Part I: Music and Words
1. Opera Is Born: The Wedding of Music and Drama in Late Renaissance Florence
Originally published in The Cambridge Companion to Seventeenth-Century Opera, ed. Jacqueline Waeber. Cambridge and New York: Cambridge University Press, 2023, 3-21.
2. Music and the Arts [in the Seventeenth Century]
Originally published in The Cambridge History of Seventeenth-Century Music, eds. Tim Carter and John Butt. Cambridge and New York: Cambridge University Press, 2005, 111-31.
3. Music in Italy on the Brink of the Baroque
Originally published in Renaissance Quarterly 37 no. 1 (Spring 1984) 1-20.
4. Apologia pro Ottavio Rinuccini
Originally published in the Journal of the American Musicological Society 26 no. 2 (1973) 240--62.
5. The Ending of L'Orfeo: Father, Son, and Rinuccini
Originally published in the Journal of Seventeenth-Century Music 9/1 (2003)
https://sscm-jscm.org
6. Powerless Spirit: Echo as a Trope on the Musical Stage of the Late Renaissance
Originally published in Word, Music, and Song: Essays on Early Modern Italy, 2 vols., edited by Rebecca Cypress, Beth L. Glixon, and Nathan Link (Rochester, NY: University of Rochester Press, 2013) I: 193-218.
7. Monteverdi's Three Genera: A Study in Terminology
Originally published in Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca, edited by Nancy Kovaleff Baker and Barbara Russano Hanning. Festschrift Series No. 11 (Stuyvesant, NY: Pendragon Press, 1992) 145-70.
8. Tasso and the Italian Madrigal
Originally published in Teaching the Italian Renaissance Romance Epic, ed. Jo Ann Cavallo (New York: Modern Language Association of America, 2018) 271-79.
9. Love's New Voice: Italian Monodic Song
Originally published in The World of Baroque Music, New Perspectives, ed. George Stauffer (Bloomington, IN: Indiana University Press, 2006) 25-47.
Part II: Music and Images
10. Some Images of Monody in the Early Baroque
Originally published in Con che soavita: Studies in Italian Opera, Song, and Dance, 1580-1740, edited by Iain Fenlon and Tim Carter (Oxford: Clarendon Press, 1995) 1-12.
11. Glorious Apollo: Poetic and Political Themes in the First Opera
Originally published in Renaissance Quarterly 32, no. 4 (Winter 1979) 485-513.
12. From Saint to Muse: Representations of Saint Cecilia in Florence
Originally published in Music in Art (International Journal for Music Iconography) 29,
nos. 1-2 (Spring/Fall 2004) 91-103.
13. The Iconography of a Salon Concert: A Reappraisal
Originally published in French Musical Thought, 1600-1800, ed. Georgia Cowart (Ann
Arbor and London: UMI Research Press, 1989) 129-48.
14. Conversation and Musical Style in the Late Eighteenth-Century Parisian Salon
Originally published in Eighteenth-Century Studies 22, no. 4 (Summer 1989) 512-528.
Part I: Music and Words
1. Opera Is Born: The Wedding of Music and Drama in Late Renaissance Florence
Originally published in The Cambridge Companion to Seventeenth-Century Opera, ed. Jacqueline Waeber. Cambridge and New York: Cambridge University Press, 2023, 3-21.
2. Music and the Arts [in the Seventeenth Century]
Originally published in The Cambridge History of Seventeenth-Century Music, eds. Tim Carter and John Butt. Cambridge and New York: Cambridge University Press, 2005, 111-31.
3. Music in Italy on the Brink of the Baroque
Originally published in Renaissance Quarterly 37 no. 1 (Spring 1984) 1-20.
4. Apologia pro Ottavio Rinuccini
Originally published in the Journal of the American Musicological Society 26 no. 2 (1973) 240--62.
5. The Ending of L'Orfeo: Father, Son, and Rinuccini
Originally published in the Journal of Seventeenth-Century Music 9/1 (2003)
https://sscm-jscm.org
6. Powerless Spirit: Echo as a Trope on the Musical Stage of the Late Renaissance
Originally published in Word, Music, and Song: Essays on Early Modern Italy, 2 vols., edited by Rebecca Cypress, Beth L. Glixon, and Nathan Link (Rochester, NY: University of Rochester Press, 2013) I: 193-218.
7. Monteverdi's Three Genera: A Study in Terminology
Originally published in Musical Humanism and Its Legacy: Essays in Honor of Claude V. Palisca, edited by Nancy Kovaleff Baker and Barbara Russano Hanning. Festschrift Series No. 11 (Stuyvesant, NY: Pendragon Press, 1992) 145-70.
8. Tasso and the Italian Madrigal
Originally published in Teaching the Italian Renaissance Romance Epic, ed. Jo Ann Cavallo (New York: Modern Language Association of America, 2018) 271-79.
9. Love's New Voice: Italian Monodic Song
Originally published in The World of Baroque Music, New Perspectives, ed. George Stauffer (Bloomington, IN: Indiana University Press, 2006) 25-47.
Part II: Music and Images
10. Some Images of Monody in the Early Baroque
Originally published in Con che soavita: Studies in Italian Opera, Song, and Dance, 1580-1740, edited by Iain Fenlon and Tim Carter (Oxford: Clarendon Press, 1995) 1-12.
11. Glorious Apollo: Poetic and Political Themes in the First Opera
Originally published in Renaissance Quarterly 32, no. 4 (Winter 1979) 485-513.
12. From Saint to Muse: Representations of Saint Cecilia in Florence
Originally published in Music in Art (International Journal for Music Iconography) 29,
nos. 1-2 (Spring/Fall 2004) 91-103.
13. The Iconography of a Salon Concert: A Reappraisal
Originally published in French Musical Thought, 1600-1800, ed. Georgia Cowart (Ann
Arbor and London: UMI Research Press, 1989) 129-48.
14. Conversation and Musical Style in the Late Eighteenth-Century Parisian Salon
Originally published in Eighteenth-Century Studies 22, no. 4 (Summer 1989) 512-528.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
