Early Printed Music and Material Culture in Central and Western Europe
portes grátis
Early Printed Music and Material Culture in Central and Western Europe
McDonald, Grantley; Lindmayr-Brandl, Andrea
Taylor & Francis Ltd
05/2021
334
Dura
Inglês
9780367359539
15 a 20 dias
848
Descrição não disponível.
Introduction: music among the bibliographic disciplines
Kate van Orden
PART I
Type
1 The pioneers of mensural music printing in German-speaking lands:
networks and type repertoria
Andrea Lindmayr-Brandl
2 Printed music papers: research opportunities and challenges
John Milsom
PART II
Notes
3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)
Beat Foellmi
4 Reading the Melopoiae (1507): a search for its owners and users
Elisabeth Giselbrecht
PART III
Music printing at Wittenberg
5 Power and ambition: Georg Rhau's strategies for music publishing
Moritz Kelber
6 Three Libri missarum of early Lutheran Germany: some reflections on their repertory
Carlo Bosi
PART IV
Music printing in the Low Countries
7 A date with Tylman Susato: reconsidering the printer's editions
Martin Ham
8 The music printers Madeleine and Marie Phalese in Antwerp, 1629-1675
Maria Schildt
PART V
Printing privileges
9 Privileges for printed music in the Holy Roman Empire during the sixteenth century
Grantley McDonald and Stephen Rose
10 'Unbelievably hard work': Marin Mersenne's Harmonie universelle at the printers
Leendert van der Miesen
PART VI
The book trade
11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556
Royston Gustavson
12 The Officina Plantiniana as publishers and distributors of music, 1578-1600
Louisa Hunter-Bradley
13 Competition, collaboration and consumption: early music printing in Seville
Iain Fenlon
Kate van Orden
PART I
Type
1 The pioneers of mensural music printing in German-speaking lands:
networks and type repertoria
Andrea Lindmayr-Brandl
2 Printed music papers: research opportunities and challenges
John Milsom
PART II
Notes
3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)
Beat Foellmi
4 Reading the Melopoiae (1507): a search for its owners and users
Elisabeth Giselbrecht
PART III
Music printing at Wittenberg
5 Power and ambition: Georg Rhau's strategies for music publishing
Moritz Kelber
6 Three Libri missarum of early Lutheran Germany: some reflections on their repertory
Carlo Bosi
PART IV
Music printing in the Low Countries
7 A date with Tylman Susato: reconsidering the printer's editions
Martin Ham
8 The music printers Madeleine and Marie Phalese in Antwerp, 1629-1675
Maria Schildt
PART V
Printing privileges
9 Privileges for printed music in the Holy Roman Empire during the sixteenth century
Grantley McDonald and Stephen Rose
10 'Unbelievably hard work': Marin Mersenne's Harmonie universelle at the printers
Leendert van der Miesen
PART VI
The book trade
11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556
Royston Gustavson
12 The Officina Plantiniana as publishers and distributors of music, 1578-1600
Louisa Hunter-Bradley
13 Competition, collaboration and consumption: early music printing in Seville
Iain Fenlon
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Music Printing;Bayerische Staatsbibliothek;material culture;Music Fonts;Renaissance music;Orlando Di Lasso;Baroque music;Music Books;materiality;Ode Settings;print culture;Polyphonic Music;Georg Rhau;early music printing;Della;early modern music;Harmonie Universelle;history of print;Tylman Susato;music history;Tenor Partbook;Western music;Mensural Notation;European music;Frankfurt Book Fair;Sacrae Cantiones;Protestant Reformation;Officina Plantiniana;musicology;Typographic Materials;print studies;Print Music Books;early modern music printing;Printing Privilege;early modern print culture;Music Theory Books;early modern Europe;Christian Egenolff;Konrad Celtis;Europe;Quinta Pars;Mobility studies;Imperial Privilege;Printed music;Quatre Parties
Introduction: music among the bibliographic disciplines
Kate van Orden
PART I
Type
1 The pioneers of mensural music printing in German-speaking lands:
networks and type repertoria
Andrea Lindmayr-Brandl
2 Printed music papers: research opportunities and challenges
John Milsom
PART II
Notes
3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)
Beat Foellmi
4 Reading the Melopoiae (1507): a search for its owners and users
Elisabeth Giselbrecht
PART III
Music printing at Wittenberg
5 Power and ambition: Georg Rhau's strategies for music publishing
Moritz Kelber
6 Three Libri missarum of early Lutheran Germany: some reflections on their repertory
Carlo Bosi
PART IV
Music printing in the Low Countries
7 A date with Tylman Susato: reconsidering the printer's editions
Martin Ham
8 The music printers Madeleine and Marie Phalese in Antwerp, 1629-1675
Maria Schildt
PART V
Printing privileges
9 Privileges for printed music in the Holy Roman Empire during the sixteenth century
Grantley McDonald and Stephen Rose
10 'Unbelievably hard work': Marin Mersenne's Harmonie universelle at the printers
Leendert van der Miesen
PART VI
The book trade
11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556
Royston Gustavson
12 The Officina Plantiniana as publishers and distributors of music, 1578-1600
Louisa Hunter-Bradley
13 Competition, collaboration and consumption: early music printing in Seville
Iain Fenlon
Kate van Orden
PART I
Type
1 The pioneers of mensural music printing in German-speaking lands:
networks and type repertoria
Andrea Lindmayr-Brandl
2 Printed music papers: research opportunities and challenges
John Milsom
PART II
Notes
3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)
Beat Foellmi
4 Reading the Melopoiae (1507): a search for its owners and users
Elisabeth Giselbrecht
PART III
Music printing at Wittenberg
5 Power and ambition: Georg Rhau's strategies for music publishing
Moritz Kelber
6 Three Libri missarum of early Lutheran Germany: some reflections on their repertory
Carlo Bosi
PART IV
Music printing in the Low Countries
7 A date with Tylman Susato: reconsidering the printer's editions
Martin Ham
8 The music printers Madeleine and Marie Phalese in Antwerp, 1629-1675
Maria Schildt
PART V
Printing privileges
9 Privileges for printed music in the Holy Roman Empire during the sixteenth century
Grantley McDonald and Stephen Rose
10 'Unbelievably hard work': Marin Mersenne's Harmonie universelle at the printers
Leendert van der Miesen
PART VI
The book trade
11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556
Royston Gustavson
12 The Officina Plantiniana as publishers and distributors of music, 1578-1600
Louisa Hunter-Bradley
13 Competition, collaboration and consumption: early music printing in Seville
Iain Fenlon
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Music Printing;Bayerische Staatsbibliothek;material culture;Music Fonts;Renaissance music;Orlando Di Lasso;Baroque music;Music Books;materiality;Ode Settings;print culture;Polyphonic Music;Georg Rhau;early music printing;Della;early modern music;Harmonie Universelle;history of print;Tylman Susato;music history;Tenor Partbook;Western music;Mensural Notation;European music;Frankfurt Book Fair;Sacrae Cantiones;Protestant Reformation;Officina Plantiniana;musicology;Typographic Materials;print studies;Print Music Books;early modern music printing;Printing Privilege;early modern print culture;Music Theory Books;early modern Europe;Christian Egenolff;Konrad Celtis;Europe;Quinta Pars;Mobility studies;Imperial Privilege;Printed music;Quatre Parties