Gender and Song in Early Modern England
portes grátis
Gender and Song in Early Modern England
Larson, Katherine R.; Dunn, Leslie C.
Taylor & Francis Ltd
10/2024
236
Mole
9781032926117
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction, Leslie C.Dunn, Katherine R.Larson; Chapter 1 Performing Women in English Books of Ayres, Scott A.Trudell; Chapter 2 Witches, Lamenting Women, and Cautionary Tales, Sarah F.Williams; Chapter 3 Listening to Black Magic Women, JenniferLinhart Wood; Chapter 4 "Better a Witty Fool Than a Foolish Wit", AngelaHeetderks; Chapter 5 Dangerous Performance, AmandaEubanks Winkler; Chapter 6 Making Music Fit for Kings, Joseph M.Ortiz; Chapter 7 Unimportant Women, Tessie L.Prakas; Chapter 8 Domestic Song and the Circulation of Masculine Social Energy in Early Modern England, Linda PhyllisAustern; Chapter 9 Song, Political Resistance, and Masculinity in Thomas Heywood's The Rape of Lucrece, Nora L.Corrigan; Chapter 10 Music for Helen, ErinMinear; Chapter 11 The Use of Early Modern Music in Film Scoring for Elizabeth I, KendraPreston Leonard;
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
ophelias;songs;mary;sidney;musical;carla;mazzio;cupids;banishment;quentin;Young Men;Excellent Sir Philip Sidney;Jew's Harp;Musica Speculativa;Early Modern English;Early Modern;Early Modern Music;Linda Austern;Ladies Fall;Robert Armin;Cupid's Banishment;Mary Sidney;Gina Bloom;Quentin Crisp;Manly Cariage;Witty Fool;STABAT MATER;Vice Versa;Sweet Queen;Fairest Queen;Weird Sisters;Early Modern English Witchcraft;Virginia Woolf's Orlando;Ridolfi Plot;Castiglione's Ideal Courtier
Introduction, Leslie C.Dunn, Katherine R.Larson; Chapter 1 Performing Women in English Books of Ayres, Scott A.Trudell; Chapter 2 Witches, Lamenting Women, and Cautionary Tales, Sarah F.Williams; Chapter 3 Listening to Black Magic Women, JenniferLinhart Wood; Chapter 4 "Better a Witty Fool Than a Foolish Wit", AngelaHeetderks; Chapter 5 Dangerous Performance, AmandaEubanks Winkler; Chapter 6 Making Music Fit for Kings, Joseph M.Ortiz; Chapter 7 Unimportant Women, Tessie L.Prakas; Chapter 8 Domestic Song and the Circulation of Masculine Social Energy in Early Modern England, Linda PhyllisAustern; Chapter 9 Song, Political Resistance, and Masculinity in Thomas Heywood's The Rape of Lucrece, Nora L.Corrigan; Chapter 10 Music for Helen, ErinMinear; Chapter 11 The Use of Early Modern Music in Film Scoring for Elizabeth I, KendraPreston Leonard;
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
ophelias;songs;mary;sidney;musical;carla;mazzio;cupids;banishment;quentin;Young Men;Excellent Sir Philip Sidney;Jew's Harp;Musica Speculativa;Early Modern English;Early Modern;Early Modern Music;Linda Austern;Ladies Fall;Robert Armin;Cupid's Banishment;Mary Sidney;Gina Bloom;Quentin Crisp;Manly Cariage;Witty Fool;STABAT MATER;Vice Versa;Sweet Queen;Fairest Queen;Weird Sisters;Early Modern English Witchcraft;Virginia Woolf's Orlando;Ridolfi Plot;Castiglione's Ideal Courtier
