Remaking Culture and Music Spaces
Remaking Culture and Music Spaces
Affects, Infrastructures, Futures
Haynes, Jo; Dillane, Aileen; Woodward, Ian; Golemo, Karolina; Berkers, Pauwke
Taylor & Francis Ltd
05/2024
264
Mole
9781032184999
Pré-lançamento - envio 15 a 20 dias após a sua edição
Part I: Affects
1. Festival atmospheres: social, spatial, and material explorations of physically distanced festivals
2. How live is live? COVID-19, live music and online performances
3. 'Like a winter without Christmas': Interaction rituals and the disruption of the Roskilde Festival
Part II: Infrastructures
4. Curating listening: The cultural production of a (commercial) experience
5. Reconceiving spatiality and value in the live music industries in response to COVID-19
6. Out of office: The broader implications of changing spaces and places in arts-based work during the COVID-19 pandemic
7. The sounds of silence: Concerts, musicians, and the COVID-19 pandemic
8. Self-organisation in musicians' collective workspaces before, during and after COVID-19: A model for moving forward?
Part III: Spaces
9. A sonic paradise in the countryside: Pop-rock festivals as drivers of creative tourism development in small cities and rural areas in the post-pandemic era
10. Refiguring pathologised festival spaces: Governance, risk and creativity
11. Experimenting with adulthood in the time of pandemic: The 18th edition of the Sacrum Profanum festival in Cracow
12. The island of freedom on the Vltava
13. The moral complexity of organising a civically engaged festival during the COVID-19 pandemic
Part IV: Futures
14. Unknown futures: Towards a more resilient Dutch popular music sector
15. At the juncture of the liminal and the neo-liberal: Can the smaller, independent commercial music festival survive into the future?
16. Regions in recovery? The significance of festivals for regenerating and reimagining regional community life
17. Music missionaries: How Dutch music festivals utilised the pandemic to bounce forward
Part I: Affects
1. Festival atmospheres: social, spatial, and material explorations of physically distanced festivals
2. How live is live? COVID-19, live music and online performances
3. 'Like a winter without Christmas': Interaction rituals and the disruption of the Roskilde Festival
Part II: Infrastructures
4. Curating listening: The cultural production of a (commercial) experience
5. Reconceiving spatiality and value in the live music industries in response to COVID-19
6. Out of office: The broader implications of changing spaces and places in arts-based work during the COVID-19 pandemic
7. The sounds of silence: Concerts, musicians, and the COVID-19 pandemic
8. Self-organisation in musicians' collective workspaces before, during and after COVID-19: A model for moving forward?
Part III: Spaces
9. A sonic paradise in the countryside: Pop-rock festivals as drivers of creative tourism development in small cities and rural areas in the post-pandemic era
10. Refiguring pathologised festival spaces: Governance, risk and creativity
11. Experimenting with adulthood in the time of pandemic: The 18th edition of the Sacrum Profanum festival in Cracow
12. The island of freedom on the Vltava
13. The moral complexity of organising a civically engaged festival during the COVID-19 pandemic
Part IV: Futures
14. Unknown futures: Towards a more resilient Dutch popular music sector
15. At the juncture of the liminal and the neo-liberal: Can the smaller, independent commercial music festival survive into the future?
16. Regions in recovery? The significance of festivals for regenerating and reimagining regional community life
17. Music missionaries: How Dutch music festivals utilised the pandemic to bounce forward