Researching Live Music
portes grátis
Researching Live Music
Gigs, Tours, Concerts and Festivals
Anderton, Chris; Pisfil, Sergio
Taylor & Francis Ltd
11/2021
256
Dura
Inglês
9780367405021
15 a 20 dias
485
Descrição não disponível.
List of illustrations
List of contributors
Acknowledgments
Live Music Studies in Perspective
Chris Anderton and Sergio Pisfil
PART I: Promotion
Festivals, Free and Unfree: Alex Cooley and the American Rock Festival
Steve Waksman
As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter
Danny Hagan
Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies
Pat O'Grady
Showcase Festivals as a Gateway to Foreign Markets
Patryk Galuszka
Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
Chris Anderton
PART II: Production
Live Sound Matters
Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder
Mobile Spectacle: Es Devlin's Pandemonium Tour Design
Glyn Davis
Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour's Supply Chain
Gabrielle Kielich
Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts
Kimi Kaerki
Part III: Consumption
Making Music Public: What Would a Sociology of Live Music Promotion Look Like?
Loic Riom
Dead Stars Live: Exploring Holograms, Liveness, and Authenticity
Kenny Forbes
Live ... as You've Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance
Andy Bennett
Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive
Stephen Loy
Part IV: Policy
Music Cities, or Cities of Music?
Christina Ballico and Dave Carter
State of Play: Tensions and Interventions in Live Music Policy
Adam Behr
"Por Mas Musicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals
Sarah Lahasky
Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy
Gerome Guibert, Michael Spanu, and Catherine Rudent
Index
List of contributors
Acknowledgments
Live Music Studies in Perspective
Chris Anderton and Sergio Pisfil
PART I: Promotion
Festivals, Free and Unfree: Alex Cooley and the American Rock Festival
Steve Waksman
As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter
Danny Hagan
Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies
Pat O'Grady
Showcase Festivals as a Gateway to Foreign Markets
Patryk Galuszka
Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
Chris Anderton
PART II: Production
Live Sound Matters
Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder
Mobile Spectacle: Es Devlin's Pandemonium Tour Design
Glyn Davis
Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour's Supply Chain
Gabrielle Kielich
Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts
Kimi Kaerki
Part III: Consumption
Making Music Public: What Would a Sociology of Live Music Promotion Look Like?
Loic Riom
Dead Stars Live: Exploring Holograms, Liveness, and Authenticity
Kenny Forbes
Live ... as You've Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance
Andy Bennett
Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive
Stephen Loy
Part IV: Policy
Music Cities, or Cities of Music?
Christina Ballico and Dave Carter
State of Play: Tensions and Interventions in Live Music Policy
Adam Behr
"Por Mas Musicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals
Sarah Lahasky
Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy
Gerome Guibert, Michael Spanu, and Catherine Rudent
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Live Music;Live Music Industry;UK Musician;Live Music Sector;Rock Music;Live Music Venues;Live Music Events;Playback;Hatsune Miku;Festival Promoters;Led Zeppelin;Pop Stars;Live Music Activity;Allman Brothers;Showcase Festivals;Live Albums;Live Music Performance;Hospitality Coordinator;VIP;Show Promoters;UNESCO City;Local Crew;Music Industry Representatives;Covers Musicians;Atlanta Pop
List of illustrations
List of contributors
Acknowledgments
Live Music Studies in Perspective
Chris Anderton and Sergio Pisfil
PART I: Promotion
Festivals, Free and Unfree: Alex Cooley and the American Rock Festival
Steve Waksman
As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter
Danny Hagan
Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies
Pat O'Grady
Showcase Festivals as a Gateway to Foreign Markets
Patryk Galuszka
Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
Chris Anderton
PART II: Production
Live Sound Matters
Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder
Mobile Spectacle: Es Devlin's Pandemonium Tour Design
Glyn Davis
Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour's Supply Chain
Gabrielle Kielich
Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts
Kimi Kaerki
Part III: Consumption
Making Music Public: What Would a Sociology of Live Music Promotion Look Like?
Loic Riom
Dead Stars Live: Exploring Holograms, Liveness, and Authenticity
Kenny Forbes
Live ... as You've Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance
Andy Bennett
Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive
Stephen Loy
Part IV: Policy
Music Cities, or Cities of Music?
Christina Ballico and Dave Carter
State of Play: Tensions and Interventions in Live Music Policy
Adam Behr
"Por Mas Musicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals
Sarah Lahasky
Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy
Gerome Guibert, Michael Spanu, and Catherine Rudent
Index
List of contributors
Acknowledgments
Live Music Studies in Perspective
Chris Anderton and Sergio Pisfil
PART I: Promotion
Festivals, Free and Unfree: Alex Cooley and the American Rock Festival
Steve Waksman
As Long As They Go Home Safe: The Voice of the Independent Music Festival Promoter
Danny Hagan
Under the Cover of Darkness: Situating "Covers Gigs" within Live Music Ecologies
Pat O'Grady
Showcase Festivals as a Gateway to Foreign Markets
Patryk Galuszka
Disruption and Continuity: Covid-19, Live Music, and Cyclic Sociality
Chris Anderton
PART II: Production
Live Sound Matters
Christopher James Dahlie, Jos Mulder, Sergio Pisfil, and Nick Reeder
Mobile Spectacle: Es Devlin's Pandemonium Tour Design
Glyn Davis
Fulfilling the Hospitality Rider: Working Practices and Issues in a Tour's Supply Chain
Gabrielle Kielich
Vocaloid Liveness? Hatsune Miku and the Live Production of the Japanese Virtual Idol Concerts
Kimi Kaerki
Part III: Consumption
Making Music Public: What Would a Sociology of Live Music Promotion Look Like?
Loic Riom
Dead Stars Live: Exploring Holograms, Liveness, and Authenticity
Kenny Forbes
Live ... as You've Always Heard It Before: Classic Rock, Technology, and the Re-positioning of Authenticity in Live Music Performance
Andy Bennett
Approaching the Live from a Distance: The Unofficial Led Zeppelin Archive
Stephen Loy
Part IV: Policy
Music Cities, or Cities of Music?
Christina Ballico and Dave Carter
State of Play: Tensions and Interventions in Live Music Policy
Adam Behr
"Por Mas Musicas Mujeres en Vivo!": The Live Music Female Quota Law and Its Implications for Argentine Music Festivals
Sarah Lahasky
Beyond Live Shows: Regulation and Innovation in the French Live Music Video Economy
Gerome Guibert, Michael Spanu, and Catherine Rudent
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Live Music;Live Music Industry;UK Musician;Live Music Sector;Rock Music;Live Music Venues;Live Music Events;Playback;Hatsune Miku;Festival Promoters;Led Zeppelin;Pop Stars;Live Music Activity;Allman Brothers;Showcase Festivals;Live Albums;Live Music Performance;Hospitality Coordinator;VIP;Show Promoters;UNESCO City;Local Crew;Music Industry Representatives;Covers Musicians;Atlanta Pop