Queering the Migrant in Contemporary European Cinema

Queering the Migrant in Contemporary European Cinema

Williams, James S.

Taylor & Francis Ltd

04/2022

294

Mole

Inglês

9780367532130

15 a 20 dias

453

Descrição não disponível.
Introduction 'Queering The Migrant: Being Beyond Borders' James S. Williams Part I: Transmigration of Bodies and Borders 2. 'The Ghostly Queer Migrant: Queering Time, Place, and Family in Contemporary German Cinema' 3. 'Trans-ing Gender Boundaries and National Borders: Rethinking Identity in Merzak Allouache's Chouchou (2003) and Angelina Maccarone's Fremde Haut/Unveiled (2005)' 4. 'Transnational and Migrant Queer Affects in Two Basque Films' 5. 'Queering the Cinematic Field: Migrant Love and Beauty in Rural Europe' Part II: Refuge, (Non-)hospitality, and (Anti-)Utopia 6. 'Post-communist and Queer: Eastern European Queer Migrants on Screen' 7. 'Eastern Boys (2013): Hospitality, Trauma, Kinship, and the State' 8. 'Almost Haven: Queer Migrants' Temporary Refuge in Israel in Paper Dolls (2006), The Bubble (2006), and Out in the Dark (2012)' 9. 'We are all in Xenialand: Queer poetics, Citizenship and Hospitality in Panos H. Koutras's Xenia' Part III: Space, Belonging, and (Anti-)Sociality 10. 'Queer Belongings: Recent Irish Migrant Cinema' 11. 'From Migration To Drift: Forging Queer Migrant Spaces and Transborder Relations in Contemporary French Cinema' 12. 'Trans-regional Optics and Queer Affiliations in the work of Jonas Carpignano' 13. 'Inside Out: Invaders, Migrants, Borders, and Queering the Belgian Family' Part IV: Absence and In/visibility: the Queer Post-Migrant 14. '''The Real Deal': Queering Danish National Identity' 15. 'Integration, perforce?: (De)queering, (De)abjectifying, and Victimising the Migrant and Minority Figure in Contemporary European Cinema' 16. 'Facing the Queer Migrant in Nordic Noir' Part V: Curating Queer Migrant Cinema 17. Interview between Sudeep Dasgupta and James S. Williams
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Queer Migration;Young Man;European Cinema;Nordic Noir;homonationalism;Migrant Cinema;immigration;SVT;diaspora;Migrant Figure;LGBTQ experience;Queer Refugees;marginalisation;Eva;migration in cinema;Long Shot;LGBTIQ+ nationals;Dirty Pretty Things;queer migrant;Paper Dolls;European films;Contemporary European Cinema;Van Der Weyden;Queer Temporality;non-Jewish Migrants;Merzak Allouache;Natural Beauty;Belgian Identity;Eastern European Cinema;Tel Aviv;Queer Cinema;LGBT Refugee;Irish Cinema;Ivory Coast;Cinematic Field