Words, Music, and the Popular
portes grátis
Words, Music, and the Popular
Global Perspectives on Intermedial Relations
Gurke, Thomas; Winnett, Susan
Springer Nature Switzerland AG
01/2022
262
Dura
Inglês
9783030855420
15 a 20 dias
488
Descrição não disponível.
1: Words, Music, and the Popular.- 2: Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular.- 3: Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretation of Two Dylan Songs.- 4: Freewheelin' with Adorno Down Highway 61:Bob Dylan's Transformative Electric Turn.- 5: Which Side is this Ex-Beatle on? A Reassessment of the 1970s Rock Press' Framing, Interpretation, and Consideration of Paul McCartney and Wings.- 6: PJ Harvey as a Modern War Poet: How Let England Shake Challenges 'English England' Through the Pastoral.- 7: Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing.- 8: A Melopoetic Struggle Between East and West:Mickiewicz and the Popular Idiom.- 9: Post-Sovietness of the Popular: the West, the post-Soviet Ukrainian Audience, and the Major Ukrainian Pop Star (1990s).- 10: Cafe-Concert Parodies of Lohengrin (Wagner) and Othello (Verdi) in the Context of Popularisation Efforts of the Opera de Paris in the 1890s.- 11: "...the world wanted to bleed all the sass out my name": Interrogating the Popularity of Words and Music in Tyehimba Jess's Olio.- 12: William H. Gass and the (Un)popularity of Words as Music.
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intermediality;popularity;music;national identity;jazz;hip hop;pop music;power structures
1: Words, Music, and the Popular.- 2: Of Silent Notation and Historiographic Relationality: Words, Music, and Notions of the Popular.- 3: Experiencing Dylan: The Effect of Formal Structure and Performance on the Popularity and Interpretation of Two Dylan Songs.- 4: Freewheelin' with Adorno Down Highway 61:Bob Dylan's Transformative Electric Turn.- 5: Which Side is this Ex-Beatle on? A Reassessment of the 1970s Rock Press' Framing, Interpretation, and Consideration of Paul McCartney and Wings.- 6: PJ Harvey as a Modern War Poet: How Let England Shake Challenges 'English England' Through the Pastoral.- 7: Transmedia Performance in Scandinavian Singalong Shows: On the Transmediation of Liveness and Participation in Community Singing.- 8: A Melopoetic Struggle Between East and West:Mickiewicz and the Popular Idiom.- 9: Post-Sovietness of the Popular: the West, the post-Soviet Ukrainian Audience, and the Major Ukrainian Pop Star (1990s).- 10: Cafe-Concert Parodies of Lohengrin (Wagner) and Othello (Verdi) in the Context of Popularisation Efforts of the Opera de Paris in the 1890s.- 11: "...the world wanted to bleed all the sass out my name": Interrogating the Popularity of Words and Music in Tyehimba Jess's Olio.- 12: William H. Gass and the (Un)popularity of Words as Music.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
