On Popular Music and Its Unruly Entanglements
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On Popular Music and Its Unruly Entanglements
Braae, Nick; Hansen, Kai Arne
Springer Nature Switzerland AG
12/2020
269
Mole
Inglês
9783030181017
15 a 20 dias
454
Descrição não disponível.
Introduction; Nick Braae and Kai Arne Hansen.- Section I: Broad Strokes.- 1. Scratching the Surface: Texts and Textures in Music Studies-or, Musicology without Music; Kyle Devine.- 2. From Music Analysis to Narrative Reading: A Case Study of Recorded Popular Song; Alex C. Harden.- 3. Kristeva and Popular Music; Nathan Wiseman-Trowse.- 4. The Shape of the Voice: Analyzing Vocal Gestures in Irish Traditional Music and Popular Song; Blaithin Duggan.- 5. It's a Dark Philosophy: The Weeknd, Intermediality, and the Aestheticization of Provocative Themes; Kai Arne Hansen .- Section II: Second Takes.- 6. Treating Cultural Trauma with Music: The Representation of War in the Music of Bruce Springsteen; Susanna Vaelimaeki.- 7. Linear Temporality in Popular Song; Nick Braae.- 8. "To Prepare a Face to Meet the Faces that you Meet": The Instrumental Retrowave Persona; Andrei Sora.- 9. Electric Affinities: Wagner, Hendrix, and the Thingness of Sound; Erik Steinskog.- Section III: Entanglements.- 10. Timbre, Genre, and Polystylism in Video Game Music; Megan Lavengood.- 11. A Musical Exploration of Incongruity and its Humorous Effects; Ragnhild Brovig-Hanssen.- 12. The Empowerment of the Listener in Kendrick Lamar's "Backseat Freestyle"; Steven Gamble.- 13. Psychedelic Ways of Listening: A Gothic Case Study; Claire Rebecca Bannister.- 14. Taken by Strum: Ukulele Jamming as Musical Experience; Matthew Bannister.- Afterword; Allan F. Moore.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Popular Music Research;Popular Music Analysis;Popular Music Space;Musicological Methodology;Musicology and Theory
Introduction; Nick Braae and Kai Arne Hansen.- Section I: Broad Strokes.- 1. Scratching the Surface: Texts and Textures in Music Studies-or, Musicology without Music; Kyle Devine.- 2. From Music Analysis to Narrative Reading: A Case Study of Recorded Popular Song; Alex C. Harden.- 3. Kristeva and Popular Music; Nathan Wiseman-Trowse.- 4. The Shape of the Voice: Analyzing Vocal Gestures in Irish Traditional Music and Popular Song; Blaithin Duggan.- 5. It's a Dark Philosophy: The Weeknd, Intermediality, and the Aestheticization of Provocative Themes; Kai Arne Hansen .- Section II: Second Takes.- 6. Treating Cultural Trauma with Music: The Representation of War in the Music of Bruce Springsteen; Susanna Vaelimaeki.- 7. Linear Temporality in Popular Song; Nick Braae.- 8. "To Prepare a Face to Meet the Faces that you Meet": The Instrumental Retrowave Persona; Andrei Sora.- 9. Electric Affinities: Wagner, Hendrix, and the Thingness of Sound; Erik Steinskog.- Section III: Entanglements.- 10. Timbre, Genre, and Polystylism in Video Game Music; Megan Lavengood.- 11. A Musical Exploration of Incongruity and its Humorous Effects; Ragnhild Brovig-Hanssen.- 12. The Empowerment of the Listener in Kendrick Lamar's "Backseat Freestyle"; Steven Gamble.- 13. Psychedelic Ways of Listening: A Gothic Case Study; Claire Rebecca Bannister.- 14. Taken by Strum: Ukulele Jamming as Musical Experience; Matthew Bannister.- Afterword; Allan F. Moore.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
