Playgrounds
portes grátis
Playgrounds
Urban Theatrical Culture in Shakespeare's England and Golden Age Spain
Amelang, David J.
Taylor & Francis Ltd
12/2022
205
Dura
Inglês
9781032399447
15 a 20 dias
562
Descrição não disponível.
List of Illustrations
Acknowledgements
Introduction
Chapter One: Cities
England and Spain's Theatrical Capitals
Early Urban Theatre Districts
The Place of Theatres in English and Spanish Society
Playhouse Locations after Consolidation
Chapter Two: Playhouses
Why did English and Spanish Theatres Look so much Alike? A Few Genealogical Conjectures
The Organic Corral vs the Immutable Theatre
Seeing and Hearing (and Being Seen) in England and Spain's Playhouses
Beyond the Bare Stage: Machines, Candles, Multi-Platforms
Interlude 1: Why did Madrid Not Have a Blackfriars?
Chapter Three: Players
Professional Playmakers in Early Modern Society
Company Models, Structure and Organisation
Touring Practices
Who Played the Female Roles? Women and Children on the Commercial Stage
Chapter Four: Dramatists
The Making of a Professional Playwright
Verse, Prose and Polymetry
Dramatic Genre(s)
Quantities of Writing and Notions of Artistry
Interlude 2: Professional Actresses: To Have and Have Not (and How it Made a Difference)
Chapter Five: Playbooks
Playbook vs Play: Printing Theatre in England and Spain
Publication Strategies, Licensing and Censorship
The Playbook in the Literacy Marketplace
Other Documents of Performance
Conclusion
Works Cited
Index
Acknowledgements
Introduction
Chapter One: Cities
England and Spain's Theatrical Capitals
Early Urban Theatre Districts
The Place of Theatres in English and Spanish Society
Playhouse Locations after Consolidation
Chapter Two: Playhouses
Why did English and Spanish Theatres Look so much Alike? A Few Genealogical Conjectures
The Organic Corral vs the Immutable Theatre
Seeing and Hearing (and Being Seen) in England and Spain's Playhouses
Beyond the Bare Stage: Machines, Candles, Multi-Platforms
Interlude 1: Why did Madrid Not Have a Blackfriars?
Chapter Three: Players
Professional Playmakers in Early Modern Society
Company Models, Structure and Organisation
Touring Practices
Who Played the Female Roles? Women and Children on the Commercial Stage
Chapter Four: Dramatists
The Making of a Professional Playwright
Verse, Prose and Polymetry
Dramatic Genre(s)
Quantities of Writing and Notions of Artistry
Interlude 2: Professional Actresses: To Have and Have Not (and How it Made a Difference)
Chapter Five: Playbooks
Playbook vs Play: Printing Theatre in England and Spain
Publication Strategies, Licensing and Censorship
The Playbook in the Literacy Marketplace
Other Documents of Performance
Conclusion
Works Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Golden Age Spain;Lope De Vega;Corral De;Vice Versa;Comedia Nueva;Shakespearean England;Theatre Impresarios;Commercial Playhouses;Corral De La;Philip III;London Amphitheatres;Professional Actress;Lope's Theatre;Performance Venue;Early Modern Spanish Theatre;De Comedias;Tiring House Wall;Corral Del;Young Men;Spanish Plays;Public Playhouses;Pedro De Urdemalas;Comedias Sueltas;Double Falsehood;Don Quijote
List of Illustrations
Acknowledgements
Introduction
Chapter One: Cities
England and Spain's Theatrical Capitals
Early Urban Theatre Districts
The Place of Theatres in English and Spanish Society
Playhouse Locations after Consolidation
Chapter Two: Playhouses
Why did English and Spanish Theatres Look so much Alike? A Few Genealogical Conjectures
The Organic Corral vs the Immutable Theatre
Seeing and Hearing (and Being Seen) in England and Spain's Playhouses
Beyond the Bare Stage: Machines, Candles, Multi-Platforms
Interlude 1: Why did Madrid Not Have a Blackfriars?
Chapter Three: Players
Professional Playmakers in Early Modern Society
Company Models, Structure and Organisation
Touring Practices
Who Played the Female Roles? Women and Children on the Commercial Stage
Chapter Four: Dramatists
The Making of a Professional Playwright
Verse, Prose and Polymetry
Dramatic Genre(s)
Quantities of Writing and Notions of Artistry
Interlude 2: Professional Actresses: To Have and Have Not (and How it Made a Difference)
Chapter Five: Playbooks
Playbook vs Play: Printing Theatre in England and Spain
Publication Strategies, Licensing and Censorship
The Playbook in the Literacy Marketplace
Other Documents of Performance
Conclusion
Works Cited
Index
Acknowledgements
Introduction
Chapter One: Cities
England and Spain's Theatrical Capitals
Early Urban Theatre Districts
The Place of Theatres in English and Spanish Society
Playhouse Locations after Consolidation
Chapter Two: Playhouses
Why did English and Spanish Theatres Look so much Alike? A Few Genealogical Conjectures
The Organic Corral vs the Immutable Theatre
Seeing and Hearing (and Being Seen) in England and Spain's Playhouses
Beyond the Bare Stage: Machines, Candles, Multi-Platforms
Interlude 1: Why did Madrid Not Have a Blackfriars?
Chapter Three: Players
Professional Playmakers in Early Modern Society
Company Models, Structure and Organisation
Touring Practices
Who Played the Female Roles? Women and Children on the Commercial Stage
Chapter Four: Dramatists
The Making of a Professional Playwright
Verse, Prose and Polymetry
Dramatic Genre(s)
Quantities of Writing and Notions of Artistry
Interlude 2: Professional Actresses: To Have and Have Not (and How it Made a Difference)
Chapter Five: Playbooks
Playbook vs Play: Printing Theatre in England and Spain
Publication Strategies, Licensing and Censorship
The Playbook in the Literacy Marketplace
Other Documents of Performance
Conclusion
Works Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Golden Age Spain;Lope De Vega;Corral De;Vice Versa;Comedia Nueva;Shakespearean England;Theatre Impresarios;Commercial Playhouses;Corral De La;Philip III;London Amphitheatres;Professional Actress;Lope's Theatre;Performance Venue;Early Modern Spanish Theatre;De Comedias;Tiring House Wall;Corral Del;Young Men;Spanish Plays;Public Playhouses;Pedro De Urdemalas;Comedias Sueltas;Double Falsehood;Don Quijote
