African Shakespeare

Introduction Section One: Subversions 1. Social (Mis)Conduct, Yoruba Moral Epistemology, and Wesoo, Hamlet! 2. The Politics and Political Aesthetics of Shakespeare's (Re)Sources. 3. Ways of Retelling Shakespeare's The Tempest across Time and Space 4. Playing with the Un/Dead: Translation, Memory and the Politics of Gendered Identity in Femi Osofisan's Wesoo, Hamlet! Section Two: Appropriations 5. The Merchant, the Capitalists and the Usurer: The Merchant of Venice in East Africa between Nation and Self 6. Refracted from the Canon: The Transmuted Form of Europe's Ambassador in Africa 7. Julius Nyerere's Translation of Julius Caesar: A Question of Political Relevance Section Three: Negotiations 8. "You all did love him once, not without cause": Shakespeare, Discourse and the Rise and Fall of Robert Mugabe of Zimbabwe 9. Shakespearean Drama in the Context of Crisis: Playing Out Language, Power and Politics in Zimbabwe's 'New Dispensation' 10. Shakespeare and Soyinka: A Fight Against the Rotten

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• Peças de Shakespeare
• Poesia
• Estudos regionais
• Estudos literários: peças e dramaturgos
• Estudos literários: c 1500 a c 1800

shakespeare;decoloniality;post-coloniality;nation-building;state corruption;African literature;Shakespeare studies;appropriations;African theatre