Music by Subscription
portes grátis
Music by Subscription
Composers and their Networks in the British Music-Publishing Trade, 1676-1820
Fleming, Simon D.I.; Perkins, Martin
Taylor & Francis Ltd
12/2021
254
Dura
Inglês
9780367748500
15 a 20 dias
657
Descrição não disponível.
Chapter 1. Introduction. Simon D. I. Fleming and Matin Perkins
Section 1. The Production of Musical Works by Subscription
Chapter 2. Thomas Mace and the Publication by Subscription of Musick's Monument (1676). Stephanie Carter
Chapter 3. Cecilia Maria Barthelemon's Three Sonatas, op 1. Michael Kassler
Chapter 4. Maria Hester Park and her Subscribers. Lise Karin Meling
Chapter 5. Publishing Music by Subscription in Eighteenth-Century Edinburgh: John Watlen and his Collections of Circus Tunes. Simon D. I. Fleming
Chapter 6. William Felton and John Pixell: The Musical Circles of the Vicar Composer. Simon D. I. Fleming
Section 2. The Consumption of Music Published by Subscription
Chapter 7. Gentry, Servants, and Musicians: A Network of Subscribers in North-East England. Roz Southey
Chapter 8. The Music-Making of the Bridgeman Family, Weston Park. Martin Perkins
Chapter 9. A Big Data Study: Musical Societies in Subscription Lists. Simon D. I. Fleming and Martin Perkins
Chapter 10. Strathspeys, Reels, and Instrumental Airs: A National Product. Karen E. McAulay
Chapter 11. Profiting from the Slave Economy and Subscribing to Music: The British Experience in the Eighteenth Century. David Hunter
Chapter 12. Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain. Simon D. I. Fleming
Section 1. The Production of Musical Works by Subscription
Chapter 2. Thomas Mace and the Publication by Subscription of Musick's Monument (1676). Stephanie Carter
Chapter 3. Cecilia Maria Barthelemon's Three Sonatas, op 1. Michael Kassler
Chapter 4. Maria Hester Park and her Subscribers. Lise Karin Meling
Chapter 5. Publishing Music by Subscription in Eighteenth-Century Edinburgh: John Watlen and his Collections of Circus Tunes. Simon D. I. Fleming
Chapter 6. William Felton and John Pixell: The Musical Circles of the Vicar Composer. Simon D. I. Fleming
Section 2. The Consumption of Music Published by Subscription
Chapter 7. Gentry, Servants, and Musicians: A Network of Subscribers in North-East England. Roz Southey
Chapter 8. The Music-Making of the Bridgeman Family, Weston Park. Martin Perkins
Chapter 9. A Big Data Study: Musical Societies in Subscription Lists. Simon D. I. Fleming and Martin Perkins
Chapter 10. Strathspeys, Reels, and Instrumental Airs: A National Product. Karen E. McAulay
Chapter 11. Profiting from the Slave Economy and Subscribing to Music: The British Experience in the Eighteenth Century. David Hunter
Chapter 12. Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain. Simon D. I. Fleming
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
National Library;IMSLP;Hathi Trust;King George III;Piano Forte;Subscription Lists;East Indies;Subscription Method;Music Sellers;Weston Park;Catch Club;Oxford Musical Society;Keyboard Concerto;Edinburgh Musical Society;Vicar Choral;Musical Society;Local Musical Society;Gentlemen's Catch Club;Musick's Monument;Accompanied Keyboard Sonatas;Scottish Music;Women Subscribers;Antonio Vivaldi;City's Musical Life;Scottish Dance Music
Chapter 1. Introduction. Simon D. I. Fleming and Matin Perkins
Section 1. The Production of Musical Works by Subscription
Chapter 2. Thomas Mace and the Publication by Subscription of Musick's Monument (1676). Stephanie Carter
Chapter 3. Cecilia Maria Barthelemon's Three Sonatas, op 1. Michael Kassler
Chapter 4. Maria Hester Park and her Subscribers. Lise Karin Meling
Chapter 5. Publishing Music by Subscription in Eighteenth-Century Edinburgh: John Watlen and his Collections of Circus Tunes. Simon D. I. Fleming
Chapter 6. William Felton and John Pixell: The Musical Circles of the Vicar Composer. Simon D. I. Fleming
Section 2. The Consumption of Music Published by Subscription
Chapter 7. Gentry, Servants, and Musicians: A Network of Subscribers in North-East England. Roz Southey
Chapter 8. The Music-Making of the Bridgeman Family, Weston Park. Martin Perkins
Chapter 9. A Big Data Study: Musical Societies in Subscription Lists. Simon D. I. Fleming and Martin Perkins
Chapter 10. Strathspeys, Reels, and Instrumental Airs: A National Product. Karen E. McAulay
Chapter 11. Profiting from the Slave Economy and Subscribing to Music: The British Experience in the Eighteenth Century. David Hunter
Chapter 12. Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain. Simon D. I. Fleming
Section 1. The Production of Musical Works by Subscription
Chapter 2. Thomas Mace and the Publication by Subscription of Musick's Monument (1676). Stephanie Carter
Chapter 3. Cecilia Maria Barthelemon's Three Sonatas, op 1. Michael Kassler
Chapter 4. Maria Hester Park and her Subscribers. Lise Karin Meling
Chapter 5. Publishing Music by Subscription in Eighteenth-Century Edinburgh: John Watlen and his Collections of Circus Tunes. Simon D. I. Fleming
Chapter 6. William Felton and John Pixell: The Musical Circles of the Vicar Composer. Simon D. I. Fleming
Section 2. The Consumption of Music Published by Subscription
Chapter 7. Gentry, Servants, and Musicians: A Network of Subscribers in North-East England. Roz Southey
Chapter 8. The Music-Making of the Bridgeman Family, Weston Park. Martin Perkins
Chapter 9. A Big Data Study: Musical Societies in Subscription Lists. Simon D. I. Fleming and Martin Perkins
Chapter 10. Strathspeys, Reels, and Instrumental Airs: A National Product. Karen E. McAulay
Chapter 11. Profiting from the Slave Economy and Subscribing to Music: The British Experience in the Eighteenth Century. David Hunter
Chapter 12. Foreign Composers, the Subscription Market, and the Popularity of Continental Music in Eighteenth-Century Britain. Simon D. I. Fleming
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
National Library;IMSLP;Hathi Trust;King George III;Piano Forte;Subscription Lists;East Indies;Subscription Method;Music Sellers;Weston Park;Catch Club;Oxford Musical Society;Keyboard Concerto;Edinburgh Musical Society;Vicar Choral;Musical Society;Local Musical Society;Gentlemen's Catch Club;Musick's Monument;Accompanied Keyboard Sonatas;Scottish Music;Women Subscribers;Antonio Vivaldi;City's Musical Life;Scottish Dance Music
