Musical World of Charles Avison
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Musical World of Charles Avison
Melodic Charm and the Powers of Harmony
Fleming, Simon D.I.
Taylor & Francis Ltd
12/2024
312
Dura
9781032406015
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Library Sigla
List of Figures
List of Musical Examples
List of Tables
Chapter 1. Introduction
Chapter 2. Avison in Newcastle and London.
Chapter 3. Earliest Works: the Opus 1 Trio Sonatas of 1737.
Chapter 4. The First Concertos, 1740-47.
Chapter 5. Reworkings and the Scarlatti Concertos of 1744.
Chapter 6. Avison's Vocal Music.
Chapter 7. William Hayes and the Concertos Opus 3 and 4.
Chapter 8. New Directions: The Accompanied Keyboard Sonatas Opus 5, 7 and 8.
Chapter 9. Looking forwards: The Opus 6 Concertos of 1758 and Twenty Six Concertos ... in Score.
Chapter 10. Looking Backwards: The Late Concertos, 1765-69.
Chapter 11. The Reception of Avison's Music during his Lifetime.
Chapter 12. The Afterlife of Avison's Music and his Reputation as a Musician.
Chapter 13. Concluding Thoughts.
Index
List of Figures
List of Musical Examples
List of Tables
Chapter 1. Introduction
Chapter 2. Avison in Newcastle and London.
Chapter 3. Earliest Works: the Opus 1 Trio Sonatas of 1737.
Chapter 4. The First Concertos, 1740-47.
Chapter 5. Reworkings and the Scarlatti Concertos of 1744.
Chapter 6. Avison's Vocal Music.
Chapter 7. William Hayes and the Concertos Opus 3 and 4.
Chapter 8. New Directions: The Accompanied Keyboard Sonatas Opus 5, 7 and 8.
Chapter 9. Looking forwards: The Opus 6 Concertos of 1758 and Twenty Six Concertos ... in Score.
Chapter 10. Looking Backwards: The Late Concertos, 1765-69.
Chapter 11. The Reception of Avison's Music during his Lifetime.
Chapter 12. The Afterlife of Avison's Music and his Reputation as a Musician.
Chapter 13. Concluding Thoughts.
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Charles Avison;English music;British music;Classical music;18th century music;Georgian music;Eighteenth century music;Musicology;Music history;Instrumental music;Scarlatti;Composers
Library Sigla
List of Figures
List of Musical Examples
List of Tables
Chapter 1. Introduction
Chapter 2. Avison in Newcastle and London.
Chapter 3. Earliest Works: the Opus 1 Trio Sonatas of 1737.
Chapter 4. The First Concertos, 1740-47.
Chapter 5. Reworkings and the Scarlatti Concertos of 1744.
Chapter 6. Avison's Vocal Music.
Chapter 7. William Hayes and the Concertos Opus 3 and 4.
Chapter 8. New Directions: The Accompanied Keyboard Sonatas Opus 5, 7 and 8.
Chapter 9. Looking forwards: The Opus 6 Concertos of 1758 and Twenty Six Concertos ... in Score.
Chapter 10. Looking Backwards: The Late Concertos, 1765-69.
Chapter 11. The Reception of Avison's Music during his Lifetime.
Chapter 12. The Afterlife of Avison's Music and his Reputation as a Musician.
Chapter 13. Concluding Thoughts.
Index
List of Figures
List of Musical Examples
List of Tables
Chapter 1. Introduction
Chapter 2. Avison in Newcastle and London.
Chapter 3. Earliest Works: the Opus 1 Trio Sonatas of 1737.
Chapter 4. The First Concertos, 1740-47.
Chapter 5. Reworkings and the Scarlatti Concertos of 1744.
Chapter 6. Avison's Vocal Music.
Chapter 7. William Hayes and the Concertos Opus 3 and 4.
Chapter 8. New Directions: The Accompanied Keyboard Sonatas Opus 5, 7 and 8.
Chapter 9. Looking forwards: The Opus 6 Concertos of 1758 and Twenty Six Concertos ... in Score.
Chapter 10. Looking Backwards: The Late Concertos, 1765-69.
Chapter 11. The Reception of Avison's Music during his Lifetime.
Chapter 12. The Afterlife of Avison's Music and his Reputation as a Musician.
Chapter 13. Concluding Thoughts.
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
