Livecasting in Twenty-First-Century British Theatre
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Livecasting in Twenty-First-Century British Theatre
NT Live and the Aesthetics of Spectacle, Materiality and Engagement
Liedke, Heidi Lucja
Bloomsbury Publishing PLC
01/2025
240
Mole
9781350341005
Pré-lançamento - envio 15 a 20 dias após a sua edição
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List of Figures
Acknowledgements
Introduction: Locating Livecasting - Twenty-First Century British Theatre on the Threshold
Locating Livecasting
Constructing the Live
Distractions, Slippages and Turns: Spectacle - Archive
Research Overview
Aims and Structure of the Book
Part I: Spectacle and Materiality
Chapter 1. Old New Media: The Optionality of the Theatre Space and Different Forms of Embodiment in Early Live Theatre and Music Broadcasting
Early Broadcasting Technologies as Substitutes
Acousmatic Livecasting in the Nineteenth Century: Visual Landscapes
Not A Substitute for the Real Thing - The NT's Dip Into Broadcasting in the 1940s and 1950s
The Launch of NT Live
Then and Now: The Fifth Auditorium
Chapter 2. Watching Others Having Fun - Livecasting as Spectacle
The Best of British Theatre
Spectacle and Theatre on Screens - Images and Deception
Sports Events, Spectacle and NT Live
Framing Livecasting: Mediated Spectacle and Communitas
Livecasting as Affective Spectacle: A Midsummer Night's Dream (Bridge Theatre/NT Live)
Chapter 3. Capturing the Atmosphere: The Material-Theatrical
A Word on Wires, Screens and Electricians from a Brechtian Perspective
Theatrical and Cinematic Modes - Filmed Theatre
Spatially Extended Atmospheres: The Materiality of the Theatrical Space Shifts
Making the Theatrical Experience Porous: Stuttering Screens
PART II: Engagement
Chapter 4. Livecasting, Liveness, and the Feeling I
Spectator-Centric Theatre and Modes of Engagement with Livecasts
Livecasts, Liveness and "We"
Bakhtinian and Benjaminian Traces-Fabrics of Engagement
I Feel, Therefore I am (a Spectator)
Chapter 5. Quasi-Experts in the Context of Livecasting
Immediacy and Afterlife
Quasi-Experts at Work: Liveness and After-Liveness Enabled by Social Media
We Are In It Together: Critiquing the Experience Online
Against a Stagnation of Theatre
Chapter 6. Covidian Theatre: The Move to Small Screens and into Homes
Masks and Socially Distanced Theatre
Viral Affect on Screens
Covidian Theatre
Retrospective Synchronicity and NT At Home
Chapter 7. Concluding Discussion and Future Directions: What Remains of Livecasting?
Responsible Responsiveness and Liveness
What Remains of Livecasting?
Works Cited
Index
Acknowledgements
Introduction: Locating Livecasting - Twenty-First Century British Theatre on the Threshold
Locating Livecasting
Constructing the Live
Distractions, Slippages and Turns: Spectacle - Archive
Research Overview
Aims and Structure of the Book
Part I: Spectacle and Materiality
Chapter 1. Old New Media: The Optionality of the Theatre Space and Different Forms of Embodiment in Early Live Theatre and Music Broadcasting
Early Broadcasting Technologies as Substitutes
Acousmatic Livecasting in the Nineteenth Century: Visual Landscapes
Not A Substitute for the Real Thing - The NT's Dip Into Broadcasting in the 1940s and 1950s
The Launch of NT Live
Then and Now: The Fifth Auditorium
Chapter 2. Watching Others Having Fun - Livecasting as Spectacle
The Best of British Theatre
Spectacle and Theatre on Screens - Images and Deception
Sports Events, Spectacle and NT Live
Framing Livecasting: Mediated Spectacle and Communitas
Livecasting as Affective Spectacle: A Midsummer Night's Dream (Bridge Theatre/NT Live)
Chapter 3. Capturing the Atmosphere: The Material-Theatrical
A Word on Wires, Screens and Electricians from a Brechtian Perspective
Theatrical and Cinematic Modes - Filmed Theatre
Spatially Extended Atmospheres: The Materiality of the Theatrical Space Shifts
Making the Theatrical Experience Porous: Stuttering Screens
PART II: Engagement
Chapter 4. Livecasting, Liveness, and the Feeling I
Spectator-Centric Theatre and Modes of Engagement with Livecasts
Livecasts, Liveness and "We"
Bakhtinian and Benjaminian Traces-Fabrics of Engagement
I Feel, Therefore I am (a Spectator)
Chapter 5. Quasi-Experts in the Context of Livecasting
Immediacy and Afterlife
Quasi-Experts at Work: Liveness and After-Liveness Enabled by Social Media
We Are In It Together: Critiquing the Experience Online
Against a Stagnation of Theatre
Chapter 6. Covidian Theatre: The Move to Small Screens and into Homes
Masks and Socially Distanced Theatre
Viral Affect on Screens
Covidian Theatre
Retrospective Synchronicity and NT At Home
Chapter 7. Concluding Discussion and Future Directions: What Remains of Livecasting?
Responsible Responsiveness and Liveness
What Remains of Livecasting?
Works Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
National Theatre; NT Live; National Theatre Live; theatre streaming; live theatre; Ross MacGibbon; Midsummer Night's Dream; A Midsummer Night's Dream; Antony and Cleopatra; William Shakespeare; Small Island; Andrea Levy; coronavirus and theatre; coronavirus theatre; covid-19 pandemic; pandemic theatre; lockdown theatre; livestreaming
List of Figures
Acknowledgements
Introduction: Locating Livecasting - Twenty-First Century British Theatre on the Threshold
Locating Livecasting
Constructing the Live
Distractions, Slippages and Turns: Spectacle - Archive
Research Overview
Aims and Structure of the Book
Part I: Spectacle and Materiality
Chapter 1. Old New Media: The Optionality of the Theatre Space and Different Forms of Embodiment in Early Live Theatre and Music Broadcasting
Early Broadcasting Technologies as Substitutes
Acousmatic Livecasting in the Nineteenth Century: Visual Landscapes
Not A Substitute for the Real Thing - The NT's Dip Into Broadcasting in the 1940s and 1950s
The Launch of NT Live
Then and Now: The Fifth Auditorium
Chapter 2. Watching Others Having Fun - Livecasting as Spectacle
The Best of British Theatre
Spectacle and Theatre on Screens - Images and Deception
Sports Events, Spectacle and NT Live
Framing Livecasting: Mediated Spectacle and Communitas
Livecasting as Affective Spectacle: A Midsummer Night's Dream (Bridge Theatre/NT Live)
Chapter 3. Capturing the Atmosphere: The Material-Theatrical
A Word on Wires, Screens and Electricians from a Brechtian Perspective
Theatrical and Cinematic Modes - Filmed Theatre
Spatially Extended Atmospheres: The Materiality of the Theatrical Space Shifts
Making the Theatrical Experience Porous: Stuttering Screens
PART II: Engagement
Chapter 4. Livecasting, Liveness, and the Feeling I
Spectator-Centric Theatre and Modes of Engagement with Livecasts
Livecasts, Liveness and "We"
Bakhtinian and Benjaminian Traces-Fabrics of Engagement
I Feel, Therefore I am (a Spectator)
Chapter 5. Quasi-Experts in the Context of Livecasting
Immediacy and Afterlife
Quasi-Experts at Work: Liveness and After-Liveness Enabled by Social Media
We Are In It Together: Critiquing the Experience Online
Against a Stagnation of Theatre
Chapter 6. Covidian Theatre: The Move to Small Screens and into Homes
Masks and Socially Distanced Theatre
Viral Affect on Screens
Covidian Theatre
Retrospective Synchronicity and NT At Home
Chapter 7. Concluding Discussion and Future Directions: What Remains of Livecasting?
Responsible Responsiveness and Liveness
What Remains of Livecasting?
Works Cited
Index
Acknowledgements
Introduction: Locating Livecasting - Twenty-First Century British Theatre on the Threshold
Locating Livecasting
Constructing the Live
Distractions, Slippages and Turns: Spectacle - Archive
Research Overview
Aims and Structure of the Book
Part I: Spectacle and Materiality
Chapter 1. Old New Media: The Optionality of the Theatre Space and Different Forms of Embodiment in Early Live Theatre and Music Broadcasting
Early Broadcasting Technologies as Substitutes
Acousmatic Livecasting in the Nineteenth Century: Visual Landscapes
Not A Substitute for the Real Thing - The NT's Dip Into Broadcasting in the 1940s and 1950s
The Launch of NT Live
Then and Now: The Fifth Auditorium
Chapter 2. Watching Others Having Fun - Livecasting as Spectacle
The Best of British Theatre
Spectacle and Theatre on Screens - Images and Deception
Sports Events, Spectacle and NT Live
Framing Livecasting: Mediated Spectacle and Communitas
Livecasting as Affective Spectacle: A Midsummer Night's Dream (Bridge Theatre/NT Live)
Chapter 3. Capturing the Atmosphere: The Material-Theatrical
A Word on Wires, Screens and Electricians from a Brechtian Perspective
Theatrical and Cinematic Modes - Filmed Theatre
Spatially Extended Atmospheres: The Materiality of the Theatrical Space Shifts
Making the Theatrical Experience Porous: Stuttering Screens
PART II: Engagement
Chapter 4. Livecasting, Liveness, and the Feeling I
Spectator-Centric Theatre and Modes of Engagement with Livecasts
Livecasts, Liveness and "We"
Bakhtinian and Benjaminian Traces-Fabrics of Engagement
I Feel, Therefore I am (a Spectator)
Chapter 5. Quasi-Experts in the Context of Livecasting
Immediacy and Afterlife
Quasi-Experts at Work: Liveness and After-Liveness Enabled by Social Media
We Are In It Together: Critiquing the Experience Online
Against a Stagnation of Theatre
Chapter 6. Covidian Theatre: The Move to Small Screens and into Homes
Masks and Socially Distanced Theatre
Viral Affect on Screens
Covidian Theatre
Retrospective Synchronicity and NT At Home
Chapter 7. Concluding Discussion and Future Directions: What Remains of Livecasting?
Responsible Responsiveness and Liveness
What Remains of Livecasting?
Works Cited
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
National Theatre; NT Live; National Theatre Live; theatre streaming; live theatre; Ross MacGibbon; Midsummer Night's Dream; A Midsummer Night's Dream; Antony and Cleopatra; William Shakespeare; Small Island; Andrea Levy; coronavirus and theatre; coronavirus theatre; covid-19 pandemic; pandemic theatre; lockdown theatre; livestreaming