Icons of Sound
portes grátis
Icons of Sound
Voice, Architecture, and Imagination in Medieval Art
Pentcheva, Bissera
Taylor & Francis Ltd
11/2020
254
Dura
Inglês
9780367440879
15 a 20 dias
453
Descrição não disponível.
Introduction
Bissera V. Pentcheva
1. Singing Doors: Images, Space, and Sound in the Santa Sabina Narthex
Ivan Foletti
2. Sights and Sounds of the Armenian Night Office, as Performed at Ani: A Collation of the Archaeological, Historical, and Liturgical Evidence
Christina Maranci
3. The Glittering Sound of Hagia Sophia and the Feast of the Exaltation of the Cross in Constantinople
Bissera V. Pentcheva
4. Transcendent Visions: Voice and Icon in the Byzantine Imperial Chapels
Bissera V. Pentcheva
5. Echoes and Silences of Liturgy: Liturgical Inscriptions and the Temporality of Medieval Rituals
Vincent Debiais
6. Sound, Space, and Sensory Perception: The Easter Mass in the Liturgy of San Marco, Venice
Deborah Howard
7. The Marble Tempest: Material Imagination, the Echoes of Nostos, and the Transfiguration of Myth in Romanesque Sculpture
Francisco Prado-Vilar
Epilogue: A Voice from beyond the Grave: Tintoretto among the Art Historians
Alexander Nemerov
Bissera V. Pentcheva
1. Singing Doors: Images, Space, and Sound in the Santa Sabina Narthex
Ivan Foletti
2. Sights and Sounds of the Armenian Night Office, as Performed at Ani: A Collation of the Archaeological, Historical, and Liturgical Evidence
Christina Maranci
3. The Glittering Sound of Hagia Sophia and the Feast of the Exaltation of the Cross in Constantinople
Bissera V. Pentcheva
4. Transcendent Visions: Voice and Icon in the Byzantine Imperial Chapels
Bissera V. Pentcheva
5. Echoes and Silences of Liturgy: Liturgical Inscriptions and the Temporality of Medieval Rituals
Vincent Debiais
6. Sound, Space, and Sensory Perception: The Easter Mass in the Liturgy of San Marco, Venice
Deborah Howard
7. The Marble Tempest: Material Imagination, the Echoes of Nostos, and the Transfiguration of Myth in Romanesque Sculpture
Francisco Prado-Vilar
Epilogue: A Voice from beyond the Grave: Tintoretto among the Art Historians
Alexander Nemerov
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Cathedral Rite;Fieldwork Archives;medieval art;Byzantine Chant;medieval music;Della;medieval architecture;Acoustic Model;medieval chant;Emperor Leo VI;medieval religion;Leo VI;chant;Santiago Cathedral;vocal music;Majestas Domini;sound studies;National Library;voice studies;Kars Region;music and visual culture;Santiago De Compostela;music and art;Jacopo Sansovino;music and architecture;Codex Calixtinus;sound studies and art;Night Office;sound studies and architecture;Theodore Psalter;medieval church;Night Service;medieval churches;Syrophoenician Woman;Palace Chapel;Byzantine church;Easter Mass;Byzantine art;Dino Compagni;Byzantine music;Jacopo Robusti;Latin chant;Tintoretto;church music;Hortus Deliciarum;soundscape;Palatine Chapels;Hagia Sophia;Romanesque sculpture;Armenian church;church liturgy;medieval liturgy;Church of San Marco;digital humanities;Santa Sabina;aurality;acoustics;Architectural spaces;Iconostasis
Introduction
Bissera V. Pentcheva
1. Singing Doors: Images, Space, and Sound in the Santa Sabina Narthex
Ivan Foletti
2. Sights and Sounds of the Armenian Night Office, as Performed at Ani: A Collation of the Archaeological, Historical, and Liturgical Evidence
Christina Maranci
3. The Glittering Sound of Hagia Sophia and the Feast of the Exaltation of the Cross in Constantinople
Bissera V. Pentcheva
4. Transcendent Visions: Voice and Icon in the Byzantine Imperial Chapels
Bissera V. Pentcheva
5. Echoes and Silences of Liturgy: Liturgical Inscriptions and the Temporality of Medieval Rituals
Vincent Debiais
6. Sound, Space, and Sensory Perception: The Easter Mass in the Liturgy of San Marco, Venice
Deborah Howard
7. The Marble Tempest: Material Imagination, the Echoes of Nostos, and the Transfiguration of Myth in Romanesque Sculpture
Francisco Prado-Vilar
Epilogue: A Voice from beyond the Grave: Tintoretto among the Art Historians
Alexander Nemerov
Bissera V. Pentcheva
1. Singing Doors: Images, Space, and Sound in the Santa Sabina Narthex
Ivan Foletti
2. Sights and Sounds of the Armenian Night Office, as Performed at Ani: A Collation of the Archaeological, Historical, and Liturgical Evidence
Christina Maranci
3. The Glittering Sound of Hagia Sophia and the Feast of the Exaltation of the Cross in Constantinople
Bissera V. Pentcheva
4. Transcendent Visions: Voice and Icon in the Byzantine Imperial Chapels
Bissera V. Pentcheva
5. Echoes and Silences of Liturgy: Liturgical Inscriptions and the Temporality of Medieval Rituals
Vincent Debiais
6. Sound, Space, and Sensory Perception: The Easter Mass in the Liturgy of San Marco, Venice
Deborah Howard
7. The Marble Tempest: Material Imagination, the Echoes of Nostos, and the Transfiguration of Myth in Romanesque Sculpture
Francisco Prado-Vilar
Epilogue: A Voice from beyond the Grave: Tintoretto among the Art Historians
Alexander Nemerov
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Cathedral Rite;Fieldwork Archives;medieval art;Byzantine Chant;medieval music;Della;medieval architecture;Acoustic Model;medieval chant;Emperor Leo VI;medieval religion;Leo VI;chant;Santiago Cathedral;vocal music;Majestas Domini;sound studies;National Library;voice studies;Kars Region;music and visual culture;Santiago De Compostela;music and art;Jacopo Sansovino;music and architecture;Codex Calixtinus;sound studies and art;Night Office;sound studies and architecture;Theodore Psalter;medieval church;Night Service;medieval churches;Syrophoenician Woman;Palace Chapel;Byzantine church;Easter Mass;Byzantine art;Dino Compagni;Byzantine music;Jacopo Robusti;Latin chant;Tintoretto;church music;Hortus Deliciarum;soundscape;Palatine Chapels;Hagia Sophia;Romanesque sculpture;Armenian church;church liturgy;medieval liturgy;Church of San Marco;digital humanities;Santa Sabina;aurality;acoustics;Architectural spaces;Iconostasis
