Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music
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Tonus Peregrinus: The History of a Psalm-tone and its use in Polyphonic Music
Lundberg, Mattias
Taylor & Francis Ltd
10/2024
338
Mole
9781032921686
15 a 20 dias
Descrição não disponível.
Contents: Preface; Theory, method and conventions; Historical background of the tonus peregrinus in monophonic practice; Singled out as a model: the tonus peregrinus in polyphony before 1500; The role of the tonus peregrinus in the extended modal systems of Glareanus and Zarlino; The rise of an idiom: the tonus peregrinus in French court liturgies of the 16th century; Ambitious obbligo or lack of invention: the tonus peregrinus in Italian-speaking areas during the 16th century; Liberty with rigour: the tonus peregrinus in 16th-century Iberian music; Total thematicism and multi-texted motets: the tonus peregrinus in 16th-century Roman Catholic liturgies of Northern and Central Europe; Mit Szonderlicher Ziemlicher Weisz: the tonus peregrinus in 16th-century Lutheranism; In Faburden and upon Faburden: the tonus peregrinus in 16th-century English liturgies; One applied and one discreet method: the tonus peregrinus in Roman Catholicism 1600-1750; A hand-maiden of many different voices: the tonus peregrinus in Lutheranism 1600-1750; The continuing tradition: the tonus peregrinus in music after 1750; Conclusions; Bibliography; General index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
cantus;firmus;setting;recitation;degree;german;magnificat;text;nunc;dimittis;Tonus Peregrinus;Cantus Firmus;Tonus Peregrinus Setting;Wolfgang Amadeus Mozart;Orlando Di Lasso;Orlandus Lassus;Gyffard Partbooks;Recitation Degree;German Magnificat;Te Decet Hymnus;Lutheran Composers;Latin Magnificat;Recitation Formula;Basso Continuo;Scolica Enchiriadis;Claudin De Sermisy;Psalm Motets;Vexilla Regis Prodeunt;Cantus Prius Factus;Magnificat Settings;Missa Pro Defunctis;Ein Feste Burg Ist Unser;Requiem Mass;Miserere Mei;Psalm Settings
Contents: Preface; Theory, method and conventions; Historical background of the tonus peregrinus in monophonic practice; Singled out as a model: the tonus peregrinus in polyphony before 1500; The role of the tonus peregrinus in the extended modal systems of Glareanus and Zarlino; The rise of an idiom: the tonus peregrinus in French court liturgies of the 16th century; Ambitious obbligo or lack of invention: the tonus peregrinus in Italian-speaking areas during the 16th century; Liberty with rigour: the tonus peregrinus in 16th-century Iberian music; Total thematicism and multi-texted motets: the tonus peregrinus in 16th-century Roman Catholic liturgies of Northern and Central Europe; Mit Szonderlicher Ziemlicher Weisz: the tonus peregrinus in 16th-century Lutheranism; In Faburden and upon Faburden: the tonus peregrinus in 16th-century English liturgies; One applied and one discreet method: the tonus peregrinus in Roman Catholicism 1600-1750; A hand-maiden of many different voices: the tonus peregrinus in Lutheranism 1600-1750; The continuing tradition: the tonus peregrinus in music after 1750; Conclusions; Bibliography; General index.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
cantus;firmus;setting;recitation;degree;german;magnificat;text;nunc;dimittis;Tonus Peregrinus;Cantus Firmus;Tonus Peregrinus Setting;Wolfgang Amadeus Mozart;Orlando Di Lasso;Orlandus Lassus;Gyffard Partbooks;Recitation Degree;German Magnificat;Te Decet Hymnus;Lutheran Composers;Latin Magnificat;Recitation Formula;Basso Continuo;Scolica Enchiriadis;Claudin De Sermisy;Psalm Motets;Vexilla Regis Prodeunt;Cantus Prius Factus;Magnificat Settings;Missa Pro Defunctis;Ein Feste Burg Ist Unser;Requiem Mass;Miserere Mei;Psalm Settings
