Atrocity and Early Modern Drama
portes grátis
Atrocity and Early Modern Drama
Hopkins, Professor Lisa; Lucas, Georgina; Johnson, Sarah; Bruster, Professor Douglas
Bloomsbury Publishing PLC
01/2025
304
Dura
9781350272392
Pré-lançamento - envio 15 a 20 dias após a sua edição
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List of Illustrations
Notes on Contributors
1.Georgina Lucas (Independent scholar) and Sarah Johnson (Royal Military College of Canada), 'Introduction'
Part One: Typologies
2. Sarah Johnson (Royal Military College of Canada), 'War Crimes and Erasure in John Fletcher's The
Tragedy of Bonduca'
3. Kirsten Mendoza (University of Dayton, Ohio, USA), 'The Poetics of Violated Property: Rape and Race on the Early
Modern Stage'
4. Matt Carter (University of North Carolina at Greensboro, USA), 'Dismemberment, Cannibalism, and Revenge in
Thomas Dekker and Thomas Middleton's The Bloody Banquet'
5. Jennifer Feather (University of North Carolina at Greensboro, USA), 'The Merchant of Venice and Environmental
Atrocity'
6. Catherine Clifford (Graceland University, USA), 'Accidents and Atrocities in the Elizabethan Tournament'
Part Two: Performance
7. Edel Lamb (Queen's University, Belfast, UK), '"When the hurly-burly's done": Shakespeare after the Astor Place
Riots'
8. Georgina Lucas (Independent Scholar), 'Rwanda and Juliet: Shakespeare and Post-Genocide Reconciliation'
9. Ramona Wray (Queen's University, Belfast, UK), 'Televising Atrocity and The Hollow Crown: Changing
Technologies and "Renaissance" Aesthetics'
10. Brandi Adams (Arizona State University, USA), '"[S]poyling, slaughter, and sondry torments": Atrocities in
Shakespeare's Henriad and David Michod and Joel Edgerton's The King'
Part Three: Pedagogy
11. Patricia Cahill (Emory University, USA), 'Starting with Witchcraft: Atrocity in the Classroom'
12. Matthieu Chapman (State University of New York at New Paltz, USA), 'The Atrocity of Denying Black Being in
Shakespearean Performance'
13. Nora Williams (University of Essex, UK), 'Disrupting Atrocious Dramaturgies in Measure for Measure'
Notes
References
Index
Notes on Contributors
1.Georgina Lucas (Independent scholar) and Sarah Johnson (Royal Military College of Canada), 'Introduction'
Part One: Typologies
2. Sarah Johnson (Royal Military College of Canada), 'War Crimes and Erasure in John Fletcher's The
Tragedy of Bonduca'
3. Kirsten Mendoza (University of Dayton, Ohio, USA), 'The Poetics of Violated Property: Rape and Race on the Early
Modern Stage'
4. Matt Carter (University of North Carolina at Greensboro, USA), 'Dismemberment, Cannibalism, and Revenge in
Thomas Dekker and Thomas Middleton's The Bloody Banquet'
5. Jennifer Feather (University of North Carolina at Greensboro, USA), 'The Merchant of Venice and Environmental
Atrocity'
6. Catherine Clifford (Graceland University, USA), 'Accidents and Atrocities in the Elizabethan Tournament'
Part Two: Performance
7. Edel Lamb (Queen's University, Belfast, UK), '"When the hurly-burly's done": Shakespeare after the Astor Place
Riots'
8. Georgina Lucas (Independent Scholar), 'Rwanda and Juliet: Shakespeare and Post-Genocide Reconciliation'
9. Ramona Wray (Queen's University, Belfast, UK), 'Televising Atrocity and The Hollow Crown: Changing
Technologies and "Renaissance" Aesthetics'
10. Brandi Adams (Arizona State University, USA), '"[S]poyling, slaughter, and sondry torments": Atrocities in
Shakespeare's Henriad and David Michod and Joel Edgerton's The King'
Part Three: Pedagogy
11. Patricia Cahill (Emory University, USA), 'Starting with Witchcraft: Atrocity in the Classroom'
12. Matthieu Chapman (State University of New York at New Paltz, USA), 'The Atrocity of Denying Black Being in
Shakespearean Performance'
13. Nora Williams (University of Essex, UK), 'Disrupting Atrocious Dramaturgies in Measure for Measure'
Notes
References
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Shakespeare; Macbeth; violence; massacre; teaching; George Peele; John Fletcher; Middleton; Dekker; film; contemporary theatre; cinema; class; race; crime; rape; gender; performance; stage; learning; Renaissance; environment; New York; Rwanda; television; witchcraft; acting; adaptations; inequality
List of Illustrations
Notes on Contributors
1.Georgina Lucas (Independent scholar) and Sarah Johnson (Royal Military College of Canada), 'Introduction'
Part One: Typologies
2. Sarah Johnson (Royal Military College of Canada), 'War Crimes and Erasure in John Fletcher's The
Tragedy of Bonduca'
3. Kirsten Mendoza (University of Dayton, Ohio, USA), 'The Poetics of Violated Property: Rape and Race on the Early
Modern Stage'
4. Matt Carter (University of North Carolina at Greensboro, USA), 'Dismemberment, Cannibalism, and Revenge in
Thomas Dekker and Thomas Middleton's The Bloody Banquet'
5. Jennifer Feather (University of North Carolina at Greensboro, USA), 'The Merchant of Venice and Environmental
Atrocity'
6. Catherine Clifford (Graceland University, USA), 'Accidents and Atrocities in the Elizabethan Tournament'
Part Two: Performance
7. Edel Lamb (Queen's University, Belfast, UK), '"When the hurly-burly's done": Shakespeare after the Astor Place
Riots'
8. Georgina Lucas (Independent Scholar), 'Rwanda and Juliet: Shakespeare and Post-Genocide Reconciliation'
9. Ramona Wray (Queen's University, Belfast, UK), 'Televising Atrocity and The Hollow Crown: Changing
Technologies and "Renaissance" Aesthetics'
10. Brandi Adams (Arizona State University, USA), '"[S]poyling, slaughter, and sondry torments": Atrocities in
Shakespeare's Henriad and David Michod and Joel Edgerton's The King'
Part Three: Pedagogy
11. Patricia Cahill (Emory University, USA), 'Starting with Witchcraft: Atrocity in the Classroom'
12. Matthieu Chapman (State University of New York at New Paltz, USA), 'The Atrocity of Denying Black Being in
Shakespearean Performance'
13. Nora Williams (University of Essex, UK), 'Disrupting Atrocious Dramaturgies in Measure for Measure'
Notes
References
Index
Notes on Contributors
1.Georgina Lucas (Independent scholar) and Sarah Johnson (Royal Military College of Canada), 'Introduction'
Part One: Typologies
2. Sarah Johnson (Royal Military College of Canada), 'War Crimes and Erasure in John Fletcher's The
Tragedy of Bonduca'
3. Kirsten Mendoza (University of Dayton, Ohio, USA), 'The Poetics of Violated Property: Rape and Race on the Early
Modern Stage'
4. Matt Carter (University of North Carolina at Greensboro, USA), 'Dismemberment, Cannibalism, and Revenge in
Thomas Dekker and Thomas Middleton's The Bloody Banquet'
5. Jennifer Feather (University of North Carolina at Greensboro, USA), 'The Merchant of Venice and Environmental
Atrocity'
6. Catherine Clifford (Graceland University, USA), 'Accidents and Atrocities in the Elizabethan Tournament'
Part Two: Performance
7. Edel Lamb (Queen's University, Belfast, UK), '"When the hurly-burly's done": Shakespeare after the Astor Place
Riots'
8. Georgina Lucas (Independent Scholar), 'Rwanda and Juliet: Shakespeare and Post-Genocide Reconciliation'
9. Ramona Wray (Queen's University, Belfast, UK), 'Televising Atrocity and The Hollow Crown: Changing
Technologies and "Renaissance" Aesthetics'
10. Brandi Adams (Arizona State University, USA), '"[S]poyling, slaughter, and sondry torments": Atrocities in
Shakespeare's Henriad and David Michod and Joel Edgerton's The King'
Part Three: Pedagogy
11. Patricia Cahill (Emory University, USA), 'Starting with Witchcraft: Atrocity in the Classroom'
12. Matthieu Chapman (State University of New York at New Paltz, USA), 'The Atrocity of Denying Black Being in
Shakespearean Performance'
13. Nora Williams (University of Essex, UK), 'Disrupting Atrocious Dramaturgies in Measure for Measure'
Notes
References
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
