Aboriginal Art and Australian Racial Hegemony

Prologue. Introduction. 1. Developing a decolonising consciousness 2. Decolonising through listening, agonism, and border thinking 3. Decolonising methodology: Autonomy, accountability, and reflexivity 4. Decolonising methodology: Art, agency, and reflexivity 5. Stylistic representations of identity: Art, autonomy, and authenticity 6. Stylistic representations of identity: 'Knowing your roots' 7. Country and kincentric ecology: Sentiency and Marnpi 8. Country and kincentric ecology: Connecting with and re-encountering country 9. The Barka: The sentience of water 10. The Barka: Resisting cultural eviction. Conclusion

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• Artes: temas gerais
• Museus e museologia
• Antropologia
• Historia da arte / estilos de arte e design

Decolonising;reconciliation;contrapuntalism;border-thinking;water rights;kincentric;contested place;settler-colonialism;indigenous art;decolonising methods;agonism;indigenous Australia;River Red Gums;Broken Hill;Whanganui River;non-Indigenous Populations;Indigenous Epistemologies;Darling River;non-Indigenous People;Eurocentric Epistemological;Dream Catchers;Wedge Tail Eagle;Wider Socio-cultural Contexts;Ancestral Beings;Border Thinking;Torre Strait Islander People;non-Indigenous Researcher;non-Indigenous Australians;Socio-cultural Differences;Murray Darling Basin;Settler Colonial Spaces;Great Australian Silence;Message Sticks;Colonial Power Matrix;Deep Listening;Indigenous Rock Art;Reflexive Contemplation