Red Years of Cahiers du cinema (1968-1973)

Volume I: Ideology and Politics
Acknowledgements
A Note on Translations
Introduction

Part I Theories of Ideology
1. "Cinema/Ideologie/Critique": An Epistemological Break?
2. Jean-Louis Comolli and Jean Narboni: Crossed Lives
3. Decalages: "Young Mr. Lincoln de John Ford"
4. "La Vicariance du Pouvoir" and the Battle of Othon
5. "Technique et Ideologie" by Jean-Louis Comolli
6. Afterlives of the Apparatus

Part II Engagements with Politics
7. The Radicalization of Cahiers: 1963-1969
8. Cahiers du cinema and the Rapprochement with the PCF: 1969-1971
9. Cahiers du cinema's Turn to Maoism: 1971-1973
10. Cahiers du cinema and Jean-Luc Godard
11. Cahiers du cinema in the "Post-gauchiste" Era: 1973-1981
12. Bernard Eisenschitz: Cinema, Communism and History
13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema

Volume II: Aesthetics and Ontology

Part III Questions of Aesthetics
14. Encounters with Structuralism
15. Beyond Structuralism: Film Form and Ecriture
16. Re-reading Classical Cinema
17. The Defense and Critique of Cinematic Modernism
18. Encountering the World Through Cinema
19. The Film Aesthetics of Jacques Aumont
20. Two Cine-fils: Pascal Kane and Serge Daney

Part IV Encounters with Ontology
21. The Bazinian Legacy
22. Jean-Pierre Oudart and Suture
23. Realism and Psychoanalysis in Pierre Baudry
24. Partial Vision: The Theory and Filmmaking of Pascal Bonitzer
25. The Brain is the Screen: Cahiers du cinema and Gilles Deleuze
26. Film Ontology in the Age of "New" Media

Conclusion
Index of Names Cited

Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.

• Teoria e crítica de filmes
• Marxismo e Comunismo
• História social e cultural

Cahiers du cinema, film theory, apparatus theory, political modernism, French cinema