Experimental Cinemas in State-Socialist Eastern Europe

Acknowledgments 7
Introduction (Ksenya Gurshtein and Sonja Simonyi)

Part I Key Figures
1. The Experimentalism of Gabor Body (Gabor Gelencser)
2. Circles, Lines, and Documentary Designs: Tomislav Gotovac's Belgrade Trilogy (Greg de Cuir Jr.)
3. From the Workshop of the Film Form to Martial Law: On the Intersecting and Bifurcating Paths of Pawel Kwiek's and Jozef Robakowski's Cinematographic Work in the 1970s and the 1980s (Lukasz Mojsak)

Part II Production, Support, and Distribution
4. Amateur Cinema in Bulgaria (Vladimir Iliev with Katerina Lambrinova)
5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski (Masha Shpolberg)
6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Dilas and Tatjana Ivancic (Petra Belc)

Part III Viewing Contexts, Theories, and Reception
7. Alone in the Cinemascope (Aleksandar Boskovic)
8. kinema ikon-Experiments in Motion (1970-89) (Ileana L. Selejan)
9. AudioVision: Sound, Music, and Noise in East German Experimental Films (Seth Howes)

Part IV Intersection of the Arts
10. Intersections of Art and Film on the Wroclaw Art Scene, 1970-80 (Marika Kuzmicz)
11. Conceptual Artist, Cognitive Film: Miklos Erdely at the Balazs Bela Studio (Ksenya Gurshtein)
12. Works and Words, 1979: Manifesting Eastern European Film and/as Art in Amsterdam (Sonja Simonyi)
13. Wizardry on a Shoestring: Carodej and Experimental Filmmaking in Late Socialist Czechoslovakia (Tomas Glanc)

Index

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• Marxismo e Comunismo
• A Guerra Fria
• Teoria e crítica de filmes

Film studies, Experimental/avant-garde film, Eastern European cinema, Postwar film history, Cold War