New Queer Gothic
portes grátis
New Queer Gothic
Reading Queer Girls and Women in Contemporary Fiction and Film
Ollett, Robyn
University of Wales Press
04/2024
256
Dura
Inglês
9781837721382
15 a 20 dias
Descrição não disponível.
Introduction
Part One
Chapter One: "She herself is a haunted house": The Origins of The New Queer Gothic in work of Twentieth Century Women Writers: Shirley Jackson, Angela Carter, Maryse Conde, Anne Rice, Jewel Gomez, and Sarah Waters
Chapter Two: Miles away from Screwing? The Queer Gothic Child in John Harding's Florence and Giles (2010)
Part Two
Chapter Three: "What happened to my sweet girl?": Conventions of The New Queer Gothic and Queer Subjectivity in Black Swan (2010) and Jack and Diane (2012)
Chapter Four: "The Saviour who came to tear my life apart": The Queer Postcolonial Gothic of Park Chan-wook's The Handmaiden (2016)
Part Three
Chapter Five: Queering the Cannibal in Julia Ducournau's Raw (2016)
Chapter Six: "She would never fall, because her friend was flying with her": Gothic Hybridity, Queer Girls and Exceptional States in Helen Oyeyemi's The Icarus Girl (2005) and M. R. Carey's The Girl with all the Gifts (2014)
Conclusion: Queering Gender and Queers of Colour in The New Queer Gothic
Part One
Chapter One: "She herself is a haunted house": The Origins of The New Queer Gothic in work of Twentieth Century Women Writers: Shirley Jackson, Angela Carter, Maryse Conde, Anne Rice, Jewel Gomez, and Sarah Waters
Chapter Two: Miles away from Screwing? The Queer Gothic Child in John Harding's Florence and Giles (2010)
Part Two
Chapter Three: "What happened to my sweet girl?": Conventions of The New Queer Gothic and Queer Subjectivity in Black Swan (2010) and Jack and Diane (2012)
Chapter Four: "The Saviour who came to tear my life apart": The Queer Postcolonial Gothic of Park Chan-wook's The Handmaiden (2016)
Part Three
Chapter Five: Queering the Cannibal in Julia Ducournau's Raw (2016)
Chapter Six: "She would never fall, because her friend was flying with her": Gothic Hybridity, Queer Girls and Exceptional States in Helen Oyeyemi's The Icarus Girl (2005) and M. R. Carey's The Girl with all the Gifts (2014)
Conclusion: Queering Gender and Queers of Colour in The New Queer Gothic
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Women; Contemporary; Fiction; Film; Ollett; Robyn; New; Queer; Gothic; Reading; Girls
Introduction
Part One
Chapter One: "She herself is a haunted house": The Origins of The New Queer Gothic in work of Twentieth Century Women Writers: Shirley Jackson, Angela Carter, Maryse Conde, Anne Rice, Jewel Gomez, and Sarah Waters
Chapter Two: Miles away from Screwing? The Queer Gothic Child in John Harding's Florence and Giles (2010)
Part Two
Chapter Three: "What happened to my sweet girl?": Conventions of The New Queer Gothic and Queer Subjectivity in Black Swan (2010) and Jack and Diane (2012)
Chapter Four: "The Saviour who came to tear my life apart": The Queer Postcolonial Gothic of Park Chan-wook's The Handmaiden (2016)
Part Three
Chapter Five: Queering the Cannibal in Julia Ducournau's Raw (2016)
Chapter Six: "She would never fall, because her friend was flying with her": Gothic Hybridity, Queer Girls and Exceptional States in Helen Oyeyemi's The Icarus Girl (2005) and M. R. Carey's The Girl with all the Gifts (2014)
Conclusion: Queering Gender and Queers of Colour in The New Queer Gothic
Part One
Chapter One: "She herself is a haunted house": The Origins of The New Queer Gothic in work of Twentieth Century Women Writers: Shirley Jackson, Angela Carter, Maryse Conde, Anne Rice, Jewel Gomez, and Sarah Waters
Chapter Two: Miles away from Screwing? The Queer Gothic Child in John Harding's Florence and Giles (2010)
Part Two
Chapter Three: "What happened to my sweet girl?": Conventions of The New Queer Gothic and Queer Subjectivity in Black Swan (2010) and Jack and Diane (2012)
Chapter Four: "The Saviour who came to tear my life apart": The Queer Postcolonial Gothic of Park Chan-wook's The Handmaiden (2016)
Part Three
Chapter Five: Queering the Cannibal in Julia Ducournau's Raw (2016)
Chapter Six: "She would never fall, because her friend was flying with her": Gothic Hybridity, Queer Girls and Exceptional States in Helen Oyeyemi's The Icarus Girl (2005) and M. R. Carey's The Girl with all the Gifts (2014)
Conclusion: Queering Gender and Queers of Colour in The New Queer Gothic
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
