Mary Butts
portes grátis
Mary Butts
Necessary Contradictions and Feminist Reconstructions
Hawkes, Dr. Joel
Bloomsbury Publishing Plc
05/2024
272
Dura
Inglês
9781501380716
15 a 20 dias
Descrição não disponível.
List of Figures
Opening Art 1. Response to Mary Butts, Inspired by Jean Cocteau (Lupe Nunez-Fernandez)
Opening Art 2. Response to Cover Art for Ashe of Rings, Inspired by Salterns (Lupe Nunez-Fernandez)
Foreword (Danny Israel, Mary Butts's grandson)
Introduction Through a Series of Letters (Joel Hawkes, University of Victoria, Canada)
Part I. Rhythms
1. (Knight's Move) Reimagined Letters, and the Making of an Artist's Book Edition of Mary Butts's Imaginary Letters (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK)
- (Response) Reimagining Mary Butts's Queer Imaginary Letters as Artist Book (Jane Garrity, University of Colorado Boulder, USA)
2. (Classical) (Re)Constructions of Gender, Time, and Space, with the Medium as Guide (Jenna Marco, University of South Carolina, USA)
- (Response) Mary Butts's Mediums and Models of Popular Female Authorship (Indu Ohri, Boston University, USA)
3. (Knight's Move) A Year at Salterns (Leigh Rocha, Current owner of Salterns and primary school teacher, UK)
- (Response) A House Removed from History (Stanislava Dikova, University of Edinburgh, UK)
Part II. Resistance
4. (Classical) Rights, Property, and Preservation in Mary Butts's Armed with Madness (Stanislava Dikova, University of Edinburgh, UK)
- (Response) "Rights, Property, and Preservation in Mary Butts's Armed with Madness" (Sanna Melin Schyllert, Universite de Nantes, France)
5. (Classical) I Like Mary Butts (and I Cannot Lie) (Stephen Ross, University of Victoria, Canada)
- (Response) "I cannot lie" (Rosyln Reso Foy, Tulane University, USA)
6. (Knight's Move) Mary Butts, Her Work and Papers, and an Interview with Camilla Bagg (Rosyln Reso Foy, Tulane University, USA)
- (Response) What It Means to Own a Text (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK)
7. (Classical) "He Is glad to think of me tied to the soil at last." Mary Butts and the Motherhood Problem (Sanna Melin Schyllert, Universite de Nantes, France)
- (Response) Mary Butts & the Motherhood Problem (Leigh Rocha, Current owner of Salterns and primary school teacher, UK)
Part III. Recoveries
8. "Queer devils" and "beastly indulgences" in Mary Butts's Unborn Gods (Jane Garrity, University of Colorado Boulder, USA)
- (Response) "Queer Devils" (Jenna Marco, University of South Carolina, USA)
9. (Knight's Move) Who's Afraid of Mary Butts? (Bruce McPherson, editor and publisher of McPherson & Company, USA)
- (Response) (Re)discovering Mary Butts (Joel Hawkes, University of Victoria, Canada)
10. (Classical) Reconstructing Miltonic Elegies and Freudian Coincidences. Mary Butts's Queer Theory of Signatures in Her Cornish Stories (Indu Ohri, Boston University, USA)
- (Response) "Signatures of all things visible which I am here to read" (Stephen Ross, University of Victoria, Canada)
Afterword (Andrew Radford, University of Glasgow, UK)
Closing Art. Response to Cover Art of Armed with Madness (Lupe Nunez-Fernandez)
Acknowledgments
Notes on Contributors
Index
Opening Art 1. Response to Mary Butts, Inspired by Jean Cocteau (Lupe Nunez-Fernandez)
Opening Art 2. Response to Cover Art for Ashe of Rings, Inspired by Salterns (Lupe Nunez-Fernandez)
Foreword (Danny Israel, Mary Butts's grandson)
Introduction Through a Series of Letters (Joel Hawkes, University of Victoria, Canada)
Part I. Rhythms
1. (Knight's Move) Reimagined Letters, and the Making of an Artist's Book Edition of Mary Butts's Imaginary Letters (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK)
- (Response) Reimagining Mary Butts's Queer Imaginary Letters as Artist Book (Jane Garrity, University of Colorado Boulder, USA)
2. (Classical) (Re)Constructions of Gender, Time, and Space, with the Medium as Guide (Jenna Marco, University of South Carolina, USA)
- (Response) Mary Butts's Mediums and Models of Popular Female Authorship (Indu Ohri, Boston University, USA)
3. (Knight's Move) A Year at Salterns (Leigh Rocha, Current owner of Salterns and primary school teacher, UK)
- (Response) A House Removed from History (Stanislava Dikova, University of Edinburgh, UK)
Part II. Resistance
4. (Classical) Rights, Property, and Preservation in Mary Butts's Armed with Madness (Stanislava Dikova, University of Edinburgh, UK)
- (Response) "Rights, Property, and Preservation in Mary Butts's Armed with Madness" (Sanna Melin Schyllert, Universite de Nantes, France)
5. (Classical) I Like Mary Butts (and I Cannot Lie) (Stephen Ross, University of Victoria, Canada)
- (Response) "I cannot lie" (Rosyln Reso Foy, Tulane University, USA)
6. (Knight's Move) Mary Butts, Her Work and Papers, and an Interview with Camilla Bagg (Rosyln Reso Foy, Tulane University, USA)
- (Response) What It Means to Own a Text (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK)
7. (Classical) "He Is glad to think of me tied to the soil at last." Mary Butts and the Motherhood Problem (Sanna Melin Schyllert, Universite de Nantes, France)
- (Response) Mary Butts & the Motherhood Problem (Leigh Rocha, Current owner of Salterns and primary school teacher, UK)
Part III. Recoveries
8. "Queer devils" and "beastly indulgences" in Mary Butts's Unborn Gods (Jane Garrity, University of Colorado Boulder, USA)
- (Response) "Queer Devils" (Jenna Marco, University of South Carolina, USA)
9. (Knight's Move) Who's Afraid of Mary Butts? (Bruce McPherson, editor and publisher of McPherson & Company, USA)
- (Response) (Re)discovering Mary Butts (Joel Hawkes, University of Victoria, Canada)
10. (Classical) Reconstructing Miltonic Elegies and Freudian Coincidences. Mary Butts's Queer Theory of Signatures in Her Cornish Stories (Indu Ohri, Boston University, USA)
- (Response) "Signatures of all things visible which I am here to read" (Stephen Ross, University of Victoria, Canada)
Afterword (Andrew Radford, University of Glasgow, UK)
Closing Art. Response to Cover Art of Armed with Madness (Lupe Nunez-Fernandez)
Acknowledgments
Notes on Contributors
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
List of Figures
Opening Art 1. Response to Mary Butts, Inspired by Jean Cocteau (Lupe Nunez-Fernandez)
Opening Art 2. Response to Cover Art for Ashe of Rings, Inspired by Salterns (Lupe Nunez-Fernandez)
Foreword (Danny Israel, Mary Butts's grandson)
Introduction Through a Series of Letters (Joel Hawkes, University of Victoria, Canada)
Part I. Rhythms
1. (Knight's Move) Reimagined Letters, and the Making of an Artist's Book Edition of Mary Butts's Imaginary Letters (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK)
- (Response) Reimagining Mary Butts's Queer Imaginary Letters as Artist Book (Jane Garrity, University of Colorado Boulder, USA)
2. (Classical) (Re)Constructions of Gender, Time, and Space, with the Medium as Guide (Jenna Marco, University of South Carolina, USA)
- (Response) Mary Butts's Mediums and Models of Popular Female Authorship (Indu Ohri, Boston University, USA)
3. (Knight's Move) A Year at Salterns (Leigh Rocha, Current owner of Salterns and primary school teacher, UK)
- (Response) A House Removed from History (Stanislava Dikova, University of Edinburgh, UK)
Part II. Resistance
4. (Classical) Rights, Property, and Preservation in Mary Butts's Armed with Madness (Stanislava Dikova, University of Edinburgh, UK)
- (Response) "Rights, Property, and Preservation in Mary Butts's Armed with Madness" (Sanna Melin Schyllert, Universite de Nantes, France)
5. (Classical) I Like Mary Butts (and I Cannot Lie) (Stephen Ross, University of Victoria, Canada)
- (Response) "I cannot lie" (Rosyln Reso Foy, Tulane University, USA)
6. (Knight's Move) Mary Butts, Her Work and Papers, and an Interview with Camilla Bagg (Rosyln Reso Foy, Tulane University, USA)
- (Response) What It Means to Own a Text (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK)
7. (Classical) "He Is glad to think of me tied to the soil at last." Mary Butts and the Motherhood Problem (Sanna Melin Schyllert, Universite de Nantes, France)
- (Response) Mary Butts & the Motherhood Problem (Leigh Rocha, Current owner of Salterns and primary school teacher, UK)
Part III. Recoveries
8. "Queer devils" and "beastly indulgences" in Mary Butts's Unborn Gods (Jane Garrity, University of Colorado Boulder, USA)
- (Response) "Queer Devils" (Jenna Marco, University of South Carolina, USA)
9. (Knight's Move) Who's Afraid of Mary Butts? (Bruce McPherson, editor and publisher of McPherson & Company, USA)
- (Response) (Re)discovering Mary Butts (Joel Hawkes, University of Victoria, Canada)
10. (Classical) Reconstructing Miltonic Elegies and Freudian Coincidences. Mary Butts's Queer Theory of Signatures in Her Cornish Stories (Indu Ohri, Boston University, USA)
- (Response) "Signatures of all things visible which I am here to read" (Stephen Ross, University of Victoria, Canada)
Afterword (Andrew Radford, University of Glasgow, UK)
Closing Art. Response to Cover Art of Armed with Madness (Lupe Nunez-Fernandez)
Acknowledgments
Notes on Contributors
Index
Opening Art 1. Response to Mary Butts, Inspired by Jean Cocteau (Lupe Nunez-Fernandez)
Opening Art 2. Response to Cover Art for Ashe of Rings, Inspired by Salterns (Lupe Nunez-Fernandez)
Foreword (Danny Israel, Mary Butts's grandson)
Introduction Through a Series of Letters (Joel Hawkes, University of Victoria, Canada)
Part I. Rhythms
1. (Knight's Move) Reimagined Letters, and the Making of an Artist's Book Edition of Mary Butts's Imaginary Letters (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK)
- (Response) Reimagining Mary Butts's Queer Imaginary Letters as Artist Book (Jane Garrity, University of Colorado Boulder, USA)
2. (Classical) (Re)Constructions of Gender, Time, and Space, with the Medium as Guide (Jenna Marco, University of South Carolina, USA)
- (Response) Mary Butts's Mediums and Models of Popular Female Authorship (Indu Ohri, Boston University, USA)
3. (Knight's Move) A Year at Salterns (Leigh Rocha, Current owner of Salterns and primary school teacher, UK)
- (Response) A House Removed from History (Stanislava Dikova, University of Edinburgh, UK)
Part II. Resistance
4. (Classical) Rights, Property, and Preservation in Mary Butts's Armed with Madness (Stanislava Dikova, University of Edinburgh, UK)
- (Response) "Rights, Property, and Preservation in Mary Butts's Armed with Madness" (Sanna Melin Schyllert, Universite de Nantes, France)
5. (Classical) I Like Mary Butts (and I Cannot Lie) (Stephen Ross, University of Victoria, Canada)
- (Response) "I cannot lie" (Rosyln Reso Foy, Tulane University, USA)
6. (Knight's Move) Mary Butts, Her Work and Papers, and an Interview with Camilla Bagg (Rosyln Reso Foy, Tulane University, USA)
- (Response) What It Means to Own a Text (Tim Hopkins, Artist, Printer and Founder of Half Pint Press, UK)
7. (Classical) "He Is glad to think of me tied to the soil at last." Mary Butts and the Motherhood Problem (Sanna Melin Schyllert, Universite de Nantes, France)
- (Response) Mary Butts & the Motherhood Problem (Leigh Rocha, Current owner of Salterns and primary school teacher, UK)
Part III. Recoveries
8. "Queer devils" and "beastly indulgences" in Mary Butts's Unborn Gods (Jane Garrity, University of Colorado Boulder, USA)
- (Response) "Queer Devils" (Jenna Marco, University of South Carolina, USA)
9. (Knight's Move) Who's Afraid of Mary Butts? (Bruce McPherson, editor and publisher of McPherson & Company, USA)
- (Response) (Re)discovering Mary Butts (Joel Hawkes, University of Victoria, Canada)
10. (Classical) Reconstructing Miltonic Elegies and Freudian Coincidences. Mary Butts's Queer Theory of Signatures in Her Cornish Stories (Indu Ohri, Boston University, USA)
- (Response) "Signatures of all things visible which I am here to read" (Stephen Ross, University of Victoria, Canada)
Afterword (Andrew Radford, University of Glasgow, UK)
Closing Art. Response to Cover Art of Armed with Madness (Lupe Nunez-Fernandez)
Acknowledgments
Notes on Contributors
Index
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