Re-Choreographing Cortical & Cartographic Maps
portes grátis
Re-Choreographing Cortical & Cartographic Maps
Going West to Find East Going East to Find West
Daniel, Henry
Intellect
11/2022
296
Dura
Inglês
9781789386714
15 a 20 dias
Descrição não disponível.
List of Figures
Acknowledgements
Prologue
ACT 1
1. Autoethnography as a Methodological and Ideological Starting Point
- A beginning of sorts
- Will the artist please stand up?
- Introducing the map
- Microcosm vs. macrocosm
- Mediating difference
- Choreographic organization
2. The Hypothesis Explained
- Theory, perception, process and practice
- Implications
- Embodiment and disembodiment
- Science, art, culture and the transdisciplinary mandate
- Self-knowing
- Movement, language and non-discursive thinking
- Mirroring
- Preliminary conclusions
3. Further Presuppositions and Explorations in Search of a Theory of Practice
- Revisiting the hypothesis
- Shango Meets Ogun
- Performing disembodiment
- Futurist Equation
- The futurist/humanist condition
- Re-cognizing/re-membering
- The lived machine
- Performing consciousness
- Scales and dimensions, movement and sound
- Further conclusions
ACT 2
4. Transnet
- Performing art, performing science, transdisciplinary approaches to performance
- Significant contributions
- Choreography as transdisciplinary Practice-as-Research
5. New Performance Maps
- The Touched Project: Organization, control and emergence in choreographed performance systems
- Touched
- t2
- t2_echo
- Imprint
- Imprint II
- Embodied choreographic knowing
6. Going West to Find East
- Choreographing from the underside
- Haikai, Encounters and Here Be Dragons (Stage I Creative Preview)
- Barca: el otro lado
- A barca: Reaching back to go forward
- ambos lados
- Isabella's Dream
ACT 3
7. Contemporary Nomads
- Nomadism
- nomadas
- nomadas 2018_excerpts
- On Home
- Multiple presences: Movement through space/time holes
- The real and the virtual, reality and the dream
- Performing the self: Movement as an unfolding and initiating of thought
An Epilogue: Fitting [Out-fitting] In
- Who is he fooling and what is he really doing there?
- Who am I and why am I here?
- Fitting [Out-fitting] In
- So, what's your background?
- Where are you from? I mean, where are you really from?
- Oh! You're a Professor? What do you teach?
- What's ahead?
- Finale
Appendix A: Artisitic Works by the Author
- Multi-year research projects referenced
- Short-term stand-alone works mentioned
Appendix B
- Map A
- Map B
- Map C
Bibliography
Index
Acknowledgements
Prologue
ACT 1
1. Autoethnography as a Methodological and Ideological Starting Point
- A beginning of sorts
- Will the artist please stand up?
- Introducing the map
- Microcosm vs. macrocosm
- Mediating difference
- Choreographic organization
2. The Hypothesis Explained
- Theory, perception, process and practice
- Implications
- Embodiment and disembodiment
- Science, art, culture and the transdisciplinary mandate
- Self-knowing
- Movement, language and non-discursive thinking
- Mirroring
- Preliminary conclusions
3. Further Presuppositions and Explorations in Search of a Theory of Practice
- Revisiting the hypothesis
- Shango Meets Ogun
- Performing disembodiment
- Futurist Equation
- The futurist/humanist condition
- Re-cognizing/re-membering
- The lived machine
- Performing consciousness
- Scales and dimensions, movement and sound
- Further conclusions
ACT 2
4. Transnet
- Performing art, performing science, transdisciplinary approaches to performance
- Significant contributions
- Choreography as transdisciplinary Practice-as-Research
5. New Performance Maps
- The Touched Project: Organization, control and emergence in choreographed performance systems
- Touched
- t2
- t2_echo
- Imprint
- Imprint II
- Embodied choreographic knowing
6. Going West to Find East
- Choreographing from the underside
- Haikai, Encounters and Here Be Dragons (Stage I Creative Preview)
- Barca: el otro lado
- A barca: Reaching back to go forward
- ambos lados
- Isabella's Dream
ACT 3
7. Contemporary Nomads
- Nomadism
- nomadas
- nomadas 2018_excerpts
- On Home
- Multiple presences: Movement through space/time holes
- The real and the virtual, reality and the dream
- Performing the self: Movement as an unfolding and initiating of thought
An Epilogue: Fitting [Out-fitting] In
- Who is he fooling and what is he really doing there?
- Who am I and why am I here?
- Fitting [Out-fitting] In
- So, what's your background?
- Where are you from? I mean, where are you really from?
- Oh! You're a Professor? What do you teach?
- What's ahead?
- Finale
Appendix A: Artisitic Works by the Author
- Multi-year research projects referenced
- Short-term stand-alone works mentioned
Appendix B
- Map A
- Map B
- Map C
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
race; dance; choreography; practice as research; autoethnography; embodiment; documentation; lived experience; cartography
List of Figures
Acknowledgements
Prologue
ACT 1
1. Autoethnography as a Methodological and Ideological Starting Point
- A beginning of sorts
- Will the artist please stand up?
- Introducing the map
- Microcosm vs. macrocosm
- Mediating difference
- Choreographic organization
2. The Hypothesis Explained
- Theory, perception, process and practice
- Implications
- Embodiment and disembodiment
- Science, art, culture and the transdisciplinary mandate
- Self-knowing
- Movement, language and non-discursive thinking
- Mirroring
- Preliminary conclusions
3. Further Presuppositions and Explorations in Search of a Theory of Practice
- Revisiting the hypothesis
- Shango Meets Ogun
- Performing disembodiment
- Futurist Equation
- The futurist/humanist condition
- Re-cognizing/re-membering
- The lived machine
- Performing consciousness
- Scales and dimensions, movement and sound
- Further conclusions
ACT 2
4. Transnet
- Performing art, performing science, transdisciplinary approaches to performance
- Significant contributions
- Choreography as transdisciplinary Practice-as-Research
5. New Performance Maps
- The Touched Project: Organization, control and emergence in choreographed performance systems
- Touched
- t2
- t2_echo
- Imprint
- Imprint II
- Embodied choreographic knowing
6. Going West to Find East
- Choreographing from the underside
- Haikai, Encounters and Here Be Dragons (Stage I Creative Preview)
- Barca: el otro lado
- A barca: Reaching back to go forward
- ambos lados
- Isabella's Dream
ACT 3
7. Contemporary Nomads
- Nomadism
- nomadas
- nomadas 2018_excerpts
- On Home
- Multiple presences: Movement through space/time holes
- The real and the virtual, reality and the dream
- Performing the self: Movement as an unfolding and initiating of thought
An Epilogue: Fitting [Out-fitting] In
- Who is he fooling and what is he really doing there?
- Who am I and why am I here?
- Fitting [Out-fitting] In
- So, what's your background?
- Where are you from? I mean, where are you really from?
- Oh! You're a Professor? What do you teach?
- What's ahead?
- Finale
Appendix A: Artisitic Works by the Author
- Multi-year research projects referenced
- Short-term stand-alone works mentioned
Appendix B
- Map A
- Map B
- Map C
Bibliography
Index
Acknowledgements
Prologue
ACT 1
1. Autoethnography as a Methodological and Ideological Starting Point
- A beginning of sorts
- Will the artist please stand up?
- Introducing the map
- Microcosm vs. macrocosm
- Mediating difference
- Choreographic organization
2. The Hypothesis Explained
- Theory, perception, process and practice
- Implications
- Embodiment and disembodiment
- Science, art, culture and the transdisciplinary mandate
- Self-knowing
- Movement, language and non-discursive thinking
- Mirroring
- Preliminary conclusions
3. Further Presuppositions and Explorations in Search of a Theory of Practice
- Revisiting the hypothesis
- Shango Meets Ogun
- Performing disembodiment
- Futurist Equation
- The futurist/humanist condition
- Re-cognizing/re-membering
- The lived machine
- Performing consciousness
- Scales and dimensions, movement and sound
- Further conclusions
ACT 2
4. Transnet
- Performing art, performing science, transdisciplinary approaches to performance
- Significant contributions
- Choreography as transdisciplinary Practice-as-Research
5. New Performance Maps
- The Touched Project: Organization, control and emergence in choreographed performance systems
- Touched
- t2
- t2_echo
- Imprint
- Imprint II
- Embodied choreographic knowing
6. Going West to Find East
- Choreographing from the underside
- Haikai, Encounters and Here Be Dragons (Stage I Creative Preview)
- Barca: el otro lado
- A barca: Reaching back to go forward
- ambos lados
- Isabella's Dream
ACT 3
7. Contemporary Nomads
- Nomadism
- nomadas
- nomadas 2018_excerpts
- On Home
- Multiple presences: Movement through space/time holes
- The real and the virtual, reality and the dream
- Performing the self: Movement as an unfolding and initiating of thought
An Epilogue: Fitting [Out-fitting] In
- Who is he fooling and what is he really doing there?
- Who am I and why am I here?
- Fitting [Out-fitting] In
- So, what's your background?
- Where are you from? I mean, where are you really from?
- Oh! You're a Professor? What do you teach?
- What's ahead?
- Finale
Appendix A: Artisitic Works by the Author
- Multi-year research projects referenced
- Short-term stand-alone works mentioned
Appendix B
- Map A
- Map B
- Map C
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.