Choreography, Visual Art and Experimental Composition 1950s-1970s

1. Between Dance and the Visual Arts 2. John Cage, Anna Halprin, and Dance as Contemporary Art Interlude I: Minimalism, Experience and Experiment 3. Dance and Minimalism 4. Dance and the Neo-Avant-Garde: 3 Case Studies Interlude II: Choreographers and Artists 5. Robert Rauschenberg: Choreographic Tools for the Visual Arts Interlude 3: Exhibitions and Exclusions Conclusion

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• Artes de representação (performativas)
• Coreografia
• Estilos de arte não definido por data

Robert Rauschenberg;Deborah Hay;Margaret H'Doubler;Simone Forti;Yvonne Rainer;Trisha Brown;Anna Halprin;John Cage;conceptual dance;Conceptual Art;neo-avant-garde;Neo-Dada;minimalism;experimental composition;transdisciplinary;insterdisciplinary;transmedial;intermedial;Choreography;Dance;Judson Dance Theater;Dance Artists;Choreographic Work;Minimalist Sculpture;Alex Hay;Rainer's Work;Halprin's Work;Forti's Work;Schneemann;Vice Versa;Valda Setterfield;Cunningham Company;Rauschenberg's Work;Merce Cunningham's Dance Company;La Monte Young;Small Dance;Contemporary Dance;Vera Mantero;Serra's Sculptures;Cage's Ideas;End Moments