Music and Visual Culture in Renaissance Italy
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Music and Visual Culture in Renaissance Italy
Henry, Chriscinda; Shephard, Tim
Taylor & Francis Ltd
12/2024
358
Mole
9781032036083
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Introduction
Chriscinda Henry and Tim Shephard
PART I
Knowledge and Practice Across Disciplines
1. "A Body Composed of Many Parts": The Concept of Harmony in Leonardo da Vinci's Paragone
David E. Cohen
2. Aporia and the Harmonious Subject
Tim Shephard
3. Singing Sibyls: Music, Inspiration, Labour, and Art on the Sistine Chapel Ceiling
Barnaby Nygren
4. Musical Self-Portraits by Garofalo, Anguissola, and Fontana
Samantha Chang
5. Dangerous Music at the Accademia di San Luca and Federico Zuccaro's "Art" of Censorship
Leslie Korrick
6. Il Figino and the Paragone
Antonio Cascelli
7. The Tuning Figure in Early Modern Art 1350-1700
Francois Quiviger
8. The Flow of Time and Feelings in Evaristo Baschenis' Still Lifes with Instruments
Gioia Filocamo
PART II
Cultures of Everyday Life
9. The Iconography of Dancing on Renaissance Wedding Chests
Jasmine Marie Chiu
10. Visible and Invisible Musical Paths in Federico da Montefeltro's Gubbio Studiolo
Nicoletta Guidobadi
11. The Convergence of Sacred and Secular in Vittore Carpaccio's British Museum Concert
Chriscinda Henry
12. The Artist and Artistry of the "Capirola Lutebook"
Victor Coelho
13. No Country for Old Men? Aging and Men's Musicianship in Italian Renaissance Art
Sanna Raninen
14. Music, the Visual and the Material in an Italian Renaissance Basin
Flora Dennis
15. Fantastic Finials: Carved Scrolls and Headstocks of Renaissance Stringed Instruments
Emanuela Vai
16. The "Author's Portrait" in Early Modern Italian Music Books
Massimo Privitera
Chriscinda Henry and Tim Shephard
PART I
Knowledge and Practice Across Disciplines
1. "A Body Composed of Many Parts": The Concept of Harmony in Leonardo da Vinci's Paragone
David E. Cohen
2. Aporia and the Harmonious Subject
Tim Shephard
3. Singing Sibyls: Music, Inspiration, Labour, and Art on the Sistine Chapel Ceiling
Barnaby Nygren
4. Musical Self-Portraits by Garofalo, Anguissola, and Fontana
Samantha Chang
5. Dangerous Music at the Accademia di San Luca and Federico Zuccaro's "Art" of Censorship
Leslie Korrick
6. Il Figino and the Paragone
Antonio Cascelli
7. The Tuning Figure in Early Modern Art 1350-1700
Francois Quiviger
8. The Flow of Time and Feelings in Evaristo Baschenis' Still Lifes with Instruments
Gioia Filocamo
PART II
Cultures of Everyday Life
9. The Iconography of Dancing on Renaissance Wedding Chests
Jasmine Marie Chiu
10. Visible and Invisible Musical Paths in Federico da Montefeltro's Gubbio Studiolo
Nicoletta Guidobadi
11. The Convergence of Sacred and Secular in Vittore Carpaccio's British Museum Concert
Chriscinda Henry
12. The Artist and Artistry of the "Capirola Lutebook"
Victor Coelho
13. No Country for Old Men? Aging and Men's Musicianship in Italian Renaissance Art
Sanna Raninen
14. Music, the Visual and the Material in an Italian Renaissance Basin
Flora Dennis
15. Fantastic Finials: Carved Scrolls and Headstocks of Renaissance Stringed Instruments
Emanuela Vai
16. The "Author's Portrait" in Early Modern Italian Music Books
Massimo Privitera
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Renaissance;Music;Italy;Musical pictures;Visual media;fifteenth century music;Italian musical culture;musical media;paragone;Renaissance art theory;Young Man;Gerard Ter Borch;Viola Da Braccio;Koninklijk Museum Voor Schone Kunsten;Sofonisba Anguissola;Portrait Of A Man;Franchino Gaffurio;Museo Internazionale;Castiglione's Il Cortegiano;Musica Mundana;Liberal Art;Cassone Panels;Vittore Carpaccio;Santa Maria Della Consolazione;Accademia Del Disegno;Tuning Figures;Giovanni Da Verona;Musica Nova;Dalla Volta;Accademia Degli Invaghiti;Rosa Bella;Sistine Chapel Ceiling;Biblioteca Del Conservatorio Di Musica;Rich Goods
Introduction
Chriscinda Henry and Tim Shephard
PART I
Knowledge and Practice Across Disciplines
1. "A Body Composed of Many Parts": The Concept of Harmony in Leonardo da Vinci's Paragone
David E. Cohen
2. Aporia and the Harmonious Subject
Tim Shephard
3. Singing Sibyls: Music, Inspiration, Labour, and Art on the Sistine Chapel Ceiling
Barnaby Nygren
4. Musical Self-Portraits by Garofalo, Anguissola, and Fontana
Samantha Chang
5. Dangerous Music at the Accademia di San Luca and Federico Zuccaro's "Art" of Censorship
Leslie Korrick
6. Il Figino and the Paragone
Antonio Cascelli
7. The Tuning Figure in Early Modern Art 1350-1700
Francois Quiviger
8. The Flow of Time and Feelings in Evaristo Baschenis' Still Lifes with Instruments
Gioia Filocamo
PART II
Cultures of Everyday Life
9. The Iconography of Dancing on Renaissance Wedding Chests
Jasmine Marie Chiu
10. Visible and Invisible Musical Paths in Federico da Montefeltro's Gubbio Studiolo
Nicoletta Guidobadi
11. The Convergence of Sacred and Secular in Vittore Carpaccio's British Museum Concert
Chriscinda Henry
12. The Artist and Artistry of the "Capirola Lutebook"
Victor Coelho
13. No Country for Old Men? Aging and Men's Musicianship in Italian Renaissance Art
Sanna Raninen
14. Music, the Visual and the Material in an Italian Renaissance Basin
Flora Dennis
15. Fantastic Finials: Carved Scrolls and Headstocks of Renaissance Stringed Instruments
Emanuela Vai
16. The "Author's Portrait" in Early Modern Italian Music Books
Massimo Privitera
Chriscinda Henry and Tim Shephard
PART I
Knowledge and Practice Across Disciplines
1. "A Body Composed of Many Parts": The Concept of Harmony in Leonardo da Vinci's Paragone
David E. Cohen
2. Aporia and the Harmonious Subject
Tim Shephard
3. Singing Sibyls: Music, Inspiration, Labour, and Art on the Sistine Chapel Ceiling
Barnaby Nygren
4. Musical Self-Portraits by Garofalo, Anguissola, and Fontana
Samantha Chang
5. Dangerous Music at the Accademia di San Luca and Federico Zuccaro's "Art" of Censorship
Leslie Korrick
6. Il Figino and the Paragone
Antonio Cascelli
7. The Tuning Figure in Early Modern Art 1350-1700
Francois Quiviger
8. The Flow of Time and Feelings in Evaristo Baschenis' Still Lifes with Instruments
Gioia Filocamo
PART II
Cultures of Everyday Life
9. The Iconography of Dancing on Renaissance Wedding Chests
Jasmine Marie Chiu
10. Visible and Invisible Musical Paths in Federico da Montefeltro's Gubbio Studiolo
Nicoletta Guidobadi
11. The Convergence of Sacred and Secular in Vittore Carpaccio's British Museum Concert
Chriscinda Henry
12. The Artist and Artistry of the "Capirola Lutebook"
Victor Coelho
13. No Country for Old Men? Aging and Men's Musicianship in Italian Renaissance Art
Sanna Raninen
14. Music, the Visual and the Material in an Italian Renaissance Basin
Flora Dennis
15. Fantastic Finials: Carved Scrolls and Headstocks of Renaissance Stringed Instruments
Emanuela Vai
16. The "Author's Portrait" in Early Modern Italian Music Books
Massimo Privitera
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Renaissance;Music;Italy;Musical pictures;Visual media;fifteenth century music;Italian musical culture;musical media;paragone;Renaissance art theory;Young Man;Gerard Ter Borch;Viola Da Braccio;Koninklijk Museum Voor Schone Kunsten;Sofonisba Anguissola;Portrait Of A Man;Franchino Gaffurio;Museo Internazionale;Castiglione's Il Cortegiano;Musica Mundana;Liberal Art;Cassone Panels;Vittore Carpaccio;Santa Maria Della Consolazione;Accademia Del Disegno;Tuning Figures;Giovanni Da Verona;Musica Nova;Dalla Volta;Accademia Degli Invaghiti;Rosa Bella;Sistine Chapel Ceiling;Biblioteca Del Conservatorio Di Musica;Rich Goods