Albrecht Duerer and the Depiction of Cultural Differences in Renaissance Europe
portes grátis
Albrecht Duerer and the Depiction of Cultural Differences in Renaissance Europe
Madar, Heather
Taylor & Francis Ltd
12/2024
174
Mole
9780367568474
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction 1. From Saracen to Turk: Duerer and the Origins of Ottoman Imagery in German Renaissance Art 2. Ottoman, Mamluk and Roman: Dress and Identity in Duerer's Art After 1495 3. Ottomans as Ottomans: Portraiture, Genre and Polemical Imagery 4. Black Ottomans and Black Mamluks: Racial Difference in Duerer's Depictions of Muslim Figures 5. Katharina and Portrait of an African Man: Black Presence in Renaissance Europe Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Germany;Europe;art history;early modern;Ottoman;indigenous;American;Mamluk;Holy Roman Emperor;Maximilian I;collecting;art theory;Christianity;Islam;the other;exotic;marvelous;strange;diversity;human;race;ethnicity;Turbaned Figures;Young Man;Ottoman Figures;Christ Child;Ottoman Dress;Mehmed II;Black Figures;Recurve Bow;Willibald Pirckheimer;Ottoman Costume;Ottoman Identity;Emperor Maximilian;Enslaved Person;Sapor II;Nuremberg Chronicle;Black Magus;Portuguese Factor;Sultan Mehmed II;Terram Sanctam;Bellini's Work;Early 16th Century Europe;Muslim World;Adoration Scenes;Portrait Drawings;Oriental Rider
Introduction 1. From Saracen to Turk: Duerer and the Origins of Ottoman Imagery in German Renaissance Art 2. Ottoman, Mamluk and Roman: Dress and Identity in Duerer's Art After 1495 3. Ottomans as Ottomans: Portraiture, Genre and Polemical Imagery 4. Black Ottomans and Black Mamluks: Racial Difference in Duerer's Depictions of Muslim Figures 5. Katharina and Portrait of an African Man: Black Presence in Renaissance Europe Conclusion
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Germany;Europe;art history;early modern;Ottoman;indigenous;American;Mamluk;Holy Roman Emperor;Maximilian I;collecting;art theory;Christianity;Islam;the other;exotic;marvelous;strange;diversity;human;race;ethnicity;Turbaned Figures;Young Man;Ottoman Figures;Christ Child;Ottoman Dress;Mehmed II;Black Figures;Recurve Bow;Willibald Pirckheimer;Ottoman Costume;Ottoman Identity;Emperor Maximilian;Enslaved Person;Sapor II;Nuremberg Chronicle;Black Magus;Portuguese Factor;Sultan Mehmed II;Terram Sanctam;Bellini's Work;Early 16th Century Europe;Muslim World;Adoration Scenes;Portrait Drawings;Oriental Rider
