Migration and Identity in British East and Southeast Asian Cinema
portes grátis
Migration and Identity in British East and Southeast Asian Cinema
Leung, Wing-Fai
Taylor & Francis Ltd
10/2024
98
Mole
9781032433608
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of Figures
Acknowledgements
Introduction: British East and Southeast Asian Cinema as a Cultural Movement
Chapter 1: Time, Space and the Chinese Migrant in Guo Xiaolu's Works
Chapter 2: Representations of Gendered Labour, Sex Work and Affect
Chapter 3: Lilting: On the Accented Politics of a Queer Narrative
Conclusion
Index
Acknowledgements
Introduction: British East and Southeast Asian Cinema as a Cultural Movement
Chapter 1: Time, Space and the Chinese Migrant in Guo Xiaolu's Works
Chapter 2: Representations of Gendered Labour, Sex Work and Affect
Chapter 3: Lilting: On the Accented Politics of a Queer Narrative
Conclusion
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Asian cinema;Asian film;British cinema;Southeast Asia;Chinese Cinema;filmmaking;She, a Chinese;Guo Xiaolu;The Receptionist;Jenny Lu;Lilting;Hong Khaou;Taiwan;ESEA film;Accented Cinema;Southeast Asian Cinema;Younger Man;Queer Cinema;UK Film;Diasporic Filmmaker;Accented Style;Chinese Migrant;National Historical Time;Fu Manchu;Sex Workers;British Chinese;Don Hall;British East Asians;Asian American Films;Affective Labour;Sinophone Cinema;anti-Asian Racism;Terra Nova;Queer Sensibility;Killed Vincent Chin;Cambodian Chinese;Mariarosa Dalla Costa;Kill Bill
List of Figures
Acknowledgements
Introduction: British East and Southeast Asian Cinema as a Cultural Movement
Chapter 1: Time, Space and the Chinese Migrant in Guo Xiaolu's Works
Chapter 2: Representations of Gendered Labour, Sex Work and Affect
Chapter 3: Lilting: On the Accented Politics of a Queer Narrative
Conclusion
Index
Acknowledgements
Introduction: British East and Southeast Asian Cinema as a Cultural Movement
Chapter 1: Time, Space and the Chinese Migrant in Guo Xiaolu's Works
Chapter 2: Representations of Gendered Labour, Sex Work and Affect
Chapter 3: Lilting: On the Accented Politics of a Queer Narrative
Conclusion
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Asian cinema;Asian film;British cinema;Southeast Asia;Chinese Cinema;filmmaking;She, a Chinese;Guo Xiaolu;The Receptionist;Jenny Lu;Lilting;Hong Khaou;Taiwan;ESEA film;Accented Cinema;Southeast Asian Cinema;Younger Man;Queer Cinema;UK Film;Diasporic Filmmaker;Accented Style;Chinese Migrant;National Historical Time;Fu Manchu;Sex Workers;British Chinese;Don Hall;British East Asians;Asian American Films;Affective Labour;Sinophone Cinema;anti-Asian Racism;Terra Nova;Queer Sensibility;Killed Vincent Chin;Cambodian Chinese;Mariarosa Dalla Costa;Kill Bill
