Migration, Dislocation and Movement on Screen
portes grátis
Migration, Dislocation and Movement on Screen
Trandafoiu, Ruxandra
Berghahn Books
07/2024
208
Dura
9781805395942
15 a 20 dias
Descrição não disponível.
Acknowledgements
Introduction
Ruxandra Trandafoiu
Part I: Migration
Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni
Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich
Chapter 3. Just Like Us: Migration and the 'Prosthetic Western' in Contemporary German Cinema
Owen Evans
Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatuerk
Part II: Dislocation
Chapter 5. No Man's Land: Rafi Pitts' Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist
Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar
Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa
Chapter 8. 'I am not here to just be en vogue': Talking About the Politics of Dislocated Filmmaking, the Clarity of the 'Third Eye' and Having a Place in Your Country's Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon
Postscript
Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon
Index
Introduction
Ruxandra Trandafoiu
Part I: Migration
Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni
Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich
Chapter 3. Just Like Us: Migration and the 'Prosthetic Western' in Contemporary German Cinema
Owen Evans
Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatuerk
Part II: Dislocation
Chapter 5. No Man's Land: Rafi Pitts' Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist
Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar
Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa
Chapter 8. 'I am not here to just be en vogue': Talking About the Politics of Dislocated Filmmaking, the Clarity of the 'Third Eye' and Having a Place in Your Country's Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon
Postscript
Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Film and Television Studies, Refugee and Migration Studies, History: 20th Century to Present
Acknowledgements
Introduction
Ruxandra Trandafoiu
Part I: Migration
Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni
Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich
Chapter 3. Just Like Us: Migration and the 'Prosthetic Western' in Contemporary German Cinema
Owen Evans
Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatuerk
Part II: Dislocation
Chapter 5. No Man's Land: Rafi Pitts' Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist
Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar
Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa
Chapter 8. 'I am not here to just be en vogue': Talking About the Politics of Dislocated Filmmaking, the Clarity of the 'Third Eye' and Having a Place in Your Country's Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon
Postscript
Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon
Index
Introduction
Ruxandra Trandafoiu
Part I: Migration
Chapter 1. Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility
Chris Campanioni
Chapter 2. Hybridity in Mission London: Challenging the Othering Discourse
Antonina Anisimovich
Chapter 3. Just Like Us: Migration and the 'Prosthetic Western' in Contemporary German Cinema
Owen Evans
Chapter 4. Melodrama, Realism, and Internal Migration: Cinematic Representation of Internal Migration in Turkey (1964-1990)
Ali H. Kocatuerk
Part II: Dislocation
Chapter 5. No Man's Land: Rafi Pitts' Soy Nero Tells Us What It Means to Be Constantly Confronted with Borders
Andreas Hudelist
Chapter 6. Bollywood, Mobility and Partition Politics: Representation of Displaced Muslims in Films on Indo-Pak Partition
Sony Jalarajan Raj and Rohini Sreekumar
Chapter 7. Frames, Stereotypes and Authorial Politics: The Transits and Landings of Migrants in Italian Cinema
Gaia Peruzzi, Marco Bruno and Alessandra Massa
Chapter 8. 'I am not here to just be en vogue': Talking About the Politics of Dislocated Filmmaking, the Clarity of the 'Third Eye' and Having a Place in Your Country's Film Memory with Egyptian-British Director Khaled El Hagar
Ruxandra Trandafoiu and Roger Shannon
Postscript
Interview Transcripts with Egyptian-British Filmmaker Khaled El Hagar
Conducted by Roger Shannon
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
