Deleuze, Guattari and India
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portes grátis
Deleuze, Guattari and India
Exploring a Post-Postcolonial Multiplicity
N. Y., Manoj; Varghese K, George; Buchanan, Ian
Taylor & Francis Ltd
09/2021
258
Dura
Inglês
9781138607187
15 a 20 dias
660
Descrição não disponível.
Introduction: Deleuze, Guattari, and the Invention of the 'Indian Diagram' Part I: Deleuzian Ontology: Difference, Events and Codes 1. Deleuzian Ontology: Encounter and Experimentation 2. Virtual Ontologies: Heidegger, Deleuze and the Concept of the Event (Ereignis, evenement) 3. La Gestotheque in Translation: From Body Techniques to Technologies and Back 4. Hindustani Sangeet Paddhati and the Problem of Singularity: A Deleuzian Point of View Part II: Becoming Minor/Becoming Political 5. Becoming Minor: From Literature to Cinema 6. Desire, Body and Capitalism: Dalit Literature and Becoming Political in a Postcolonial World 7. The Un/Paralleled Universe of Pramod Pati: Deleuzian Reflections on Abid, Explorer and Trip 8. Bodies, Matter and Memory: Enfolding and Unfolding of Virtual and Actual Experiences in Artist Part III: Territorial Multiplicities 9. Can 'Territoriality' be Social? Interrogating the 'Political' of Dalit Social Inclusion in India 10. Deleuze and the Third Gender Identity in India 11. Concepts, Singularity and Nation-ness: 'Becoming-Democratic and the Question of the Political 12. Why Deleuze Spoke So Little About Theatre?
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Dalit Literature;Tamil Nadu;Deleuze;Vice Versa;assemblage;Transcendental Empiricism;event;Ambedkar;difference;Superimposed;image of thought;Deleuzo Guattarian Philosophy;virtual;LGBT Community;repetition;Deleuzian Ontology;deterritorialisation;Minor Literature;Young Men;becoming;Transcendental Field;gender;Modern Cinema;social exclusion;Machinic Assemblage;nationalism;Face To Face;theatre;Dense;Deluze, Guattari, India;Dalit Writing;cinema;Hindustani Music;classical music;Namdeo Dhasal;Virtual Past;Abstract Machine;Recent Order;Dalit Assertion;Modern Political Cinema;Dhobi Ghat
Introduction: Deleuze, Guattari, and the Invention of the 'Indian Diagram' Part I: Deleuzian Ontology: Difference, Events and Codes 1. Deleuzian Ontology: Encounter and Experimentation 2. Virtual Ontologies: Heidegger, Deleuze and the Concept of the Event (Ereignis, evenement) 3. La Gestotheque in Translation: From Body Techniques to Technologies and Back 4. Hindustani Sangeet Paddhati and the Problem of Singularity: A Deleuzian Point of View Part II: Becoming Minor/Becoming Political 5. Becoming Minor: From Literature to Cinema 6. Desire, Body and Capitalism: Dalit Literature and Becoming Political in a Postcolonial World 7. The Un/Paralleled Universe of Pramod Pati: Deleuzian Reflections on Abid, Explorer and Trip 8. Bodies, Matter and Memory: Enfolding and Unfolding of Virtual and Actual Experiences in Artist Part III: Territorial Multiplicities 9. Can 'Territoriality' be Social? Interrogating the 'Political' of Dalit Social Inclusion in India 10. Deleuze and the Third Gender Identity in India 11. Concepts, Singularity and Nation-ness: 'Becoming-Democratic and the Question of the Political 12. Why Deleuze Spoke So Little About Theatre?
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Dalit Literature;Tamil Nadu;Deleuze;Vice Versa;assemblage;Transcendental Empiricism;event;Ambedkar;difference;Superimposed;image of thought;Deleuzo Guattarian Philosophy;virtual;LGBT Community;repetition;Deleuzian Ontology;deterritorialisation;Minor Literature;Young Men;becoming;Transcendental Field;gender;Modern Cinema;social exclusion;Machinic Assemblage;nationalism;Face To Face;theatre;Dense;Deluze, Guattari, India;Dalit Writing;cinema;Hindustani Music;classical music;Namdeo Dhasal;Virtual Past;Abstract Machine;Recent Order;Dalit Assertion;Modern Political Cinema;Dhobi Ghat
