Collaboration, Engagement, and Tradition in Contemporary and Electronic Music
portes grátis
Collaboration, Engagement, and Tradition in Contemporary and Electronic Music
NoiseFloor Perspectives
Estibeiro, Marc; Cotter, David; Payling, Dave
Taylor & Francis Ltd
11/2024
406
Mole
9781032553740
Pré-lançamento - envio 15 a 20 dias após a sua edição
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Part 1: Collaboration 1. Electronics as a Member of The Ensemble 2. Composing With Instruments and Live Electronics 3. Forty Years of Live Electro-Acoustic Music: Reflections on a Continuing Partnership 4. Music in Vision: Visual Music Instruments in Practice 5. Autonomous Music Systems with Agency Part 2: Engagement 6. Formuls: An Electronic Musical Instrument for Synthesis Based Composition and Performance 7. Overtone Music 8. Spatial Sonorous Objects and Their Creative Use: A Framework for The Analysis Of Spatialisation 9. Sound as Method: Creative Textual Practices as Critical Rewritings Part 3: Tradition 10. Scratching, Past and Future: Cataloguing the Scholarship on Turntablism and Controllerism, And an Introduction to Their Emerging Affiliated Practices and Communities 11. Composing with Ambisonics: An Electroacoustic Practitioner's Guide 12. Audiovisualisation: Reviving the Spectre of Optical Sound and Structural / Materialist Film 13. Events and Continuums: The Audiovisual Composition 'Estuaries 4' 14. From Stochastic Music to Quantum Music 15. Exploring the Musical Potential and Non-Hierarchical Signal-Noise Relationships in MP3 Compression Technologies using Musical Composition 16. Motion Capture for Musical Expression
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NoiseFloor;contemporary music;composer;audiovisual;composition
Part 1: Collaboration 1. Electronics as a Member of The Ensemble 2. Composing With Instruments and Live Electronics 3. Forty Years of Live Electro-Acoustic Music: Reflections on a Continuing Partnership 4. Music in Vision: Visual Music Instruments in Practice 5. Autonomous Music Systems with Agency Part 2: Engagement 6. Formuls: An Electronic Musical Instrument for Synthesis Based Composition and Performance 7. Overtone Music 8. Spatial Sonorous Objects and Their Creative Use: A Framework for The Analysis Of Spatialisation 9. Sound as Method: Creative Textual Practices as Critical Rewritings Part 3: Tradition 10. Scratching, Past and Future: Cataloguing the Scholarship on Turntablism and Controllerism, And an Introduction to Their Emerging Affiliated Practices and Communities 11. Composing with Ambisonics: An Electroacoustic Practitioner's Guide 12. Audiovisualisation: Reviving the Spectre of Optical Sound and Structural / Materialist Film 13. Events and Continuums: The Audiovisual Composition 'Estuaries 4' 14. From Stochastic Music to Quantum Music 15. Exploring the Musical Potential and Non-Hierarchical Signal-Noise Relationships in MP3 Compression Technologies using Musical Composition 16. Motion Capture for Musical Expression
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
