Art, History, and Anachronic Interventions Since 1990
Art, History, and Anachronic Interventions Since 1990
Kernbauer, Eva
Taylor & Francis Ltd
09/2021
250
Dura
Inglês
9780367763251
15 a 20 dias
766
Descrição não disponível.
Introduction 1. Art as Historiography 2. Ready for History: The Explosion of the Documentary 3. The Crux of Authorship 4. Archiving, Recording 5. Showing, Telling, Picturing 6. Performing 7. Counterfactual History, Parafiction, and the Critical Ends of Utopia 8. Testing Truth: Tribunal, Script, Trial 9. Anachronism and Anachrony 10. No End of History: Art and History in the Anthropocene
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;Tv Station;art history;Museo Nacional Centro De Arte;time;Yael Bartana;chronology;Apichatpong Weerasethakul;contemporary art;Zarina Bhimji;historiography;Artistic Historiography;past;Time Slab;present;Omer Fast;future;Tacita Dean;artworks;Harun Farocki;art theory;Paha Sapa;social identity;Submedial Space;political agency;Uncle Boonmee;visual art;Atlas Group;heterochrony;EU Migration Policy;methodology;Communist Party USA;post-histoire;British Empire Exhibition;anachronism;9th Istanbul Biennial;documentary;Romanian Revolution;film;PVC Film;video;Tv Melodrama;performance;Johan Maurits;painting;Gujarat Pogroms;Bird's Eye
Introduction 1. Art as Historiography 2. Ready for History: The Explosion of the Documentary 3. The Crux of Authorship 4. Archiving, Recording 5. Showing, Telling, Picturing 6. Performing 7. Counterfactual History, Parafiction, and the Critical Ends of Utopia 8. Testing Truth: Tribunal, Script, Trial 9. Anachronism and Anachrony 10. No End of History: Art and History in the Anthropocene
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Young Men;Tv Station;art history;Museo Nacional Centro De Arte;time;Yael Bartana;chronology;Apichatpong Weerasethakul;contemporary art;Zarina Bhimji;historiography;Artistic Historiography;past;Time Slab;present;Omer Fast;future;Tacita Dean;artworks;Harun Farocki;art theory;Paha Sapa;social identity;Submedial Space;political agency;Uncle Boonmee;visual art;Atlas Group;heterochrony;EU Migration Policy;methodology;Communist Party USA;post-histoire;British Empire Exhibition;anachronism;9th Istanbul Biennial;documentary;Romanian Revolution;film;PVC Film;video;Tv Melodrama;performance;Johan Maurits;painting;Gujarat Pogroms;Bird's Eye