Who Hears Here?
portes grátis
Who Hears Here?
On Black Music, Pasts and Present
Redmond, Shana L.; Ramsey, Guthrie P.; Kernodle, Tammy L.
University of California Press
10/2022
310
Mole
Inglês
9780520281844
15 a 20 dias
454
Descrição não disponível.
Contents
Foreword by Tammy L. Kernodle
Acknowledgments
Introduction: Who Hears Here Now?
1. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940
2. Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade
3. The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies
4. Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture
5. Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music
6. Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde
7. Bebop, Jazz Manhood, and "Piano Shame"
8. Blues and the Ethnographic Truth
9. Time Is Illmatic: A Song for My Father, A Letter to My Son
10. A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in
Robert Glasper's Black Radio
11. Free Jazz and the Price of Black Musical Abstraction
12. Jack Whitten's Musical Eye
13. Out of Place and Out of Line: Jason Moran's Eclecticism as Critical Inquiry
14. African American Music
Onward: An Afterword by Shana L. Redmond
Notes
Index
Foreword by Tammy L. Kernodle
Acknowledgments
Introduction: Who Hears Here Now?
1. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940
2. Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade
3. The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies
4. Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture
5. Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music
6. Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde
7. Bebop, Jazz Manhood, and "Piano Shame"
8. Blues and the Ethnographic Truth
9. Time Is Illmatic: A Song for My Father, A Letter to My Son
10. A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in
Robert Glasper's Black Radio
11. Free Jazz and the Price of Black Musical Abstraction
12. Jack Whitten's Musical Eye
13. Out of Place and Out of Line: Jason Moran's Eclecticism as Critical Inquiry
14. African American Music
Onward: An Afterword by Shana L. Redmond
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Contents
Foreword by Tammy L. Kernodle
Acknowledgments
Introduction: Who Hears Here Now?
1. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940
2. Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade
3. The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies
4. Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture
5. Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music
6. Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde
7. Bebop, Jazz Manhood, and "Piano Shame"
8. Blues and the Ethnographic Truth
9. Time Is Illmatic: A Song for My Father, A Letter to My Son
10. A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in
Robert Glasper's Black Radio
11. Free Jazz and the Price of Black Musical Abstraction
12. Jack Whitten's Musical Eye
13. Out of Place and Out of Line: Jason Moran's Eclecticism as Critical Inquiry
14. African American Music
Onward: An Afterword by Shana L. Redmond
Notes
Index
Foreword by Tammy L. Kernodle
Acknowledgments
Introduction: Who Hears Here Now?
1. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940
2. Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade
3. The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies
4. Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture
5. Muzing New Hoods, Making New Identities: Film, Hip-Hop Culture, and Jazz Music
6. Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde
7. Bebop, Jazz Manhood, and "Piano Shame"
8. Blues and the Ethnographic Truth
9. Time Is Illmatic: A Song for My Father, A Letter to My Son
10. A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in
Robert Glasper's Black Radio
11. Free Jazz and the Price of Black Musical Abstraction
12. Jack Whitten's Musical Eye
13. Out of Place and Out of Line: Jason Moran's Eclecticism as Critical Inquiry
14. African American Music
Onward: An Afterword by Shana L. Redmond
Notes
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
