Where Social Identities Converge
portes grátis
Where Social Identities Converge
Latin American and Latinx Youth on Screen
Roberts-Camps, Traci
Vanderbilt University Press
12/2024
230
Dura
9780826507211
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
Introduction
Chapter 1: Audacity, Intelligence, and Indigenous Connections in Patricia Arriaga-JordAn's Juana InEs (2016)
Chapter 2: Gender, Class, Sexuality, and Ethnicity in Aurora Guerrero's Mosquita y Mari (2012) and Viviana Cordero's No robarAs...a menos que sea necesario (2013)
Chapter 3: Intersectional Subjectivity in Gabriela David's La mosca en la ceniza
Chapter 4: Indigeneity and the Rural/Urban Continuum in Claudia Llosa's Madeinusa (2005) and La teta asustada (2009) and Itandehui Jansen's Tiempo de lluvia (2018)
Chapter 5: Intersectionality and Inter-Nationality in Kaori Flores Yonekura's Nikkei: Un viaje extraordinario (2014) and Cecilia Kang's Mi Ultimo fracaso (2016)
Conclusion
Notes
Bibliography
Index
Chapter 1: Audacity, Intelligence, and Indigenous Connections in Patricia Arriaga-JordAn's Juana InEs (2016)
Chapter 2: Gender, Class, Sexuality, and Ethnicity in Aurora Guerrero's Mosquita y Mari (2012) and Viviana Cordero's No robarAs...a menos que sea necesario (2013)
Chapter 3: Intersectional Subjectivity in Gabriela David's La mosca en la ceniza
Chapter 4: Indigeneity and the Rural/Urban Continuum in Claudia Llosa's Madeinusa (2005) and La teta asustada (2009) and Itandehui Jansen's Tiempo de lluvia (2018)
Chapter 5: Intersectionality and Inter-Nationality in Kaori Flores Yonekura's Nikkei: Un viaje extraordinario (2014) and Cecilia Kang's Mi Ultimo fracaso (2016)
Conclusion
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
intersectionality; decolonial feminism; Latin American filmmakers; Latin American women filmmakers; Latinx filmmakers; Mexican Film Argentine Film; Ecuadorian Film; Peruvian Film; U.S. Film; Venezuelan Film; adolescence and film; Latin American popular culture; Netflix; Patricia Arriaga-Jordan; Aurora Guerrero; Viviana Cordero; Gabriela David; Claudia Llosa; Itandehui Jansen; Kaori Flores Yonekura; Cecilia Kang; Juana Inés; Mosquita y Mari; No robarás…a menos que sea necesario; La mosca en la ceniza; Madeinusa; La teta asustada; Tiempo de lluvia; Nikkei: Un viaje extraordinario; Mi último fracaso; Patricia Hill Collins; Sirma Bilge; Maria Lugones; Mara Viveros Vigoya; Marisol Fournier-Pereira; Aida Hurtado; Cherrie Moraga; Gloria Anzaldua
Introduction
Chapter 1: Audacity, Intelligence, and Indigenous Connections in Patricia Arriaga-JordAn's Juana InEs (2016)
Chapter 2: Gender, Class, Sexuality, and Ethnicity in Aurora Guerrero's Mosquita y Mari (2012) and Viviana Cordero's No robarAs...a menos que sea necesario (2013)
Chapter 3: Intersectional Subjectivity in Gabriela David's La mosca en la ceniza
Chapter 4: Indigeneity and the Rural/Urban Continuum in Claudia Llosa's Madeinusa (2005) and La teta asustada (2009) and Itandehui Jansen's Tiempo de lluvia (2018)
Chapter 5: Intersectionality and Inter-Nationality in Kaori Flores Yonekura's Nikkei: Un viaje extraordinario (2014) and Cecilia Kang's Mi Ultimo fracaso (2016)
Conclusion
Notes
Bibliography
Index
Chapter 1: Audacity, Intelligence, and Indigenous Connections in Patricia Arriaga-JordAn's Juana InEs (2016)
Chapter 2: Gender, Class, Sexuality, and Ethnicity in Aurora Guerrero's Mosquita y Mari (2012) and Viviana Cordero's No robarAs...a menos que sea necesario (2013)
Chapter 3: Intersectional Subjectivity in Gabriela David's La mosca en la ceniza
Chapter 4: Indigeneity and the Rural/Urban Continuum in Claudia Llosa's Madeinusa (2005) and La teta asustada (2009) and Itandehui Jansen's Tiempo de lluvia (2018)
Chapter 5: Intersectionality and Inter-Nationality in Kaori Flores Yonekura's Nikkei: Un viaje extraordinario (2014) and Cecilia Kang's Mi Ultimo fracaso (2016)
Conclusion
Notes
Bibliography
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
intersectionality; decolonial feminism; Latin American filmmakers; Latin American women filmmakers; Latinx filmmakers; Mexican Film Argentine Film; Ecuadorian Film; Peruvian Film; U.S. Film; Venezuelan Film; adolescence and film; Latin American popular culture; Netflix; Patricia Arriaga-Jordan; Aurora Guerrero; Viviana Cordero; Gabriela David; Claudia Llosa; Itandehui Jansen; Kaori Flores Yonekura; Cecilia Kang; Juana Inés; Mosquita y Mari; No robarás…a menos que sea necesario; La mosca en la ceniza; Madeinusa; La teta asustada; Tiempo de lluvia; Nikkei: Un viaje extraordinario; Mi último fracaso; Patricia Hill Collins; Sirma Bilge; Maria Lugones; Mara Viveros Vigoya; Marisol Fournier-Pereira; Aida Hurtado; Cherrie Moraga; Gloria Anzaldua
