Vincenzo Bellini on Stage and Screen, 1935-2020

Vincenzo Bellini on Stage and Screen, 1935-2020

Senici, Professor Emanuele; Seminara, Professor Graziella; Sala, Professor Emilio

Bloomsbury Publishing Plc

11/2024

248

Dura

Inglês

9781501391194

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Introduction
Emilio Sala (University of Milan, Italy), Graziella Seminara (University of Catania, Italy) and Emanuele Senici (University of Rome La Sapienza, Italy)
1. Staging La sonnambula in the Twenty-First CenturyEmanuele Senici (University of Rome La Sapienza, Italy)
2. Opera and Trauma: Jossi Wieler and Sergio Morabito's I Puritani
Biagio Scuderi (University of Catania, Italy)
3. Norma, Ibsen, and I: Experiencing Relevance and Exploring Reality in Bellini's Opera
Hedda Hogasen-Hallesby (Norwegian National Opera, Norway)
4. From the Apotheosis of Italian Genius to Melodrama: Carmine Gallone's Casta Diva
Graziella Seminara (University of Catania, Italy)
5. Carmine Gallone's Casta Diva and the Italian Composer Biopic, 1935-1954: Pastiche, History and Affect
Giuliano Danieli (University of Rome La Sapienza, Italy)
6. Emotion and Temporality: 'Casta Diva' in Film Soundtracks, 1980-2011
Matteo Giuggioli (University of Roma Tre, Italy)
7. Remediating Bellini through Sound and Video Art: Christian Marclay's Maria Callas in Context
Giacomo Albert (University of Turin, Italy)
8. 'Casta Diva' Reimagined: Staging Death in Marina Abramovic's 7 Deaths of Maria Callas
Jelena Novak (Universidade Nova, Lisbon, Portugal) and Michal Grover-Friedlander (Tel Aviv University, Israel)
9. Bellini's Digital Liveness
Clemens Risi (Friedrich-Alexander-Universitaet,Erlangen-Nuremberg, Germany)
Contributors
Index
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famous composer; Maria Callas; aria; Casta Diva; mises en scene; la sonnambula; music industry; cultural history; biopic; soundtrack; sampling; remix; case studies