Views of Violence
portes grátis
Views of Violence
Representing the Second World War in German and European Museums and Memorials
Jaeger, Stephan; Echternkamp, Joerg
Berghahn Books
11/2022
284
Mole
Inglês
9781800736474
15 a 20 dias
Descrição não disponível.
List of Illustrations
Preface
List of Abbreviations
Introduction: Representing the Second World War in German and European Museums and Memorials
Joerg Echternkamp and Stephan Jaeger
PART I: MUSEUMS
Chapter 1. Multi-Voiced and Personal: Second World War Remembrance in German Museums
Thomas Thiemeyer
Chapter 2. The Experientiality of the Second World War in Twenty-First-Century European Museums (Normandy, Ardennes, Germany)
Stephan Jaeger
Chapter 3. Exhibiting Images of War: The Use of Historic Media in the Bundeswehr Military Museum (Dresden) and the Imperial War Museum North (Manchester)
Jana Hawig
Chapter 4. In the Eye of the Beholder: Gaze and Distance through Photographic Collage in the Topography of Terror and the Canadian Museum for Human Rights
Erin Johnston-Weiss
Chapter 5. The Challenging Representation of National-Socialist Perpetrators in Exhibitions: Two Examples from Austria and Germany
Sarah Kleinmann
Chapter 6. "Warschau erhebt sich": The 1944 Warsaw Uprising and the Nationalization of European Identity in the Berlin Republic
Winson Chu
PART II: MEMORIALS AND MEMORIAL LANDSCAPES
Chapter 7. A Culture of Remembrance, Memorials and Museum in the Huertgenwald Region
Karola Fings
Chapter 8. Contested Heroes, Contested Places: Conflicting Visions of War at Heldenplatz/Ballhausplatz in Vienna
Peter Pirker, Magnus Koch, and Johannes Kramer
Chapter 9. Commemorating Flight and Expulsion vor Ort: Local Expellee Monuments in Central and Eastern Europe
Jeffrey Luppes
Chapter 10. Local Battlefields as "Cultural Landscape" of Global Value? Views of War in Normandy and the Classification as World Heritage
Joerg Echternkamp
Afterword: The Memory Boom and the Commemoration of the Second World War
Jay Winter
Index
Preface
List of Abbreviations
Introduction: Representing the Second World War in German and European Museums and Memorials
Joerg Echternkamp and Stephan Jaeger
PART I: MUSEUMS
Chapter 1. Multi-Voiced and Personal: Second World War Remembrance in German Museums
Thomas Thiemeyer
Chapter 2. The Experientiality of the Second World War in Twenty-First-Century European Museums (Normandy, Ardennes, Germany)
Stephan Jaeger
Chapter 3. Exhibiting Images of War: The Use of Historic Media in the Bundeswehr Military Museum (Dresden) and the Imperial War Museum North (Manchester)
Jana Hawig
Chapter 4. In the Eye of the Beholder: Gaze and Distance through Photographic Collage in the Topography of Terror and the Canadian Museum for Human Rights
Erin Johnston-Weiss
Chapter 5. The Challenging Representation of National-Socialist Perpetrators in Exhibitions: Two Examples from Austria and Germany
Sarah Kleinmann
Chapter 6. "Warschau erhebt sich": The 1944 Warsaw Uprising and the Nationalization of European Identity in the Berlin Republic
Winson Chu
PART II: MEMORIALS AND MEMORIAL LANDSCAPES
Chapter 7. A Culture of Remembrance, Memorials and Museum in the Huertgenwald Region
Karola Fings
Chapter 8. Contested Heroes, Contested Places: Conflicting Visions of War at Heldenplatz/Ballhausplatz in Vienna
Peter Pirker, Magnus Koch, and Johannes Kramer
Chapter 9. Commemorating Flight and Expulsion vor Ort: Local Expellee Monuments in Central and Eastern Europe
Jeffrey Luppes
Chapter 10. Local Battlefields as "Cultural Landscape" of Global Value? Views of War in Normandy and the Classification as World Heritage
Joerg Echternkamp
Afterword: The Memory Boom and the Commemoration of the Second World War
Jay Winter
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Historical violence;Museum;memorials;historical perspective;Second World War;memory culture;public memory;difficult heritage;exhibition analysis;war exhibitions; anthropology of violence;exhibition techniques;Germany;Remembrance;Europe;images of war;commemoration;cultural landscape;world heritage;military history;shared culture of remembrance;self-perception;history of German war exhibitions;archive;war experience;culture of remembrance;Hurtgen Forest;war crimes;monuments;public engagement
List of Illustrations
Preface
List of Abbreviations
Introduction: Representing the Second World War in German and European Museums and Memorials
Joerg Echternkamp and Stephan Jaeger
PART I: MUSEUMS
Chapter 1. Multi-Voiced and Personal: Second World War Remembrance in German Museums
Thomas Thiemeyer
Chapter 2. The Experientiality of the Second World War in Twenty-First-Century European Museums (Normandy, Ardennes, Germany)
Stephan Jaeger
Chapter 3. Exhibiting Images of War: The Use of Historic Media in the Bundeswehr Military Museum (Dresden) and the Imperial War Museum North (Manchester)
Jana Hawig
Chapter 4. In the Eye of the Beholder: Gaze and Distance through Photographic Collage in the Topography of Terror and the Canadian Museum for Human Rights
Erin Johnston-Weiss
Chapter 5. The Challenging Representation of National-Socialist Perpetrators in Exhibitions: Two Examples from Austria and Germany
Sarah Kleinmann
Chapter 6. "Warschau erhebt sich": The 1944 Warsaw Uprising and the Nationalization of European Identity in the Berlin Republic
Winson Chu
PART II: MEMORIALS AND MEMORIAL LANDSCAPES
Chapter 7. A Culture of Remembrance, Memorials and Museum in the Huertgenwald Region
Karola Fings
Chapter 8. Contested Heroes, Contested Places: Conflicting Visions of War at Heldenplatz/Ballhausplatz in Vienna
Peter Pirker, Magnus Koch, and Johannes Kramer
Chapter 9. Commemorating Flight and Expulsion vor Ort: Local Expellee Monuments in Central and Eastern Europe
Jeffrey Luppes
Chapter 10. Local Battlefields as "Cultural Landscape" of Global Value? Views of War in Normandy and the Classification as World Heritage
Joerg Echternkamp
Afterword: The Memory Boom and the Commemoration of the Second World War
Jay Winter
Index
Preface
List of Abbreviations
Introduction: Representing the Second World War in German and European Museums and Memorials
Joerg Echternkamp and Stephan Jaeger
PART I: MUSEUMS
Chapter 1. Multi-Voiced and Personal: Second World War Remembrance in German Museums
Thomas Thiemeyer
Chapter 2. The Experientiality of the Second World War in Twenty-First-Century European Museums (Normandy, Ardennes, Germany)
Stephan Jaeger
Chapter 3. Exhibiting Images of War: The Use of Historic Media in the Bundeswehr Military Museum (Dresden) and the Imperial War Museum North (Manchester)
Jana Hawig
Chapter 4. In the Eye of the Beholder: Gaze and Distance through Photographic Collage in the Topography of Terror and the Canadian Museum for Human Rights
Erin Johnston-Weiss
Chapter 5. The Challenging Representation of National-Socialist Perpetrators in Exhibitions: Two Examples from Austria and Germany
Sarah Kleinmann
Chapter 6. "Warschau erhebt sich": The 1944 Warsaw Uprising and the Nationalization of European Identity in the Berlin Republic
Winson Chu
PART II: MEMORIALS AND MEMORIAL LANDSCAPES
Chapter 7. A Culture of Remembrance, Memorials and Museum in the Huertgenwald Region
Karola Fings
Chapter 8. Contested Heroes, Contested Places: Conflicting Visions of War at Heldenplatz/Ballhausplatz in Vienna
Peter Pirker, Magnus Koch, and Johannes Kramer
Chapter 9. Commemorating Flight and Expulsion vor Ort: Local Expellee Monuments in Central and Eastern Europe
Jeffrey Luppes
Chapter 10. Local Battlefields as "Cultural Landscape" of Global Value? Views of War in Normandy and the Classification as World Heritage
Joerg Echternkamp
Afterword: The Memory Boom and the Commemoration of the Second World War
Jay Winter
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Historical violence;Museum;memorials;historical perspective;Second World War;memory culture;public memory;difficult heritage;exhibition analysis;war exhibitions; anthropology of violence;exhibition techniques;Germany;Remembrance;Europe;images of war;commemoration;cultural landscape;world heritage;military history;shared culture of remembrance;self-perception;history of German war exhibitions;archive;war experience;culture of remembrance;Hurtgen Forest;war crimes;monuments;public engagement
