Victorian Artists' Autograph Replicas
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Victorian Artists' Autograph Replicas
Auras, Aesthetics, Patronage and the Art Market
Codell, Julie F.
Taylor & Francis Ltd
10/2024
314
Mole
9781032922515
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
I. Introduction
1. Artists' Autograph Replicas: Auras, Aesthetics, Copyright, and Economics - Julie F. Codell
II Autograph Replicas: Location as Meaning
2. The American Replica: The Politics and Status of the Artist's Autograph Replica in the Gilded Age - Jo Briggs
3. "Mere dead copies"? Frank Holl's Newgate and the Lives of Painted Replicas - Andrea Korda
III. A Case Study: Albert Moore
4. Albert Moore: Themes and Variations - Richard Green
5. Repetition, Aestheticism, and Copyright Law in the Art Practice of Albert Moore - Robyn Asleson
IV. Replicas and Artists' Agency
6. Patrons' Desire: Dante Gabriel Rossetti's Prolific Replicas - Julie F. Codell
7. Ford Madox Brown, Cultural Experience, and the Promise of the Replica - Colin Trodd
8. William Powell Frith's Double Life: An Artist Coping with a Changing Market - Sally Woodcock
V. Multiple Motivations
9. The Uncertain Status of William Holman Hunt's Oil Replicas - Judith Bronkhurst
10. G. F. Watts's Other Hope (1891): Anatomy of a Version - Barbara Bryant
11. Dadd's Doubles - Nicholas Tromans
12. "Splendid Architectural Paintings": The Replicas of David Roberts - Krystyna Matyjaszkiewicz with Briony Llewellyn
VI. Creativity, Reputation, and the Market
13. From Replica to Original: Abraham Solomon and the Market for Modern-Life Subjects - Pamela Fletcher
14. Is He Repeating Himself? Creative, Aesthetic, and Commercial Dialogue in the Replicas of John Frederick Lewis - Briony Llewellyn
15. Celebrated Variations on a Theme: The Replicas of Edward Coley Burne-Jones - Fiona Mann
16. Elizabeth Thompson Butler: A Gendered Story of Replication? - Dorothy Nott
17. Creating and Meeting Demand: James Tissot's London Replicas - Krystyna Matyjaszkiewicz
1. Artists' Autograph Replicas: Auras, Aesthetics, Copyright, and Economics - Julie F. Codell
II Autograph Replicas: Location as Meaning
2. The American Replica: The Politics and Status of the Artist's Autograph Replica in the Gilded Age - Jo Briggs
3. "Mere dead copies"? Frank Holl's Newgate and the Lives of Painted Replicas - Andrea Korda
III. A Case Study: Albert Moore
4. Albert Moore: Themes and Variations - Richard Green
5. Repetition, Aestheticism, and Copyright Law in the Art Practice of Albert Moore - Robyn Asleson
IV. Replicas and Artists' Agency
6. Patrons' Desire: Dante Gabriel Rossetti's Prolific Replicas - Julie F. Codell
7. Ford Madox Brown, Cultural Experience, and the Promise of the Replica - Colin Trodd
8. William Powell Frith's Double Life: An Artist Coping with a Changing Market - Sally Woodcock
V. Multiple Motivations
9. The Uncertain Status of William Holman Hunt's Oil Replicas - Judith Bronkhurst
10. G. F. Watts's Other Hope (1891): Anatomy of a Version - Barbara Bryant
11. Dadd's Doubles - Nicholas Tromans
12. "Splendid Architectural Paintings": The Replicas of David Roberts - Krystyna Matyjaszkiewicz with Briony Llewellyn
VI. Creativity, Reputation, and the Market
13. From Replica to Original: Abraham Solomon and the Market for Modern-Life Subjects - Pamela Fletcher
14. Is He Repeating Himself? Creative, Aesthetic, and Commercial Dialogue in the Replicas of John Frederick Lewis - Briony Llewellyn
15. Celebrated Variations on a Theme: The Replicas of Edward Coley Burne-Jones - Fiona Mann
16. Elizabeth Thompson Butler: A Gendered Story of Replication? - Dorothy Nott
17. Creating and Meeting Demand: James Tissot's London Replicas - Krystyna Matyjaszkiewicz
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Harvard Art Museums;nineteenth century;Young Man;British art;Ramsgate Sands;Britain;Albert Moore;England;Royal Academy;United Kingdom;Walker Art Gallery;British artists;Manchester Art Gallery;collecting;Rosa Bonheur;art market;Fine Arts Copyright Act;globalization;Castle Museum And Art Gallery;commerce;Grosvenor Gallery;art history;Oil On Canvas;collectors;National Museums Liverpool;authenticity;Beata Beatrix;originality;Walters Art Museum;creativity;Victorian Art World;pastiche;York Art Gallery;original;Fogg Museum;aura;Full Size Versions;Victorian era;Royal Academy Exhibition;women artists;Venus Verticordia;patrons;Laus Veneris;dealers;MS Bodleian Library;demand;Hireling Shepherd;supply;Burne Jones's Work;replicas;celebrity;painting;museums;William T. Walters;Gilded Age;Frank Holl;Dante Gabriel Rossetti;Ford Madox Brown;William Powell Frith;John Everett Millais;G. F. Watts;Richard Dadd;David Roberts;Abraham Solomon;John Frederick Lewis;Edward Coley Burne-Jones;Elizabeth Butler;James Tissot;Annie Swynnerton;painting's subsequent versions;US public museums;Victorian art
I. Introduction
1. Artists' Autograph Replicas: Auras, Aesthetics, Copyright, and Economics - Julie F. Codell
II Autograph Replicas: Location as Meaning
2. The American Replica: The Politics and Status of the Artist's Autograph Replica in the Gilded Age - Jo Briggs
3. "Mere dead copies"? Frank Holl's Newgate and the Lives of Painted Replicas - Andrea Korda
III. A Case Study: Albert Moore
4. Albert Moore: Themes and Variations - Richard Green
5. Repetition, Aestheticism, and Copyright Law in the Art Practice of Albert Moore - Robyn Asleson
IV. Replicas and Artists' Agency
6. Patrons' Desire: Dante Gabriel Rossetti's Prolific Replicas - Julie F. Codell
7. Ford Madox Brown, Cultural Experience, and the Promise of the Replica - Colin Trodd
8. William Powell Frith's Double Life: An Artist Coping with a Changing Market - Sally Woodcock
V. Multiple Motivations
9. The Uncertain Status of William Holman Hunt's Oil Replicas - Judith Bronkhurst
10. G. F. Watts's Other Hope (1891): Anatomy of a Version - Barbara Bryant
11. Dadd's Doubles - Nicholas Tromans
12. "Splendid Architectural Paintings": The Replicas of David Roberts - Krystyna Matyjaszkiewicz with Briony Llewellyn
VI. Creativity, Reputation, and the Market
13. From Replica to Original: Abraham Solomon and the Market for Modern-Life Subjects - Pamela Fletcher
14. Is He Repeating Himself? Creative, Aesthetic, and Commercial Dialogue in the Replicas of John Frederick Lewis - Briony Llewellyn
15. Celebrated Variations on a Theme: The Replicas of Edward Coley Burne-Jones - Fiona Mann
16. Elizabeth Thompson Butler: A Gendered Story of Replication? - Dorothy Nott
17. Creating and Meeting Demand: James Tissot's London Replicas - Krystyna Matyjaszkiewicz
1. Artists' Autograph Replicas: Auras, Aesthetics, Copyright, and Economics - Julie F. Codell
II Autograph Replicas: Location as Meaning
2. The American Replica: The Politics and Status of the Artist's Autograph Replica in the Gilded Age - Jo Briggs
3. "Mere dead copies"? Frank Holl's Newgate and the Lives of Painted Replicas - Andrea Korda
III. A Case Study: Albert Moore
4. Albert Moore: Themes and Variations - Richard Green
5. Repetition, Aestheticism, and Copyright Law in the Art Practice of Albert Moore - Robyn Asleson
IV. Replicas and Artists' Agency
6. Patrons' Desire: Dante Gabriel Rossetti's Prolific Replicas - Julie F. Codell
7. Ford Madox Brown, Cultural Experience, and the Promise of the Replica - Colin Trodd
8. William Powell Frith's Double Life: An Artist Coping with a Changing Market - Sally Woodcock
V. Multiple Motivations
9. The Uncertain Status of William Holman Hunt's Oil Replicas - Judith Bronkhurst
10. G. F. Watts's Other Hope (1891): Anatomy of a Version - Barbara Bryant
11. Dadd's Doubles - Nicholas Tromans
12. "Splendid Architectural Paintings": The Replicas of David Roberts - Krystyna Matyjaszkiewicz with Briony Llewellyn
VI. Creativity, Reputation, and the Market
13. From Replica to Original: Abraham Solomon and the Market for Modern-Life Subjects - Pamela Fletcher
14. Is He Repeating Himself? Creative, Aesthetic, and Commercial Dialogue in the Replicas of John Frederick Lewis - Briony Llewellyn
15. Celebrated Variations on a Theme: The Replicas of Edward Coley Burne-Jones - Fiona Mann
16. Elizabeth Thompson Butler: A Gendered Story of Replication? - Dorothy Nott
17. Creating and Meeting Demand: James Tissot's London Replicas - Krystyna Matyjaszkiewicz
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Harvard Art Museums;nineteenth century;Young Man;British art;Ramsgate Sands;Britain;Albert Moore;England;Royal Academy;United Kingdom;Walker Art Gallery;British artists;Manchester Art Gallery;collecting;Rosa Bonheur;art market;Fine Arts Copyright Act;globalization;Castle Museum And Art Gallery;commerce;Grosvenor Gallery;art history;Oil On Canvas;collectors;National Museums Liverpool;authenticity;Beata Beatrix;originality;Walters Art Museum;creativity;Victorian Art World;pastiche;York Art Gallery;original;Fogg Museum;aura;Full Size Versions;Victorian era;Royal Academy Exhibition;women artists;Venus Verticordia;patrons;Laus Veneris;dealers;MS Bodleian Library;demand;Hireling Shepherd;supply;Burne Jones's Work;replicas;celebrity;painting;museums;William T. Walters;Gilded Age;Frank Holl;Dante Gabriel Rossetti;Ford Madox Brown;William Powell Frith;John Everett Millais;G. F. Watts;Richard Dadd;David Roberts;Abraham Solomon;John Frederick Lewis;Edward Coley Burne-Jones;Elizabeth Butler;James Tissot;Annie Swynnerton;painting's subsequent versions;US public museums;Victorian art
