Trauma, Memory and Silence of the Irish Woman in Contemporary Literature
Trauma, Memory and Silence of the Irish Woman in Contemporary Literature
Wounds of the Body and the Soul
Membrive, Veronica; Armie, Madalina
Taylor & Francis Ltd
01/2023
204
Dura
Inglês
9781032409641
15 a 20 dias
570
Descrição não disponível.
MADALINA ARMIE AND VERONICA MEMBRIVE
Introduction
PART I - ESSAYS
JESSICA ALIAGA-LAVRIJSEN
University of Zaragoza, Spain
Trauma, Reproduction and Breeding in Catherine Brophy's Dark Paradise
BURCU GUELUEM TEKIN
University of Zaragoza, Spain
Different Kinds of Love: Silenced Women in Leland Bardwell's Short Fiction
ELENA CANTUESO URBANO AND MARIA ISABEL ROMERO RUIZ
University of Malaga, Spain
Trauma after a Life of Torture in Irish Magdalene Laundries: Magdalene Survivors' Testimonies and Patricia Burke-Brogan's Stained Glass at Samhain
PAULA ROMO-MAYOR
University of Zaragoza, Spain
Shattering the Moulds of Tradition: The Role of Women in the Transgenerational Transmission of Trauma in Rachel Seiffert's The Walk Home
MELANIA TERRAZAS
University of La Rioja, Spain
Representations of Trauma, Memory and the Silencing of Irish Women: Storytelling in Emer Martin's The Cruelty Men
F.B. SCHUERMANN
University College Dublin (UCD), School of English, Drama, and Film, Ireland
Exposition of a Half-formed System: Trauma and Other Matters in Eimear McBride's A Girl Is a Half-formed Thing
ALICIA MURO
University of La Rioja, Spain
Damaged Women: Trauma, Shame and Silence in Sally Rooney's Conversations with Friends and Normal People
KAYLA FANNING
Concordia University, Canada
Conditions of Homecoming: Self-Care and Anticipation in Louise O'Neill's Only Ever Yours and The Surface Breaks
ASIER ALTUNA-GARCIA DE SALAZAR
University of Deusto, Spain
Confronting Female Unspeakable Truths in Ireland: Donal Ryan's Strange Flowers
MAYRON ESTEFAN CANTILLO-LUCUARA
University of Valencia, Spain
Emma Donoghue's Hood and the Aesthetics of Existential Claustrophobia: From Traumatic Self-Retreat to Uncloseted Grief
MARIA GAVINA-COSTERO
University of Valencia, Spain
Don't Tell Them: The Strategy of Silence in Anna Burns' Milkman
PART 2. PIECES OF CREATIVE WRITING
CATHERINE DUNNE
A Good Enough Mother
Unpublished literary piece of novel
MIA GALLAGHER
Dirty Irish Punk
Unpublished literary piece of novel
LIA MILLS
"Flight"
Reissued short story
Introduction
PART I - ESSAYS
JESSICA ALIAGA-LAVRIJSEN
University of Zaragoza, Spain
Trauma, Reproduction and Breeding in Catherine Brophy's Dark Paradise
BURCU GUELUEM TEKIN
University of Zaragoza, Spain
Different Kinds of Love: Silenced Women in Leland Bardwell's Short Fiction
ELENA CANTUESO URBANO AND MARIA ISABEL ROMERO RUIZ
University of Malaga, Spain
Trauma after a Life of Torture in Irish Magdalene Laundries: Magdalene Survivors' Testimonies and Patricia Burke-Brogan's Stained Glass at Samhain
PAULA ROMO-MAYOR
University of Zaragoza, Spain
Shattering the Moulds of Tradition: The Role of Women in the Transgenerational Transmission of Trauma in Rachel Seiffert's The Walk Home
MELANIA TERRAZAS
University of La Rioja, Spain
Representations of Trauma, Memory and the Silencing of Irish Women: Storytelling in Emer Martin's The Cruelty Men
F.B. SCHUERMANN
University College Dublin (UCD), School of English, Drama, and Film, Ireland
Exposition of a Half-formed System: Trauma and Other Matters in Eimear McBride's A Girl Is a Half-formed Thing
ALICIA MURO
University of La Rioja, Spain
Damaged Women: Trauma, Shame and Silence in Sally Rooney's Conversations with Friends and Normal People
KAYLA FANNING
Concordia University, Canada
Conditions of Homecoming: Self-Care and Anticipation in Louise O'Neill's Only Ever Yours and The Surface Breaks
ASIER ALTUNA-GARCIA DE SALAZAR
University of Deusto, Spain
Confronting Female Unspeakable Truths in Ireland: Donal Ryan's Strange Flowers
MAYRON ESTEFAN CANTILLO-LUCUARA
University of Valencia, Spain
Emma Donoghue's Hood and the Aesthetics of Existential Claustrophobia: From Traumatic Self-Retreat to Uncloseted Grief
MARIA GAVINA-COSTERO
University of Valencia, Spain
Don't Tell Them: The Strategy of Silence in Anna Burns' Milkman
PART 2. PIECES OF CREATIVE WRITING
CATHERINE DUNNE
A Good Enough Mother
Unpublished literary piece of novel
MIA GALLAGHER
Dirty Irish Punk
Unpublished literary piece of novel
LIA MILLS
"Flight"
Reissued short story
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Irish Woman;Young Men;Magdalene Laundry;post-Celtic Tiger Ireland;Holding;DGI;Follow;Contemporary Society;post-Celtic Tiger;Irish Short Story;Female Trauma;Great Famine;Transgenerational Transmission;Contemporary Irish Woman;Walk Home;Women's Traumas;Trauma Studies;Tonight;Tours;ERDF;British Irish Conflict;Strange Flowers;Dark Paradise;Martin's Story;Cruelty Men
MADALINA ARMIE AND VERONICA MEMBRIVE
Introduction
PART I - ESSAYS
JESSICA ALIAGA-LAVRIJSEN
University of Zaragoza, Spain
Trauma, Reproduction and Breeding in Catherine Brophy's Dark Paradise
BURCU GUELUEM TEKIN
University of Zaragoza, Spain
Different Kinds of Love: Silenced Women in Leland Bardwell's Short Fiction
ELENA CANTUESO URBANO AND MARIA ISABEL ROMERO RUIZ
University of Malaga, Spain
Trauma after a Life of Torture in Irish Magdalene Laundries: Magdalene Survivors' Testimonies and Patricia Burke-Brogan's Stained Glass at Samhain
PAULA ROMO-MAYOR
University of Zaragoza, Spain
Shattering the Moulds of Tradition: The Role of Women in the Transgenerational Transmission of Trauma in Rachel Seiffert's The Walk Home
MELANIA TERRAZAS
University of La Rioja, Spain
Representations of Trauma, Memory and the Silencing of Irish Women: Storytelling in Emer Martin's The Cruelty Men
F.B. SCHUERMANN
University College Dublin (UCD), School of English, Drama, and Film, Ireland
Exposition of a Half-formed System: Trauma and Other Matters in Eimear McBride's A Girl Is a Half-formed Thing
ALICIA MURO
University of La Rioja, Spain
Damaged Women: Trauma, Shame and Silence in Sally Rooney's Conversations with Friends and Normal People
KAYLA FANNING
Concordia University, Canada
Conditions of Homecoming: Self-Care and Anticipation in Louise O'Neill's Only Ever Yours and The Surface Breaks
ASIER ALTUNA-GARCIA DE SALAZAR
University of Deusto, Spain
Confronting Female Unspeakable Truths in Ireland: Donal Ryan's Strange Flowers
MAYRON ESTEFAN CANTILLO-LUCUARA
University of Valencia, Spain
Emma Donoghue's Hood and the Aesthetics of Existential Claustrophobia: From Traumatic Self-Retreat to Uncloseted Grief
MARIA GAVINA-COSTERO
University of Valencia, Spain
Don't Tell Them: The Strategy of Silence in Anna Burns' Milkman
PART 2. PIECES OF CREATIVE WRITING
CATHERINE DUNNE
A Good Enough Mother
Unpublished literary piece of novel
MIA GALLAGHER
Dirty Irish Punk
Unpublished literary piece of novel
LIA MILLS
"Flight"
Reissued short story
Introduction
PART I - ESSAYS
JESSICA ALIAGA-LAVRIJSEN
University of Zaragoza, Spain
Trauma, Reproduction and Breeding in Catherine Brophy's Dark Paradise
BURCU GUELUEM TEKIN
University of Zaragoza, Spain
Different Kinds of Love: Silenced Women in Leland Bardwell's Short Fiction
ELENA CANTUESO URBANO AND MARIA ISABEL ROMERO RUIZ
University of Malaga, Spain
Trauma after a Life of Torture in Irish Magdalene Laundries: Magdalene Survivors' Testimonies and Patricia Burke-Brogan's Stained Glass at Samhain
PAULA ROMO-MAYOR
University of Zaragoza, Spain
Shattering the Moulds of Tradition: The Role of Women in the Transgenerational Transmission of Trauma in Rachel Seiffert's The Walk Home
MELANIA TERRAZAS
University of La Rioja, Spain
Representations of Trauma, Memory and the Silencing of Irish Women: Storytelling in Emer Martin's The Cruelty Men
F.B. SCHUERMANN
University College Dublin (UCD), School of English, Drama, and Film, Ireland
Exposition of a Half-formed System: Trauma and Other Matters in Eimear McBride's A Girl Is a Half-formed Thing
ALICIA MURO
University of La Rioja, Spain
Damaged Women: Trauma, Shame and Silence in Sally Rooney's Conversations with Friends and Normal People
KAYLA FANNING
Concordia University, Canada
Conditions of Homecoming: Self-Care and Anticipation in Louise O'Neill's Only Ever Yours and The Surface Breaks
ASIER ALTUNA-GARCIA DE SALAZAR
University of Deusto, Spain
Confronting Female Unspeakable Truths in Ireland: Donal Ryan's Strange Flowers
MAYRON ESTEFAN CANTILLO-LUCUARA
University of Valencia, Spain
Emma Donoghue's Hood and the Aesthetics of Existential Claustrophobia: From Traumatic Self-Retreat to Uncloseted Grief
MARIA GAVINA-COSTERO
University of Valencia, Spain
Don't Tell Them: The Strategy of Silence in Anna Burns' Milkman
PART 2. PIECES OF CREATIVE WRITING
CATHERINE DUNNE
A Good Enough Mother
Unpublished literary piece of novel
MIA GALLAGHER
Dirty Irish Punk
Unpublished literary piece of novel
LIA MILLS
"Flight"
Reissued short story
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Irish Woman;Young Men;Magdalene Laundry;post-Celtic Tiger Ireland;Holding;DGI;Follow;Contemporary Society;post-Celtic Tiger;Irish Short Story;Female Trauma;Great Famine;Transgenerational Transmission;Contemporary Irish Woman;Walk Home;Women's Traumas;Trauma Studies;Tonight;Tours;ERDF;British Irish Conflict;Strange Flowers;Dark Paradise;Martin's Story;Cruelty Men