Transnational German Cinema
portes grátis
Transnational German Cinema
Encountering Germany Through Film and Events
Herrschner, Irina; Stevens, Kirsten; Nickl, Benjamin
Springer Nature Switzerland AG
09/2022
201
Mole
Inglês
9783030729196
15 a 20 dias
338
Descrição não disponível.
Part I: Films in Global Circuits.- Chapter 1. Trans-national Encounters at the Berlinale: A Look From the Inside (Irina Herrschner).- Chapter 2. Translation and Dissemination of German Films in China (1994-2018) (Jin Haina).- Chapter 3. Transnational Qualities of German Cinema: An Austro/European Audience Analysis (Deniz OEzalpman).- Chapter 4. International Feature Film Co-Productions Between Australia and Germany: An Australian Perspective (Franziska Wagenfeld).- Part II: Transnational Audiences and Communities.- Chapter 5. Tuvalu Live!: Live Re-scoring, Transnational Digital Participation and Audience Engagement in a Film Festival Context (Sarah Atkinson).- Chapter 6. The Black German Experience in Afro-European Cinema - or How Woke Twitter Called Out Amma Asante for Romancing the Reich (Benjamin Nickl).- Chapter 7. #Germancinema in the Eye of Instagram: Showcasing a Method Combination (Joan Ramon Rodriguez-Amat ).- Part III: German Filmmakers in a Global Environment.- Chapter 8. Intercultural Experience Through Affective Encounters: Marten Persiel's This Ain't California (2012) (James Cleverley).- Chapter 9. Werner Herzog and the Transnational-Appeal of the Mythic Hyperreal (Stefan Popescu).- Chapter 10. Lars von Trier and German Expressionism: Understanding von Trier's Transnational Appeal (Aleks Wansbrough).- Chapter 11. "Denglish", "International English", "Garbage Language" and "Corporate Speak": Transnational Non-language in Maren Ade's Toni Erdmann (Blythe Worthy).
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Transnational cinema in Germany;Film Festivals as transnational spaces;Transnational German film circulation;German National Film Festivals;Reframing German film makers outside of Germany
Part I: Films in Global Circuits.- Chapter 1. Trans-national Encounters at the Berlinale: A Look From the Inside (Irina Herrschner).- Chapter 2. Translation and Dissemination of German Films in China (1994-2018) (Jin Haina).- Chapter 3. Transnational Qualities of German Cinema: An Austro/European Audience Analysis (Deniz OEzalpman).- Chapter 4. International Feature Film Co-Productions Between Australia and Germany: An Australian Perspective (Franziska Wagenfeld).- Part II: Transnational Audiences and Communities.- Chapter 5. Tuvalu Live!: Live Re-scoring, Transnational Digital Participation and Audience Engagement in a Film Festival Context (Sarah Atkinson).- Chapter 6. The Black German Experience in Afro-European Cinema - or How Woke Twitter Called Out Amma Asante for Romancing the Reich (Benjamin Nickl).- Chapter 7. #Germancinema in the Eye of Instagram: Showcasing a Method Combination (Joan Ramon Rodriguez-Amat ).- Part III: German Filmmakers in a Global Environment.- Chapter 8. Intercultural Experience Through Affective Encounters: Marten Persiel's This Ain't California (2012) (James Cleverley).- Chapter 9. Werner Herzog and the Transnational-Appeal of the Mythic Hyperreal (Stefan Popescu).- Chapter 10. Lars von Trier and German Expressionism: Understanding von Trier's Transnational Appeal (Aleks Wansbrough).- Chapter 11. "Denglish", "International English", "Garbage Language" and "Corporate Speak": Transnational Non-language in Maren Ade's Toni Erdmann (Blythe Worthy).
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