Theatre Institutions in Crisis
portes grátis
Theatre Institutions in Crisis
European Perspectives
Balme, Christopher; Fisher, Tony
Taylor & Francis Ltd
08/2022
224
Mole
Inglês
9780367676667
15 a 20 dias
358
Descrição não disponível.
Preface
Acknowledgements
Introduction
Publics
Chapter 1 Struggles of singularised communities in German theatre: The 'culture war' around the Berlin Volksbuehne
Peter Boenisch (University of Aarhus)
Chapter 2 Public (Re) Assembly and Crisis Dramaturgy
Shannon Jackson (UC Berkley)
Chapter 3 Re-enacting the Crisis of Democracy in Milo Rau's General Assembly
Ramona Mosse (FU Berlin)
Chapter 4 Fugitive Transformations of Performance Practice in Landscapes of Crisis
Gigi Argyropoulou (Mavili collective Athens)
Funding and labour
Chapter 5 Justifying Theatre and its Funding after 2008
Joshua Edelman (Manchester Met)
Chapter 6 Dutch Theatre Politics in Crisis?
Quirijn Lennert van den Hoogen (Groningen University)
Chapter 7 Crisis in Funding Policies. The Paradox of National Theatres and the Dilemma of Evaluating Theatre in Italy
Livia Cavaglieri (University of Genova)
Chapter 8 The Theatrical Employment System in Crisis? How Working Conditions Are Changing in Theatre and Elsewhere
Axel Haunschild (University of Hannover)
Post-Socialism
Chapter 9 Crisis? Czech Theatre after 1989
Radka Kunderova
Chapter 10 Artistic Freedom - State Control - Democracy: Oliver Frljic?s Theatre Work in Croatia and Poland as an Indicator of Repressive Cultural Policy
Danijela Weber-Kapusta (LMU Munich)
Chapter 11 Creating New Theatres during the Economic Crisis: The Case of Estonia
Hedi-Lis Toome and Anneli Saro (University of Tartu)
Chapter 12 Cultural Struggles in Slovenian Institutional and Independent Theatre
Maja Sorli and Zala Dobovsek (University of Ljubljana)
Independent theatre scene
Chapter 13 Promises and Side Effects: The Frankfurt Theatre Crisis of the 1990s - A Case Study
Lorenz Aggermann (University of Giessen)
Chapter 14 Potential, Need, Risk. On Control and Subjectification in Contemporary Production Networks
Georg Doecker (University of Giessen)
Chapter 15 Theatre Crisis, Local Farce, or Institutional Change? The Controversy Surrounding the Munich Kammerspiele 2018 from an Institutional Logics Perspective
Bianca Michaels (LMU Munich)
Index
Acknowledgements
Introduction
Publics
Chapter 1 Struggles of singularised communities in German theatre: The 'culture war' around the Berlin Volksbuehne
Peter Boenisch (University of Aarhus)
Chapter 2 Public (Re) Assembly and Crisis Dramaturgy
Shannon Jackson (UC Berkley)
Chapter 3 Re-enacting the Crisis of Democracy in Milo Rau's General Assembly
Ramona Mosse (FU Berlin)
Chapter 4 Fugitive Transformations of Performance Practice in Landscapes of Crisis
Gigi Argyropoulou (Mavili collective Athens)
Funding and labour
Chapter 5 Justifying Theatre and its Funding after 2008
Joshua Edelman (Manchester Met)
Chapter 6 Dutch Theatre Politics in Crisis?
Quirijn Lennert van den Hoogen (Groningen University)
Chapter 7 Crisis in Funding Policies. The Paradox of National Theatres and the Dilemma of Evaluating Theatre in Italy
Livia Cavaglieri (University of Genova)
Chapter 8 The Theatrical Employment System in Crisis? How Working Conditions Are Changing in Theatre and Elsewhere
Axel Haunschild (University of Hannover)
Post-Socialism
Chapter 9 Crisis? Czech Theatre after 1989
Radka Kunderova
Chapter 10 Artistic Freedom - State Control - Democracy: Oliver Frljic?s Theatre Work in Croatia and Poland as an Indicator of Repressive Cultural Policy
Danijela Weber-Kapusta (LMU Munich)
Chapter 11 Creating New Theatres during the Economic Crisis: The Case of Estonia
Hedi-Lis Toome and Anneli Saro (University of Tartu)
Chapter 12 Cultural Struggles in Slovenian Institutional and Independent Theatre
Maja Sorli and Zala Dobovsek (University of Ljubljana)
Independent theatre scene
Chapter 13 Promises and Side Effects: The Frankfurt Theatre Crisis of the 1990s - A Case Study
Lorenz Aggermann (University of Giessen)
Chapter 14 Potential, Need, Risk. On Control and Subjectification in Contemporary Production Networks
Georg Doecker (University of Giessen)
Chapter 15 Theatre Crisis, Local Farce, or Institutional Change? The Controversy Surrounding the Munich Kammerspiele 2018 from an Institutional Logics Perspective
Bianca Michaels (LMU Munich)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Institutional crisis;Post-war Europe;Social-scientific approaches;Dutch theatre policy;Pay For Performance;German theatrical employment system;Specific Institutional Logic;Vice Versa;Papa Ubu;Independent Group;Croatian National Theatre;Kammerspiele Munich;Post-dramatic Theatre;Postdramatic Theatre;Wiener Festwochen;Performing Arts Practices;Heiner Goebbels;Military Junta;Municipal Theatre;Czech Theatre;Slovenian Theatre;Crisis Discourse;Slovenian National Theatres;Independent Scene;Maxim Gorki Theater;Contingent Work Arrangements;Artistic Labour Markets;Dello Spettacolo;Theatrical Employment System;Jana Sterbak
Preface
Acknowledgements
Introduction
Publics
Chapter 1 Struggles of singularised communities in German theatre: The 'culture war' around the Berlin Volksbuehne
Peter Boenisch (University of Aarhus)
Chapter 2 Public (Re) Assembly and Crisis Dramaturgy
Shannon Jackson (UC Berkley)
Chapter 3 Re-enacting the Crisis of Democracy in Milo Rau's General Assembly
Ramona Mosse (FU Berlin)
Chapter 4 Fugitive Transformations of Performance Practice in Landscapes of Crisis
Gigi Argyropoulou (Mavili collective Athens)
Funding and labour
Chapter 5 Justifying Theatre and its Funding after 2008
Joshua Edelman (Manchester Met)
Chapter 6 Dutch Theatre Politics in Crisis?
Quirijn Lennert van den Hoogen (Groningen University)
Chapter 7 Crisis in Funding Policies. The Paradox of National Theatres and the Dilemma of Evaluating Theatre in Italy
Livia Cavaglieri (University of Genova)
Chapter 8 The Theatrical Employment System in Crisis? How Working Conditions Are Changing in Theatre and Elsewhere
Axel Haunschild (University of Hannover)
Post-Socialism
Chapter 9 Crisis? Czech Theatre after 1989
Radka Kunderova
Chapter 10 Artistic Freedom - State Control - Democracy: Oliver Frljic?s Theatre Work in Croatia and Poland as an Indicator of Repressive Cultural Policy
Danijela Weber-Kapusta (LMU Munich)
Chapter 11 Creating New Theatres during the Economic Crisis: The Case of Estonia
Hedi-Lis Toome and Anneli Saro (University of Tartu)
Chapter 12 Cultural Struggles in Slovenian Institutional and Independent Theatre
Maja Sorli and Zala Dobovsek (University of Ljubljana)
Independent theatre scene
Chapter 13 Promises and Side Effects: The Frankfurt Theatre Crisis of the 1990s - A Case Study
Lorenz Aggermann (University of Giessen)
Chapter 14 Potential, Need, Risk. On Control and Subjectification in Contemporary Production Networks
Georg Doecker (University of Giessen)
Chapter 15 Theatre Crisis, Local Farce, or Institutional Change? The Controversy Surrounding the Munich Kammerspiele 2018 from an Institutional Logics Perspective
Bianca Michaels (LMU Munich)
Index
Acknowledgements
Introduction
Publics
Chapter 1 Struggles of singularised communities in German theatre: The 'culture war' around the Berlin Volksbuehne
Peter Boenisch (University of Aarhus)
Chapter 2 Public (Re) Assembly and Crisis Dramaturgy
Shannon Jackson (UC Berkley)
Chapter 3 Re-enacting the Crisis of Democracy in Milo Rau's General Assembly
Ramona Mosse (FU Berlin)
Chapter 4 Fugitive Transformations of Performance Practice in Landscapes of Crisis
Gigi Argyropoulou (Mavili collective Athens)
Funding and labour
Chapter 5 Justifying Theatre and its Funding after 2008
Joshua Edelman (Manchester Met)
Chapter 6 Dutch Theatre Politics in Crisis?
Quirijn Lennert van den Hoogen (Groningen University)
Chapter 7 Crisis in Funding Policies. The Paradox of National Theatres and the Dilemma of Evaluating Theatre in Italy
Livia Cavaglieri (University of Genova)
Chapter 8 The Theatrical Employment System in Crisis? How Working Conditions Are Changing in Theatre and Elsewhere
Axel Haunschild (University of Hannover)
Post-Socialism
Chapter 9 Crisis? Czech Theatre after 1989
Radka Kunderova
Chapter 10 Artistic Freedom - State Control - Democracy: Oliver Frljic?s Theatre Work in Croatia and Poland as an Indicator of Repressive Cultural Policy
Danijela Weber-Kapusta (LMU Munich)
Chapter 11 Creating New Theatres during the Economic Crisis: The Case of Estonia
Hedi-Lis Toome and Anneli Saro (University of Tartu)
Chapter 12 Cultural Struggles in Slovenian Institutional and Independent Theatre
Maja Sorli and Zala Dobovsek (University of Ljubljana)
Independent theatre scene
Chapter 13 Promises and Side Effects: The Frankfurt Theatre Crisis of the 1990s - A Case Study
Lorenz Aggermann (University of Giessen)
Chapter 14 Potential, Need, Risk. On Control and Subjectification in Contemporary Production Networks
Georg Doecker (University of Giessen)
Chapter 15 Theatre Crisis, Local Farce, or Institutional Change? The Controversy Surrounding the Munich Kammerspiele 2018 from an Institutional Logics Perspective
Bianca Michaels (LMU Munich)
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Institutional crisis;Post-war Europe;Social-scientific approaches;Dutch theatre policy;Pay For Performance;German theatrical employment system;Specific Institutional Logic;Vice Versa;Papa Ubu;Independent Group;Croatian National Theatre;Kammerspiele Munich;Post-dramatic Theatre;Postdramatic Theatre;Wiener Festwochen;Performing Arts Practices;Heiner Goebbels;Military Junta;Municipal Theatre;Czech Theatre;Slovenian Theatre;Crisis Discourse;Slovenian National Theatres;Independent Scene;Maxim Gorki Theater;Contingent Work Arrangements;Artistic Labour Markets;Dello Spettacolo;Theatrical Employment System;Jana Sterbak
