Visual Culture of al-Andalus in the Christian Kingdoms of Iberia

Preface Part 1: Reinterpretation 1. Anti-Islamic Elements in Tenth Century Beatus Manuscripts 2. Reimagining Relics and Reliquaries between al-Andalus and the Northern Kingdoms in the Eleventh and Twelfth Centuries Part 2: Appropriation 3. Eagles and Peacocks in Tenth to Twelfth Century Iberian Art 4. Aesthetic of Appropriation: Andalusi Spolia in Medieval Christian Iberia 5. A sign of Conquest and Continuity: Arabic Inscriptions on Christian Buildings from Eleventh to Thirteenth Centuries Part 3: Artistic Transfer 6. Artistic Connections between al-Andalus and Asturian Art in the Ninth and Tenth Centuries 7. The Portal of the Church of San Pedro de Cervatos. Artistic Transfers between al-Andalus and the Castilian Leonese Kingdom in the Twelfth Century 8. The Urban Palaces of Andalusi Toledo: the Value of Local Traditions in shaping the Artistic Horizon of 1085 9. Artistic Transfers in Medieval Iberian Architecture: Islamic Decoration in Context and its Reception in Christian Kingdoms Concluding Remarks

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• Teoria e ciência política
• História da religião
• Historia da arte / estilos de arte e design
• Islão

Christian;Christianity;Islam;Muslim;Iberian Peninsula;Iberia;art history;al-Andalus;churches;interaction;intercultural;exchange;ivory;objects;textiles;trade;buildings;architecture;religion;politics;military;Arabic;Beatus;reliquary;Almoravid;visual art;spolia;Andalusi;medieval;Middle Ages;Toledo;Cordoba;conflict;relic;king;empire;Romanesque;sculpture;mosque;Asturias;painting;Castile;Leon;palace