Routledge Companion to the Sound of Space
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Routledge Companion to the Sound of Space
Burry, Mark; Burry, Jane; Matthews, Emma-Kate
Taylor & Francis Ltd
11/2024
520
Dura
9781032388540
Pré-lançamento - envio 15 a 20 dias após a sua edição
Descrição não disponível.
List of figures
List of tables
List of contributors
Main Introduction
Emma-Kate Matthews and Jane Burry
Part I: Architectural Acoustics (Introduction)
Jane Burry
Chapter 1: Designed Extremes
Shane Myrbeck
Chapter 2: Introducing Acoustic Shadows
Pantea Alambeigi and Jane Burry
Chapter 3: Transferring The Impression Of Real And Imaginary Spaces
Philip J B Jackson and Philip D Coleman
Chapter 4: Beyond The Sweet Spot: Sound, Space And Emotion
Raj Patel, Ian Forsyth, Jane Pollard and Ed.Gerrie Van Noord
Chapter 5: Architectural Acoustics of the Sagrada Familia Basilica
Sipei Zhao and Mark Burry
Chapter 6: Intimate Acoustic Environments On Record
Emil Kraugerud
Chapter 7: Long Range: Intrinsic Acoustic Performance
Zackery Belanger, Catie Newell and Wes Mcgee
Part II: Psychology And Physiology (Introduction)
Jane Burry
Chapter 8: Immersive Ambisonic Spatial Audio Design for Extreme Environments
Stu Favilla
Chapter 9: In an Open (Music) Field. Space And Time Notation for Representing Landscape
David Buck and Carla Molinari
Chapter 10: Lend Me Your Ears
Michael Fowler
Chapter 11: Imagining Together
Nina Garthwaite
Chapter 12: Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci
John L. Drever
Chapter 13: On Sonic Growth And Form; Biometric Evolution of Sound and Space Paul Bavister
Chapter 14: Infrastructures of Inaudibility: The Spatial Politics of Assistive Listening
Jonathan Tyrrell
Part III: Philosophy And Politics (Introduction)
Mark Burry
Chapter 15: Reading Aloud: The Vocalisation of Living Space
Paul Carter
Chapter 16: From Affordances to Value Chains: Probing the System of Sound, Space and Public
Sven Anderson
Chapter 17: On Vibrational Architectures
Gascia Ouzounian (Text) and Jan St. Werner (Images)
Chapter 18: House of Silence, of Stillness, of Solitude
Mark Taylor
Chapter 19: Dimensionless Space (With Serrated Edges and Sucking Noises): Intimacy, Asmr, Micro-Magic, Sensory Scholarship and Other Taboos
David Toop
Chapter 20: Posthuman Listening to the More-Than-Human Soundscape
Jordan Lacey
Chapter 21: Towards A Topology of Music
Ildar Khannanov
Chapter 22: Sound's Spatial-Material Circuitry
Raviv Ganchrow
Chapter 23: Place, Sound, and Architecture
Jeff Malpas
Chapter 24: Shaping Sounds of Future Environments
Eleni-Ira Panourgia
Part IV: Sound Art and Music (Introduction)
Emma-Kate Matthews
Chapter 25: Spatiosonic Dialogues: Exploring Architecture's Role in Music Composition and Performance
Emma-Kate Matthews
Chapter 26: In Praise of Emptiness: A Future for Performance Venues
Fabricio Mattos
Chapter 27: Opera in the Bathhouse; Exploring an Acoustically Led Approach to Dramaturgy and Scenography
Rosalind Parker and Pedro Novo
Chapter 28: Sound, Space and the Iko Loudspeaker - The Apparent Paradox of Diversity with Unity
Angela Mcarthur and Emma Margetson
Chapter 29: Intimate Sound: Making Known, Curating and Composing for Small Spaces
Lawrence Harvey
Chapter 30: Listening With, Listening Toward: Proposing Graphic Transcription as a Means Of (Re)Hearing Space
Ben Mcdonnell
Chapter 31: Site-Oriented Music Curation. Contouring The Listening Spaces
Sasha Elina
Chapter 32: Notes from the Far Field
Philip Samartzis
Chapter 33: Fluid Architectures and Aural Sculpturality - Towards an Aesthetic of Sonic Spatio-Temporal Environments
Gerriet Krishna Sharma
Chapter 34: Acoustic Atlas - An Orchestra of Echoes
Cobi Van Tonder
Index
List of tables
List of contributors
Main Introduction
Emma-Kate Matthews and Jane Burry
Part I: Architectural Acoustics (Introduction)
Jane Burry
Chapter 1: Designed Extremes
Shane Myrbeck
Chapter 2: Introducing Acoustic Shadows
Pantea Alambeigi and Jane Burry
Chapter 3: Transferring The Impression Of Real And Imaginary Spaces
Philip J B Jackson and Philip D Coleman
Chapter 4: Beyond The Sweet Spot: Sound, Space And Emotion
Raj Patel, Ian Forsyth, Jane Pollard and Ed.Gerrie Van Noord
Chapter 5: Architectural Acoustics of the Sagrada Familia Basilica
Sipei Zhao and Mark Burry
Chapter 6: Intimate Acoustic Environments On Record
Emil Kraugerud
Chapter 7: Long Range: Intrinsic Acoustic Performance
Zackery Belanger, Catie Newell and Wes Mcgee
Part II: Psychology And Physiology (Introduction)
Jane Burry
Chapter 8: Immersive Ambisonic Spatial Audio Design for Extreme Environments
Stu Favilla
Chapter 9: In an Open (Music) Field. Space And Time Notation for Representing Landscape
David Buck and Carla Molinari
Chapter 10: Lend Me Your Ears
Michael Fowler
Chapter 11: Imagining Together
Nina Garthwaite
Chapter 12: Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci
John L. Drever
Chapter 13: On Sonic Growth And Form; Biometric Evolution of Sound and Space Paul Bavister
Chapter 14: Infrastructures of Inaudibility: The Spatial Politics of Assistive Listening
Jonathan Tyrrell
Part III: Philosophy And Politics (Introduction)
Mark Burry
Chapter 15: Reading Aloud: The Vocalisation of Living Space
Paul Carter
Chapter 16: From Affordances to Value Chains: Probing the System of Sound, Space and Public
Sven Anderson
Chapter 17: On Vibrational Architectures
Gascia Ouzounian (Text) and Jan St. Werner (Images)
Chapter 18: House of Silence, of Stillness, of Solitude
Mark Taylor
Chapter 19: Dimensionless Space (With Serrated Edges and Sucking Noises): Intimacy, Asmr, Micro-Magic, Sensory Scholarship and Other Taboos
David Toop
Chapter 20: Posthuman Listening to the More-Than-Human Soundscape
Jordan Lacey
Chapter 21: Towards A Topology of Music
Ildar Khannanov
Chapter 22: Sound's Spatial-Material Circuitry
Raviv Ganchrow
Chapter 23: Place, Sound, and Architecture
Jeff Malpas
Chapter 24: Shaping Sounds of Future Environments
Eleni-Ira Panourgia
Part IV: Sound Art and Music (Introduction)
Emma-Kate Matthews
Chapter 25: Spatiosonic Dialogues: Exploring Architecture's Role in Music Composition and Performance
Emma-Kate Matthews
Chapter 26: In Praise of Emptiness: A Future for Performance Venues
Fabricio Mattos
Chapter 27: Opera in the Bathhouse; Exploring an Acoustically Led Approach to Dramaturgy and Scenography
Rosalind Parker and Pedro Novo
Chapter 28: Sound, Space and the Iko Loudspeaker - The Apparent Paradox of Diversity with Unity
Angela Mcarthur and Emma Margetson
Chapter 29: Intimate Sound: Making Known, Curating and Composing for Small Spaces
Lawrence Harvey
Chapter 30: Listening With, Listening Toward: Proposing Graphic Transcription as a Means Of (Re)Hearing Space
Ben Mcdonnell
Chapter 31: Site-Oriented Music Curation. Contouring The Listening Spaces
Sasha Elina
Chapter 32: Notes from the Far Field
Philip Samartzis
Chapter 33: Fluid Architectures and Aural Sculpturality - Towards an Aesthetic of Sonic Spatio-Temporal Environments
Gerriet Krishna Sharma
Chapter 34: Acoustic Atlas - An Orchestra of Echoes
Cobi Van Tonder
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Sound of Space;spatial typologies;reverberant buildings;external public squares;domestic interiors;engineered spaces;sonic;technology;spatial design;performance;composition;philosophy;technical innovation;architecture;engineering;sound design;urban design;product design
List of figures
List of tables
List of contributors
Main Introduction
Emma-Kate Matthews and Jane Burry
Part I: Architectural Acoustics (Introduction)
Jane Burry
Chapter 1: Designed Extremes
Shane Myrbeck
Chapter 2: Introducing Acoustic Shadows
Pantea Alambeigi and Jane Burry
Chapter 3: Transferring The Impression Of Real And Imaginary Spaces
Philip J B Jackson and Philip D Coleman
Chapter 4: Beyond The Sweet Spot: Sound, Space And Emotion
Raj Patel, Ian Forsyth, Jane Pollard and Ed.Gerrie Van Noord
Chapter 5: Architectural Acoustics of the Sagrada Familia Basilica
Sipei Zhao and Mark Burry
Chapter 6: Intimate Acoustic Environments On Record
Emil Kraugerud
Chapter 7: Long Range: Intrinsic Acoustic Performance
Zackery Belanger, Catie Newell and Wes Mcgee
Part II: Psychology And Physiology (Introduction)
Jane Burry
Chapter 8: Immersive Ambisonic Spatial Audio Design for Extreme Environments
Stu Favilla
Chapter 9: In an Open (Music) Field. Space And Time Notation for Representing Landscape
David Buck and Carla Molinari
Chapter 10: Lend Me Your Ears
Michael Fowler
Chapter 11: Imagining Together
Nina Garthwaite
Chapter 12: Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci
John L. Drever
Chapter 13: On Sonic Growth And Form; Biometric Evolution of Sound and Space Paul Bavister
Chapter 14: Infrastructures of Inaudibility: The Spatial Politics of Assistive Listening
Jonathan Tyrrell
Part III: Philosophy And Politics (Introduction)
Mark Burry
Chapter 15: Reading Aloud: The Vocalisation of Living Space
Paul Carter
Chapter 16: From Affordances to Value Chains: Probing the System of Sound, Space and Public
Sven Anderson
Chapter 17: On Vibrational Architectures
Gascia Ouzounian (Text) and Jan St. Werner (Images)
Chapter 18: House of Silence, of Stillness, of Solitude
Mark Taylor
Chapter 19: Dimensionless Space (With Serrated Edges and Sucking Noises): Intimacy, Asmr, Micro-Magic, Sensory Scholarship and Other Taboos
David Toop
Chapter 20: Posthuman Listening to the More-Than-Human Soundscape
Jordan Lacey
Chapter 21: Towards A Topology of Music
Ildar Khannanov
Chapter 22: Sound's Spatial-Material Circuitry
Raviv Ganchrow
Chapter 23: Place, Sound, and Architecture
Jeff Malpas
Chapter 24: Shaping Sounds of Future Environments
Eleni-Ira Panourgia
Part IV: Sound Art and Music (Introduction)
Emma-Kate Matthews
Chapter 25: Spatiosonic Dialogues: Exploring Architecture's Role in Music Composition and Performance
Emma-Kate Matthews
Chapter 26: In Praise of Emptiness: A Future for Performance Venues
Fabricio Mattos
Chapter 27: Opera in the Bathhouse; Exploring an Acoustically Led Approach to Dramaturgy and Scenography
Rosalind Parker and Pedro Novo
Chapter 28: Sound, Space and the Iko Loudspeaker - The Apparent Paradox of Diversity with Unity
Angela Mcarthur and Emma Margetson
Chapter 29: Intimate Sound: Making Known, Curating and Composing for Small Spaces
Lawrence Harvey
Chapter 30: Listening With, Listening Toward: Proposing Graphic Transcription as a Means Of (Re)Hearing Space
Ben Mcdonnell
Chapter 31: Site-Oriented Music Curation. Contouring The Listening Spaces
Sasha Elina
Chapter 32: Notes from the Far Field
Philip Samartzis
Chapter 33: Fluid Architectures and Aural Sculpturality - Towards an Aesthetic of Sonic Spatio-Temporal Environments
Gerriet Krishna Sharma
Chapter 34: Acoustic Atlas - An Orchestra of Echoes
Cobi Van Tonder
Index
List of tables
List of contributors
Main Introduction
Emma-Kate Matthews and Jane Burry
Part I: Architectural Acoustics (Introduction)
Jane Burry
Chapter 1: Designed Extremes
Shane Myrbeck
Chapter 2: Introducing Acoustic Shadows
Pantea Alambeigi and Jane Burry
Chapter 3: Transferring The Impression Of Real And Imaginary Spaces
Philip J B Jackson and Philip D Coleman
Chapter 4: Beyond The Sweet Spot: Sound, Space And Emotion
Raj Patel, Ian Forsyth, Jane Pollard and Ed.Gerrie Van Noord
Chapter 5: Architectural Acoustics of the Sagrada Familia Basilica
Sipei Zhao and Mark Burry
Chapter 6: Intimate Acoustic Environments On Record
Emil Kraugerud
Chapter 7: Long Range: Intrinsic Acoustic Performance
Zackery Belanger, Catie Newell and Wes Mcgee
Part II: Psychology And Physiology (Introduction)
Jane Burry
Chapter 8: Immersive Ambisonic Spatial Audio Design for Extreme Environments
Stu Favilla
Chapter 9: In an Open (Music) Field. Space And Time Notation for Representing Landscape
David Buck and Carla Molinari
Chapter 10: Lend Me Your Ears
Michael Fowler
Chapter 11: Imagining Together
Nina Garthwaite
Chapter 12: Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci
John L. Drever
Chapter 13: On Sonic Growth And Form; Biometric Evolution of Sound and Space Paul Bavister
Chapter 14: Infrastructures of Inaudibility: The Spatial Politics of Assistive Listening
Jonathan Tyrrell
Part III: Philosophy And Politics (Introduction)
Mark Burry
Chapter 15: Reading Aloud: The Vocalisation of Living Space
Paul Carter
Chapter 16: From Affordances to Value Chains: Probing the System of Sound, Space and Public
Sven Anderson
Chapter 17: On Vibrational Architectures
Gascia Ouzounian (Text) and Jan St. Werner (Images)
Chapter 18: House of Silence, of Stillness, of Solitude
Mark Taylor
Chapter 19: Dimensionless Space (With Serrated Edges and Sucking Noises): Intimacy, Asmr, Micro-Magic, Sensory Scholarship and Other Taboos
David Toop
Chapter 20: Posthuman Listening to the More-Than-Human Soundscape
Jordan Lacey
Chapter 21: Towards A Topology of Music
Ildar Khannanov
Chapter 22: Sound's Spatial-Material Circuitry
Raviv Ganchrow
Chapter 23: Place, Sound, and Architecture
Jeff Malpas
Chapter 24: Shaping Sounds of Future Environments
Eleni-Ira Panourgia
Part IV: Sound Art and Music (Introduction)
Emma-Kate Matthews
Chapter 25: Spatiosonic Dialogues: Exploring Architecture's Role in Music Composition and Performance
Emma-Kate Matthews
Chapter 26: In Praise of Emptiness: A Future for Performance Venues
Fabricio Mattos
Chapter 27: Opera in the Bathhouse; Exploring an Acoustically Led Approach to Dramaturgy and Scenography
Rosalind Parker and Pedro Novo
Chapter 28: Sound, Space and the Iko Loudspeaker - The Apparent Paradox of Diversity with Unity
Angela Mcarthur and Emma Margetson
Chapter 29: Intimate Sound: Making Known, Curating and Composing for Small Spaces
Lawrence Harvey
Chapter 30: Listening With, Listening Toward: Proposing Graphic Transcription as a Means Of (Re)Hearing Space
Ben Mcdonnell
Chapter 31: Site-Oriented Music Curation. Contouring The Listening Spaces
Sasha Elina
Chapter 32: Notes from the Far Field
Philip Samartzis
Chapter 33: Fluid Architectures and Aural Sculpturality - Towards an Aesthetic of Sonic Spatio-Temporal Environments
Gerriet Krishna Sharma
Chapter 34: Acoustic Atlas - An Orchestra of Echoes
Cobi Van Tonder
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
