Origins and Ascendancy of the Concert Mass

Introduction

Part I: Origins

Chapter 1 Exploring the Ordinary of the Roman Rite

Chapter 2 Differing Opinions about Music within the Church

Chapter 3 Musical Formulations: From Plainchant to Concert Mass

Chapter 4 Haydn's Harmoniemesse (1802): An Early Concert Mass

Part II: Becoming

Chapter 5 The Concertisation of the Mass

Chapter 6 Secularisation and Cultural Change: From Court and Church to Choral Societies and Choice

Chapter 7 Nineteenth-century Concert Masses

Part III: Division

Chapter 8 Banished from the Eucharist: Cecilians, Plainsong Restoration, the Motu Propio, and Vatican II

Chapter 9 Daniel Lentz's Missa Umbrarum (1973)

Part IV: Divided

Chapter 10 Masses for concert halls 1903-1963

Chapter 11 Missa Carminum (Folk Song Mass)

Part V: Ascendance

Chapter 12 Conclusions and Future Directions

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• Século 20 e música clássica contemporânea
• Religião: geral
• Cristianismo
• História da religião
• Catolicismo romano, igreja católica romana
• Música romântica (desde ~1830 até ~1900)

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