Market Photo Workshop in South Africa and the 'Born Free' Generation

Introduction: The photographic legacy of the Market Photo Workshop 1. The politics of remembrance: Lebohang Kganye's Her-story/Heir-story 2. The lost heroes: Sipho Gongxeka's Skeem' Saka 3. A place of return: The Front by Matt Kay 4. Disruptions and sabotages: Plastic Crowns by Phumzile Khanyile Conclusion: Working through the present

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• Formas de arte
• Estudos regionais
• Artes: temas gerais
• Antropologia social e cultural
• História africana
• Sociologia
• Historia da arte / estilos de arte e design
• Fotografia e fotógrafos
• Estudos de meios de comunicação
• Estudos étnicos

Johannesburg;photography;art history;students;art school;David Goldblatt;photographer;politics;apartheid;post-apartheid;revolution;Lebohang Kganye;Sipho Gongxeka;Matt Kay;Phumzile Khanyile;liberation;documentary;resistance;generation;1980s;1990s;2000s;violence;truth;archive;family;masculinity;youth;Durban;womanhood;women;Market Photo Workshop;Young Men;Goodman Gallery;Mary Sibande;Struggle Photography;South African Photographic;Omar Badsha;Van Der Vlies;Niq Mhlongo;Zanele Muholi;Plastic Crowns;Durban Beachfront;Losing Ground;Santu Mofokeng;Gangster Figure;Kwaito Music;Njabulo Ndebele;Domestic Photography;Nadine Gordimer;Gordimer;Market Photo;Law Viljoen;Bang Bang Club;Township Space;Nelson Mandela