Ashgate Research Companion to Minimalist and Postminimalist Music
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Ashgate Research Companion to Minimalist and Postminimalist Music
Potter, Keith; Gann, Kyle
Taylor & Francis Ltd
10/2024
458
Mole
9781032919638
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Contents: Foreword; Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities, Kyle Gann, Keith Potter and Pwyll ap SiA?n; Part I Historical and Regional Perspectives: Mapping early minimalism, Keith Potter; A technically definable stream of postminimalism, its characteristics and its meaning, Kyle Gann; European minimalism and the modernist problem, Maarten Beirens; Systems and other minimalism in Britain, Virginia Anderson. Part II Minimalism and the Theatre: Minimalism in the time-based arts: dance, film and video, Dean Suzuki; From minimalist music to postopera: repetition, representation and (post)modernity in the operas of Philip Glass and Louis Andriessen, Jelena Novak; Accommodating the threat of the machine: the act of repetition in live performance, Jeremy Peyton Jones. Part III Minimalism and Other Media: Minimalism, technology and electronic music, Richard Glover; Minimalist and postminimalist music in multimedia: from the avant-garde to the blockbuster film, Rebecca M. Doran Eaton; Going with the flow: minimalism as cultural practice in the USA since 1945, Robert Fink; Disaffected sounds, temporalized visions: Philip Glass and the audiovisual impulse in postminimalist music, John Richardson and Susanna VA?limA?ki. Part IV Analytical and Philosophical Perspectives: Analysing minimalist and postminimalist music: an overview of methodologies, Tristian Evans; Reference and quotation in minimalist and postminimalist music, Pwyll ap SiA?n; Minimalism and narrativity: some stories by Steve Reich, John Pymm; A theoretical model of postminimalism and two brief 'case studies', Marija Masnikosa. Part V Minimalism and Beyond: Defining 'spiritual minimalism' David Dies; Minimalism and pop: influence, reaction, consequences, Jonathan W. Bernard; Musical minimalism in Serbia: emergence, beginnings and its creative endeavours, Dragana Stojanovic-Novicic. Part VI Issues of Performance: Clapping Music: a performer's perspective,
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
monte;young;philip;glass;steve;reich;terry;riley;michael;nyman;Beryl Korot;Postminimalist Music;EMI Classic;Maja Trochimczyk;Vice Versa;Young Man;Howard Skempton;Frederic Rzewski;Eliane Radigue;De Staat;Ennio Morricone;Minimalist Music;Chopin;Judson Dance Theater;Laura Dean;Pwyll Ap;Karel Goeyvaerts;Contemporary Music Review;American Minimal Music;La Monte Young;Louis Andriessen;Glass's Music;Clapping Music;Conlon Nancarrow;La La
Contents: Foreword; Introduction: experimental, minimalist, postminimalist? Origins, definitions, communities, Kyle Gann, Keith Potter and Pwyll ap SiA?n; Part I Historical and Regional Perspectives: Mapping early minimalism, Keith Potter; A technically definable stream of postminimalism, its characteristics and its meaning, Kyle Gann; European minimalism and the modernist problem, Maarten Beirens; Systems and other minimalism in Britain, Virginia Anderson. Part II Minimalism and the Theatre: Minimalism in the time-based arts: dance, film and video, Dean Suzuki; From minimalist music to postopera: repetition, representation and (post)modernity in the operas of Philip Glass and Louis Andriessen, Jelena Novak; Accommodating the threat of the machine: the act of repetition in live performance, Jeremy Peyton Jones. Part III Minimalism and Other Media: Minimalism, technology and electronic music, Richard Glover; Minimalist and postminimalist music in multimedia: from the avant-garde to the blockbuster film, Rebecca M. Doran Eaton; Going with the flow: minimalism as cultural practice in the USA since 1945, Robert Fink; Disaffected sounds, temporalized visions: Philip Glass and the audiovisual impulse in postminimalist music, John Richardson and Susanna VA?limA?ki. Part IV Analytical and Philosophical Perspectives: Analysing minimalist and postminimalist music: an overview of methodologies, Tristian Evans; Reference and quotation in minimalist and postminimalist music, Pwyll ap SiA?n; Minimalism and narrativity: some stories by Steve Reich, John Pymm; A theoretical model of postminimalism and two brief 'case studies', Marija Masnikosa. Part V Minimalism and Beyond: Defining 'spiritual minimalism' David Dies; Minimalism and pop: influence, reaction, consequences, Jonathan W. Bernard; Musical minimalism in Serbia: emergence, beginnings and its creative endeavours, Dragana Stojanovic-Novicic. Part VI Issues of Performance: Clapping Music: a performer's perspective,
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
monte;young;philip;glass;steve;reich;terry;riley;michael;nyman;Beryl Korot;Postminimalist Music;EMI Classic;Maja Trochimczyk;Vice Versa;Young Man;Howard Skempton;Frederic Rzewski;Eliane Radigue;De Staat;Ennio Morricone;Minimalist Music;Chopin;Judson Dance Theater;Laura Dean;Pwyll Ap;Karel Goeyvaerts;Contemporary Music Review;American Minimal Music;La Monte Young;Louis Andriessen;Glass's Music;Clapping Music;Conlon Nancarrow;La La
