Taking Back Desire: A Psychoanalytic Approach to Queerness and Neoliberalism on Screen
Taking Back Desire: A Psychoanalytic Approach to Queerness and Neoliberalism on Screen
Slattery, James Lawrence
Taylor & Francis Ltd
05/2025
190
Dura
9781032863719
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Series Foreword by Ian Parker
Acknowledgements
Introduction
Chapter 1. The Real of Realness: Pose, Paris Is Burning and the limits of authenticity
Chapter 2. The Feminine Shadow: Sexual difference, race and noir in Sharp Objects
Chapter 3. WELCOME 2 REALITY: Ryan Trecartin's Priority Innfield
Chapter 4. Bodies That Shatter: The negative content of 120 BPM
Conclusion: Coda: Unfixed and Open-Ended
Bibliography and Filmography
Acknowledgements
Introduction
Chapter 1. The Real of Realness: Pose, Paris Is Burning and the limits of authenticity
Chapter 2. The Feminine Shadow: Sexual difference, race and noir in Sharp Objects
Chapter 3. WELCOME 2 REALITY: Ryan Trecartin's Priority Innfield
Chapter 4. Bodies That Shatter: The negative content of 120 BPM
Conclusion: Coda: Unfixed and Open-Ended
Bibliography and Filmography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Capitalism;neoliberalism;LGBTQ;Marxism;Film;Television;Media;Gay;Aids;Sexual difference;Lacan;Psychoanalysis;Race;Sex;Ballroom
Series Foreword by Ian Parker
Acknowledgements
Introduction
Chapter 1. The Real of Realness: Pose, Paris Is Burning and the limits of authenticity
Chapter 2. The Feminine Shadow: Sexual difference, race and noir in Sharp Objects
Chapter 3. WELCOME 2 REALITY: Ryan Trecartin's Priority Innfield
Chapter 4. Bodies That Shatter: The negative content of 120 BPM
Conclusion: Coda: Unfixed and Open-Ended
Bibliography and Filmography
Acknowledgements
Introduction
Chapter 1. The Real of Realness: Pose, Paris Is Burning and the limits of authenticity
Chapter 2. The Feminine Shadow: Sexual difference, race and noir in Sharp Objects
Chapter 3. WELCOME 2 REALITY: Ryan Trecartin's Priority Innfield
Chapter 4. Bodies That Shatter: The negative content of 120 BPM
Conclusion: Coda: Unfixed and Open-Ended
Bibliography and Filmography
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.