Stories of the Past
portes grátis
Stories of the Past
Viewing History through Fiction
Green, Chris
Sidestone Press
09/2022
250
Dura
Inglês
9789464280340
15 a 20 dias
Descrição não disponível.
1 Introduction
1.1 Stories of the Past
1.2 History and Fiction
1.3 Beyond the Novel
1.4 A Fiction 'Process'
1.5 Overall Structure
2 The Literary Tourism Process
2.1 Introduction
2.2 Thomas Hardy - Wessex and Dorset
2.3 Jane Austen - Interpretation through Association
2.4 Conclusion: Literary Tourism and the Classic Fiction Process Model
3 The Adaptation Process
3.1 Introduction
3.2 The 'Classic' Novel Canon and Film and TV adaptations
3.3 Far from the Madding Crowd - Recreating Wessex
3.4 North and South - Consumer Perceptions of Milton
3.5 Conclusion: Adaptation and the Classic Fiction Process Model
4 The Critical Process
4.1 Introduction
4.2 Thomas Hardy and the London Critics
4.3 Elizabeth Gaskell and William Rathbone Greg
4.4 Conclusion: Criticism and the Classic Fiction Process Model
5 The Writing Process
5.1 Introduction
5.2 Jane Austen and Hampshire
5.3 Elizabeth Gaskell and Manchester
5.4 Conclusion: Writing and the Classic Fiction Process Model
6 J.B. Priestley's The Good Companions - Discerning History
6.1 Introduction
6.2 J.B. Priestley and The Good Companions
6.3 Mind Mapping the World of The Good Companions
6.3.1 Mind Maps as a technique
6.3.2 Mind Mapping - Analysis and Summary
6.4 Textual Interpretation of the Yorkshire of The Good Companions
6.4.1 Interpretive Footnotes as a technique
6.4.2 Textual interpretation - Analysis and Summary
6.5 Analysing Adaptations of the World of The Good Companions
6.5.1 The Good Companions on Film
6.5.2 Comparing adaptations - Faithfulness to the Novel
6.5.3 Comparing Adaptations - Faithfulness to the Period
6.5.4 Comparing Adaptations - Summary
6.6 Visiting Priestley's World
6.6.1 Priestley and Bradford
6.6.2 Visiting the Bradford of The Good Companions and Bright Day
6.6.3 Visiting Priestley's World - Summary
6.7 Conclusion: The Good Companions as a Historical Resource
7 Stories of the Past: Conclusions
1.1 Stories of the Past
1.2 History and Fiction
1.3 Beyond the Novel
1.4 A Fiction 'Process'
1.5 Overall Structure
2 The Literary Tourism Process
2.1 Introduction
2.2 Thomas Hardy - Wessex and Dorset
2.3 Jane Austen - Interpretation through Association
2.4 Conclusion: Literary Tourism and the Classic Fiction Process Model
3 The Adaptation Process
3.1 Introduction
3.2 The 'Classic' Novel Canon and Film and TV adaptations
3.3 Far from the Madding Crowd - Recreating Wessex
3.4 North and South - Consumer Perceptions of Milton
3.5 Conclusion: Adaptation and the Classic Fiction Process Model
4 The Critical Process
4.1 Introduction
4.2 Thomas Hardy and the London Critics
4.3 Elizabeth Gaskell and William Rathbone Greg
4.4 Conclusion: Criticism and the Classic Fiction Process Model
5 The Writing Process
5.1 Introduction
5.2 Jane Austen and Hampshire
5.3 Elizabeth Gaskell and Manchester
5.4 Conclusion: Writing and the Classic Fiction Process Model
6 J.B. Priestley's The Good Companions - Discerning History
6.1 Introduction
6.2 J.B. Priestley and The Good Companions
6.3 Mind Mapping the World of The Good Companions
6.3.1 Mind Maps as a technique
6.3.2 Mind Mapping - Analysis and Summary
6.4 Textual Interpretation of the Yorkshire of The Good Companions
6.4.1 Interpretive Footnotes as a technique
6.4.2 Textual interpretation - Analysis and Summary
6.5 Analysing Adaptations of the World of The Good Companions
6.5.1 The Good Companions on Film
6.5.2 Comparing adaptations - Faithfulness to the Novel
6.5.3 Comparing Adaptations - Faithfulness to the Period
6.5.4 Comparing Adaptations - Summary
6.6 Visiting Priestley's World
6.6.1 Priestley and Bradford
6.6.2 Visiting the Bradford of The Good Companions and Bright Day
6.6.3 Visiting Priestley's World - Summary
6.7 Conclusion: The Good Companions as a Historical Resource
7 Stories of the Past: Conclusions
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
adaptation; classic fiction; criticism; fiction; fiction process; history; interpretation; perception; Post-Medieval/Modern History; reception
1 Introduction
1.1 Stories of the Past
1.2 History and Fiction
1.3 Beyond the Novel
1.4 A Fiction 'Process'
1.5 Overall Structure
2 The Literary Tourism Process
2.1 Introduction
2.2 Thomas Hardy - Wessex and Dorset
2.3 Jane Austen - Interpretation through Association
2.4 Conclusion: Literary Tourism and the Classic Fiction Process Model
3 The Adaptation Process
3.1 Introduction
3.2 The 'Classic' Novel Canon and Film and TV adaptations
3.3 Far from the Madding Crowd - Recreating Wessex
3.4 North and South - Consumer Perceptions of Milton
3.5 Conclusion: Adaptation and the Classic Fiction Process Model
4 The Critical Process
4.1 Introduction
4.2 Thomas Hardy and the London Critics
4.3 Elizabeth Gaskell and William Rathbone Greg
4.4 Conclusion: Criticism and the Classic Fiction Process Model
5 The Writing Process
5.1 Introduction
5.2 Jane Austen and Hampshire
5.3 Elizabeth Gaskell and Manchester
5.4 Conclusion: Writing and the Classic Fiction Process Model
6 J.B. Priestley's The Good Companions - Discerning History
6.1 Introduction
6.2 J.B. Priestley and The Good Companions
6.3 Mind Mapping the World of The Good Companions
6.3.1 Mind Maps as a technique
6.3.2 Mind Mapping - Analysis and Summary
6.4 Textual Interpretation of the Yorkshire of The Good Companions
6.4.1 Interpretive Footnotes as a technique
6.4.2 Textual interpretation - Analysis and Summary
6.5 Analysing Adaptations of the World of The Good Companions
6.5.1 The Good Companions on Film
6.5.2 Comparing adaptations - Faithfulness to the Novel
6.5.3 Comparing Adaptations - Faithfulness to the Period
6.5.4 Comparing Adaptations - Summary
6.6 Visiting Priestley's World
6.6.1 Priestley and Bradford
6.6.2 Visiting the Bradford of The Good Companions and Bright Day
6.6.3 Visiting Priestley's World - Summary
6.7 Conclusion: The Good Companions as a Historical Resource
7 Stories of the Past: Conclusions
1.1 Stories of the Past
1.2 History and Fiction
1.3 Beyond the Novel
1.4 A Fiction 'Process'
1.5 Overall Structure
2 The Literary Tourism Process
2.1 Introduction
2.2 Thomas Hardy - Wessex and Dorset
2.3 Jane Austen - Interpretation through Association
2.4 Conclusion: Literary Tourism and the Classic Fiction Process Model
3 The Adaptation Process
3.1 Introduction
3.2 The 'Classic' Novel Canon and Film and TV adaptations
3.3 Far from the Madding Crowd - Recreating Wessex
3.4 North and South - Consumer Perceptions of Milton
3.5 Conclusion: Adaptation and the Classic Fiction Process Model
4 The Critical Process
4.1 Introduction
4.2 Thomas Hardy and the London Critics
4.3 Elizabeth Gaskell and William Rathbone Greg
4.4 Conclusion: Criticism and the Classic Fiction Process Model
5 The Writing Process
5.1 Introduction
5.2 Jane Austen and Hampshire
5.3 Elizabeth Gaskell and Manchester
5.4 Conclusion: Writing and the Classic Fiction Process Model
6 J.B. Priestley's The Good Companions - Discerning History
6.1 Introduction
6.2 J.B. Priestley and The Good Companions
6.3 Mind Mapping the World of The Good Companions
6.3.1 Mind Maps as a technique
6.3.2 Mind Mapping - Analysis and Summary
6.4 Textual Interpretation of the Yorkshire of The Good Companions
6.4.1 Interpretive Footnotes as a technique
6.4.2 Textual interpretation - Analysis and Summary
6.5 Analysing Adaptations of the World of The Good Companions
6.5.1 The Good Companions on Film
6.5.2 Comparing adaptations - Faithfulness to the Novel
6.5.3 Comparing Adaptations - Faithfulness to the Period
6.5.4 Comparing Adaptations - Summary
6.6 Visiting Priestley's World
6.6.1 Priestley and Bradford
6.6.2 Visiting the Bradford of The Good Companions and Bright Day
6.6.3 Visiting Priestley's World - Summary
6.7 Conclusion: The Good Companions as a Historical Resource
7 Stories of the Past: Conclusions
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
