Staging England in the Elizabethan History Play

Staging England in the Elizabethan History Play

Performing National Identity

Hertel, Ralf

Taylor & Francis Ltd

10/2024

282

Mole

9781032923529

Pré-lançamento - envio 15 a 20 dias após a sua edição

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Introduction: Performing National Identity on the Early Modern Stage; Part I Territory; Chapter 1 Plotting England: The Transformation of Territory into Homeland; Chapter 2 Mapping the Globe: The Cartographic Gaze and Henry IV Part 1; Part II History; Chapter 3 Making History: Staging the National Past; Chapter 4 Nationalizing History? The Anglica Historia, Richard III and the Appropriation of the English Past; Part III Religion; Chapter 5 Performing Religion: Belief and National Identity; Chapter 6 The New Faith of the Nation: Religion in King John; Part IV Class; Chapter 7 How Common Is the Commonwealth? Class and National Identity; Chapter 8 'Infinite numbers': Nation and Class in Henry VI Part 2; partV Gender; Chapter 9 Women on Top: Gender and National Identity; Chapter 10 The Private Is Political: Gender and Nation in Edward II; Conclusion: Early Modern Englishness and the Transformative Power of the Performative;
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performing;national;identity;shakespeares;plays;henry;part;richard;iii;eastcheap;Richard III;King Commaunds;Young Man;King Richard III;Edward III;Polydore Vergil's Anglica Historia;National Consent;Elizabethan History Play;Shakespeare's Richard III;Anglica Historia;Performing National Identity;Late Sixteenth Century England;Edward II;Henry IV Part;Cade's Rebellion;Marlowe's Play;Thomas Blundeville;Popular Nationalism;Shakespeare's History Plays;Egalitarian Impetus;Troublesome Reign;Act III;Peter Holland;Early Modern English;Bird's Eye