Singular Sensations
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Singular Sensations
A Cultural History of One-Panel Comics in the United States
Abate, Michelle Ann
Rutgers University Press
09/2024
254
Mole
9781978840683
15 a 20 dias
Descrição não disponível.
Acknowledgments
List of Figures
Introduction. All By Myself: Single-Panel Comics and the Question of Genre
Chapter 1. "Those Damned Pictures": Thomas Nast and the Rise of the Single-Panel Comic as Political Cartoon
Chapter 2. Freeze Frame: R. F. Outcault's The Yellow Kid and the Tableau Vivant
Chapter 3. "The New Yorker's Most Influential Cartoonist": Peter Arno and the Extraordinary Ordinary of Everyday Life
Chapter 4. Not Jokester, but Prankster: Little Lulu's Silent Social Commentary
Chapter 5. Civil / Rights: Jackie Ormes's Patty-Jo 'n' Ginger, Black Girlhood, and the Black Bourgeoisie
Chapter 6. Outside the Circle of Influence: The Family Circus, Diegetic Space, and Comics Narratology
Chapter 7. Ziggy Was Here: Tom Wilson's Newspaper Series, World War II, and the Role of Graffiti in Comics
Chapter 8. "His People Are Grotesque": The Far Side and the Aesthetics of Ugliness
Epilogue. Reimagine, Recombine, Recreate: Dan Piraro's Bizarro, Mashups, and the Comics of Remix Culture
Works Cited
List of Figures
Introduction. All By Myself: Single-Panel Comics and the Question of Genre
Chapter 1. "Those Damned Pictures": Thomas Nast and the Rise of the Single-Panel Comic as Political Cartoon
Chapter 2. Freeze Frame: R. F. Outcault's The Yellow Kid and the Tableau Vivant
Chapter 3. "The New Yorker's Most Influential Cartoonist": Peter Arno and the Extraordinary Ordinary of Everyday Life
Chapter 4. Not Jokester, but Prankster: Little Lulu's Silent Social Commentary
Chapter 5. Civil / Rights: Jackie Ormes's Patty-Jo 'n' Ginger, Black Girlhood, and the Black Bourgeoisie
Chapter 6. Outside the Circle of Influence: The Family Circus, Diegetic Space, and Comics Narratology
Chapter 7. Ziggy Was Here: Tom Wilson's Newspaper Series, World War II, and the Role of Graffiti in Comics
Chapter 8. "His People Are Grotesque": The Far Side and the Aesthetics of Ugliness
Epilogue. Reimagine, Recombine, Recreate: Dan Piraro's Bizarro, Mashups, and the Comics of Remix Culture
Works Cited
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
The Far Side; Ziggy; The Family Circus; comics; comic studies; pop culture; popular culture; United state; media; single-panel comic; political cartoons; social commentary
Acknowledgments
List of Figures
Introduction. All By Myself: Single-Panel Comics and the Question of Genre
Chapter 1. "Those Damned Pictures": Thomas Nast and the Rise of the Single-Panel Comic as Political Cartoon
Chapter 2. Freeze Frame: R. F. Outcault's The Yellow Kid and the Tableau Vivant
Chapter 3. "The New Yorker's Most Influential Cartoonist": Peter Arno and the Extraordinary Ordinary of Everyday Life
Chapter 4. Not Jokester, but Prankster: Little Lulu's Silent Social Commentary
Chapter 5. Civil / Rights: Jackie Ormes's Patty-Jo 'n' Ginger, Black Girlhood, and the Black Bourgeoisie
Chapter 6. Outside the Circle of Influence: The Family Circus, Diegetic Space, and Comics Narratology
Chapter 7. Ziggy Was Here: Tom Wilson's Newspaper Series, World War II, and the Role of Graffiti in Comics
Chapter 8. "His People Are Grotesque": The Far Side and the Aesthetics of Ugliness
Epilogue. Reimagine, Recombine, Recreate: Dan Piraro's Bizarro, Mashups, and the Comics of Remix Culture
Works Cited
List of Figures
Introduction. All By Myself: Single-Panel Comics and the Question of Genre
Chapter 1. "Those Damned Pictures": Thomas Nast and the Rise of the Single-Panel Comic as Political Cartoon
Chapter 2. Freeze Frame: R. F. Outcault's The Yellow Kid and the Tableau Vivant
Chapter 3. "The New Yorker's Most Influential Cartoonist": Peter Arno and the Extraordinary Ordinary of Everyday Life
Chapter 4. Not Jokester, but Prankster: Little Lulu's Silent Social Commentary
Chapter 5. Civil / Rights: Jackie Ormes's Patty-Jo 'n' Ginger, Black Girlhood, and the Black Bourgeoisie
Chapter 6. Outside the Circle of Influence: The Family Circus, Diegetic Space, and Comics Narratology
Chapter 7. Ziggy Was Here: Tom Wilson's Newspaper Series, World War II, and the Role of Graffiti in Comics
Chapter 8. "His People Are Grotesque": The Far Side and the Aesthetics of Ugliness
Epilogue. Reimagine, Recombine, Recreate: Dan Piraro's Bizarro, Mashups, and the Comics of Remix Culture
Works Cited
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
