Shakespeare and Cultural Appropriation
portes grátis
Shakespeare and Cultural Appropriation
Way, Geoffrey; Pittman, L.Monique; Corredera, Vanessa I.
Taylor & Francis Ltd
03/2023
240
Dura
Inglês
9781032303086
15 a 20 dias
Descrição não disponível.
Contributors Bio
Acknowledgement
Foreword by Valerie M. Fazel and Louise Geddes
Introduction: Shakespeare and Cultural Appropriation in the Third Millennium
Vanessa I. Corredera, L. Monique Pittman, and Geoffrey Way
Appropriation Conversation #1 with Sujata Iyengar
Chapter 1. Romanian Hamlet: Translated Shakespeare as Soft Power for the Post-Communist Nation
Ingrid Radulescu and L. Monique Pittman
Chapter 2. Taking Centre Stage: Shakespearean Appropriations on Spanish Television in Franco's Spain
Elena Bandin
Chapter 3. Rescuing Othello: Early Soviet Stage and Cultural Authority
Natalia Khomenko
Appropriation Conversation #2 with Ruben Espinosa
Chapter 4. "Othello Was a Lie": Wrestling with Shakespeare's Othello
Ambereen Dadabhoy
Chapter 5. Prospero in Prison: Adaptation and Appropriation in Margaret Atwood's Hag-Seed
Elizabeth Charlebois
Chapter 6. Motherhoods and Motherlands: Gender, Nation, and Adaptation in We That Are Young
Taarini Mookherjee
Appropriation Conversation #3 with Ayanna Thompson
Chapter 7. Hijacking Shakespeare: Archival Absences, Textual Accidents, and Revisionist Repair in Aditi Brennan Kapil's Imogen Says Nothing
Kathryn Vomero Santos
Chapter 8. "Fortune reigns in gifts of the world": Appropriation and Power in the Shakespeare Birthplace Trust's International Collections
Helen A. Hopkins
Chapter 9. Remediating White, Patriarchal Violence in Caridad Svich's Twelve Ophelias
Katherine Gillen
Appropriation Conversation #4 with Joyce Green MacDonald
Chapter 10. Remedial Uses of Shakespeare: An Afterword
Alexa Alice Joubin and Elizabeth Rivlin
Index
Acknowledgement
Foreword by Valerie M. Fazel and Louise Geddes
Introduction: Shakespeare and Cultural Appropriation in the Third Millennium
Vanessa I. Corredera, L. Monique Pittman, and Geoffrey Way
Appropriation Conversation #1 with Sujata Iyengar
Chapter 1. Romanian Hamlet: Translated Shakespeare as Soft Power for the Post-Communist Nation
Ingrid Radulescu and L. Monique Pittman
Chapter 2. Taking Centre Stage: Shakespearean Appropriations on Spanish Television in Franco's Spain
Elena Bandin
Chapter 3. Rescuing Othello: Early Soviet Stage and Cultural Authority
Natalia Khomenko
Appropriation Conversation #2 with Ruben Espinosa
Chapter 4. "Othello Was a Lie": Wrestling with Shakespeare's Othello
Ambereen Dadabhoy
Chapter 5. Prospero in Prison: Adaptation and Appropriation in Margaret Atwood's Hag-Seed
Elizabeth Charlebois
Chapter 6. Motherhoods and Motherlands: Gender, Nation, and Adaptation in We That Are Young
Taarini Mookherjee
Appropriation Conversation #3 with Ayanna Thompson
Chapter 7. Hijacking Shakespeare: Archival Absences, Textual Accidents, and Revisionist Repair in Aditi Brennan Kapil's Imogen Says Nothing
Kathryn Vomero Santos
Chapter 8. "Fortune reigns in gifts of the world": Appropriation and Power in the Shakespeare Birthplace Trust's International Collections
Helen A. Hopkins
Chapter 9. Remediating White, Patriarchal Violence in Caridad Svich's Twelve Ophelias
Katherine Gillen
Appropriation Conversation #4 with Joyce Green MacDonald
Chapter 10. Remedial Uses of Shakespeare: An Afterword
Alexa Alice Joubin and Elizabeth Rivlin
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Shakespearean Cultural Authority;Shakespeare's Cultural Capital;Cultural Appropriation;Richard III;Shakespearean Appropriations;SBT;Wo;Shakespeare Adaptations;Holds;Lope De Vega;Shakespeare's Universality;Superimposed;Timeless;Violating;Shakespeare Studies;Desdemona;Confer;Adaptation Studies;Shakespeare's Legacy;Juliet's Nurse;Apple Tv;Tv Adaptation;QR Code;Rude Boy;Shakespeare's King Lear
Contributors Bio
Acknowledgement
Foreword by Valerie M. Fazel and Louise Geddes
Introduction: Shakespeare and Cultural Appropriation in the Third Millennium
Vanessa I. Corredera, L. Monique Pittman, and Geoffrey Way
Appropriation Conversation #1 with Sujata Iyengar
Chapter 1. Romanian Hamlet: Translated Shakespeare as Soft Power for the Post-Communist Nation
Ingrid Radulescu and L. Monique Pittman
Chapter 2. Taking Centre Stage: Shakespearean Appropriations on Spanish Television in Franco's Spain
Elena Bandin
Chapter 3. Rescuing Othello: Early Soviet Stage and Cultural Authority
Natalia Khomenko
Appropriation Conversation #2 with Ruben Espinosa
Chapter 4. "Othello Was a Lie": Wrestling with Shakespeare's Othello
Ambereen Dadabhoy
Chapter 5. Prospero in Prison: Adaptation and Appropriation in Margaret Atwood's Hag-Seed
Elizabeth Charlebois
Chapter 6. Motherhoods and Motherlands: Gender, Nation, and Adaptation in We That Are Young
Taarini Mookherjee
Appropriation Conversation #3 with Ayanna Thompson
Chapter 7. Hijacking Shakespeare: Archival Absences, Textual Accidents, and Revisionist Repair in Aditi Brennan Kapil's Imogen Says Nothing
Kathryn Vomero Santos
Chapter 8. "Fortune reigns in gifts of the world": Appropriation and Power in the Shakespeare Birthplace Trust's International Collections
Helen A. Hopkins
Chapter 9. Remediating White, Patriarchal Violence in Caridad Svich's Twelve Ophelias
Katherine Gillen
Appropriation Conversation #4 with Joyce Green MacDonald
Chapter 10. Remedial Uses of Shakespeare: An Afterword
Alexa Alice Joubin and Elizabeth Rivlin
Index
Acknowledgement
Foreword by Valerie M. Fazel and Louise Geddes
Introduction: Shakespeare and Cultural Appropriation in the Third Millennium
Vanessa I. Corredera, L. Monique Pittman, and Geoffrey Way
Appropriation Conversation #1 with Sujata Iyengar
Chapter 1. Romanian Hamlet: Translated Shakespeare as Soft Power for the Post-Communist Nation
Ingrid Radulescu and L. Monique Pittman
Chapter 2. Taking Centre Stage: Shakespearean Appropriations on Spanish Television in Franco's Spain
Elena Bandin
Chapter 3. Rescuing Othello: Early Soviet Stage and Cultural Authority
Natalia Khomenko
Appropriation Conversation #2 with Ruben Espinosa
Chapter 4. "Othello Was a Lie": Wrestling with Shakespeare's Othello
Ambereen Dadabhoy
Chapter 5. Prospero in Prison: Adaptation and Appropriation in Margaret Atwood's Hag-Seed
Elizabeth Charlebois
Chapter 6. Motherhoods and Motherlands: Gender, Nation, and Adaptation in We That Are Young
Taarini Mookherjee
Appropriation Conversation #3 with Ayanna Thompson
Chapter 7. Hijacking Shakespeare: Archival Absences, Textual Accidents, and Revisionist Repair in Aditi Brennan Kapil's Imogen Says Nothing
Kathryn Vomero Santos
Chapter 8. "Fortune reigns in gifts of the world": Appropriation and Power in the Shakespeare Birthplace Trust's International Collections
Helen A. Hopkins
Chapter 9. Remediating White, Patriarchal Violence in Caridad Svich's Twelve Ophelias
Katherine Gillen
Appropriation Conversation #4 with Joyce Green MacDonald
Chapter 10. Remedial Uses of Shakespeare: An Afterword
Alexa Alice Joubin and Elizabeth Rivlin
Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Shakespearean Cultural Authority;Shakespeare's Cultural Capital;Cultural Appropriation;Richard III;Shakespearean Appropriations;SBT;Wo;Shakespeare Adaptations;Holds;Lope De Vega;Shakespeare's Universality;Superimposed;Timeless;Violating;Shakespeare Studies;Desdemona;Confer;Adaptation Studies;Shakespeare's Legacy;Juliet's Nurse;Apple Tv;Tv Adaptation;QR Code;Rude Boy;Shakespeare's King Lear
