Screening the Gothic in Australia and New Zealand
portes grátis
Screening the Gothic in Australia and New Zealand
Contemporary Antipodean Film and Television
Stevenson, Billy; Shek-Noble, Liz; Cantrell, Kate; Sulway, Nike; Jeffery, Ella; Balanzategui, Jessica; Holland, Emily; Doolan, Emma; Gildersleeve, Jessica; Piatti-Farnell, Lorna
Amsterdam University Press
09/2022
256
Dura
Inglês
9789463721141
15 a 20 dias
Descrição não disponível.
Introduction Please Check the Signal: Screening the Gothic in the Upside Down (Jessica Gildersleeve and Kate Cantrell)
Part I: Gothic Places
Chapter 1 Unsettled Waters: The Postcolonial Gothic of Tidelands (Emma Doolan)
Chapter 2 'When I Died, I Saw the Whole World': Uncanny Space and the Maori 'Gothic' in the Aftermath Narratives of Waru and Maui's Hook (Emily Holland)
Chapter 3 The Kettering Incident: From Tasmanian Gothic to Antarctic Gothic (Billy Stevenson)
Chapter 4 'Going Home is One Thing This Lot of Blockheads Can't Do': Unhomely Renovations on The Block (Ella Jeffery)
Part II: Gothic Genres
Chapter 5 Glocalizing the Gothic in Twenty-First-Century Australian Horror (Jessica Balanzategui)
Chapter 6 Terra Somnambulism: Sleepwalking, Nightdreams, and Nocturnal Wanderings in the Televisual Australian Gothic (Kate Cantrell)
Chapter 7 Gothic Explorations of Landscapes, Spaces, and Bodies in Jane Campion's Top of the Lake and Top of the Lake: China Girl (Liz Shek-Noble)
Chapter 8 At the End of the World: Animals, Extinction, and Death in Australian Twenty-First-Century Ecogothic Cinema (Patrick West and Luke C. Jackson)
Part III: Gothic Monsters
Chapter 9 Dead, and Into the World: Localness, Culture, and Domesticity in New Zealand's What We Do in the Shadows (Lorna Piatti-Farnell)
Chapter 10 Mapping Settler Gothic: Noir and the Shameful Histories of the Pakeha Middle Class in The Bad Seed (Jennifer Lawn)
Chapter 11 Monstrous Victims: Women, Trauma, and Gothic Violence in Jennifer Kent's The Babadook and The Nightingale (Jessica Gildersleeve, Amanda Howell, and Nike Sulway)
Chapter 12 From 'Fixer' to 'Freak': Disabling the Ambitious (Mad)Woman in Wentworth>/cite> (Corrine E. Hinton)
Part I: Gothic Places
Chapter 1 Unsettled Waters: The Postcolonial Gothic of Tidelands (Emma Doolan)
Chapter 2 'When I Died, I Saw the Whole World': Uncanny Space and the Maori 'Gothic' in the Aftermath Narratives of Waru and Maui's Hook (Emily Holland)
Chapter 3 The Kettering Incident: From Tasmanian Gothic to Antarctic Gothic (Billy Stevenson)
Chapter 4 'Going Home is One Thing This Lot of Blockheads Can't Do': Unhomely Renovations on The Block (Ella Jeffery)
Part II: Gothic Genres
Chapter 5 Glocalizing the Gothic in Twenty-First-Century Australian Horror (Jessica Balanzategui)
Chapter 6 Terra Somnambulism: Sleepwalking, Nightdreams, and Nocturnal Wanderings in the Televisual Australian Gothic (Kate Cantrell)
Chapter 7 Gothic Explorations of Landscapes, Spaces, and Bodies in Jane Campion's Top of the Lake and Top of the Lake: China Girl (Liz Shek-Noble)
Chapter 8 At the End of the World: Animals, Extinction, and Death in Australian Twenty-First-Century Ecogothic Cinema (Patrick West and Luke C. Jackson)
Part III: Gothic Monsters
Chapter 9 Dead, and Into the World: Localness, Culture, and Domesticity in New Zealand's What We Do in the Shadows (Lorna Piatti-Farnell)
Chapter 10 Mapping Settler Gothic: Noir and the Shameful Histories of the Pakeha Middle Class in The Bad Seed (Jennifer Lawn)
Chapter 11 Monstrous Victims: Women, Trauma, and Gothic Violence in Jennifer Kent's The Babadook and The Nightingale (Jessica Gildersleeve, Amanda Howell, and Nike Sulway)
Chapter 12 From 'Fixer' to 'Freak': Disabling the Ambitious (Mad)Woman in Wentworth>/cite> (Corrine E. Hinton)
Assunto não disponível.
Gothic, Australia, New Zealand, film, television
Introduction Please Check the Signal: Screening the Gothic in the Upside Down (Jessica Gildersleeve and Kate Cantrell)
Part I: Gothic Places
Chapter 1 Unsettled Waters: The Postcolonial Gothic of Tidelands (Emma Doolan)
Chapter 2 'When I Died, I Saw the Whole World': Uncanny Space and the Maori 'Gothic' in the Aftermath Narratives of Waru and Maui's Hook (Emily Holland)
Chapter 3 The Kettering Incident: From Tasmanian Gothic to Antarctic Gothic (Billy Stevenson)
Chapter 4 'Going Home is One Thing This Lot of Blockheads Can't Do': Unhomely Renovations on The Block (Ella Jeffery)
Part II: Gothic Genres
Chapter 5 Glocalizing the Gothic in Twenty-First-Century Australian Horror (Jessica Balanzategui)
Chapter 6 Terra Somnambulism: Sleepwalking, Nightdreams, and Nocturnal Wanderings in the Televisual Australian Gothic (Kate Cantrell)
Chapter 7 Gothic Explorations of Landscapes, Spaces, and Bodies in Jane Campion's Top of the Lake and Top of the Lake: China Girl (Liz Shek-Noble)
Chapter 8 At the End of the World: Animals, Extinction, and Death in Australian Twenty-First-Century Ecogothic Cinema (Patrick West and Luke C. Jackson)
Part III: Gothic Monsters
Chapter 9 Dead, and Into the World: Localness, Culture, and Domesticity in New Zealand's What We Do in the Shadows (Lorna Piatti-Farnell)
Chapter 10 Mapping Settler Gothic: Noir and the Shameful Histories of the Pakeha Middle Class in The Bad Seed (Jennifer Lawn)
Chapter 11 Monstrous Victims: Women, Trauma, and Gothic Violence in Jennifer Kent's The Babadook and The Nightingale (Jessica Gildersleeve, Amanda Howell, and Nike Sulway)
Chapter 12 From 'Fixer' to 'Freak': Disabling the Ambitious (Mad)Woman in Wentworth>/cite> (Corrine E. Hinton)
Part I: Gothic Places
Chapter 1 Unsettled Waters: The Postcolonial Gothic of Tidelands (Emma Doolan)
Chapter 2 'When I Died, I Saw the Whole World': Uncanny Space and the Maori 'Gothic' in the Aftermath Narratives of Waru and Maui's Hook (Emily Holland)
Chapter 3 The Kettering Incident: From Tasmanian Gothic to Antarctic Gothic (Billy Stevenson)
Chapter 4 'Going Home is One Thing This Lot of Blockheads Can't Do': Unhomely Renovations on The Block (Ella Jeffery)
Part II: Gothic Genres
Chapter 5 Glocalizing the Gothic in Twenty-First-Century Australian Horror (Jessica Balanzategui)
Chapter 6 Terra Somnambulism: Sleepwalking, Nightdreams, and Nocturnal Wanderings in the Televisual Australian Gothic (Kate Cantrell)
Chapter 7 Gothic Explorations of Landscapes, Spaces, and Bodies in Jane Campion's Top of the Lake and Top of the Lake: China Girl (Liz Shek-Noble)
Chapter 8 At the End of the World: Animals, Extinction, and Death in Australian Twenty-First-Century Ecogothic Cinema (Patrick West and Luke C. Jackson)
Part III: Gothic Monsters
Chapter 9 Dead, and Into the World: Localness, Culture, and Domesticity in New Zealand's What We Do in the Shadows (Lorna Piatti-Farnell)
Chapter 10 Mapping Settler Gothic: Noir and the Shameful Histories of the Pakeha Middle Class in The Bad Seed (Jennifer Lawn)
Chapter 11 Monstrous Victims: Women, Trauma, and Gothic Violence in Jennifer Kent's The Babadook and The Nightingale (Jessica Gildersleeve, Amanda Howell, and Nike Sulway)
Chapter 12 From 'Fixer' to 'Freak': Disabling the Ambitious (Mad)Woman in Wentworth>/cite> (Corrine E. Hinton)
