Re-centering Cultural Performance and Orange Economy in Post-colonial Africa
portes grátis
Re-centering Cultural Performance and Orange Economy in Post-colonial Africa
Policy, Soft Power, and Sustainability
Ogunnubi, Olusola; Ukuma, Shadrach Teryila; Afolabi, Taiwo
Springer Verlag, Singapore
10/2022
304
Dura
Inglês
9789811906404
15 a 20 dias
Descrição não disponível.
Theme I: Culture and Policy.- Chapter 1 Introduction.- Chapter 2 Tunisia Music Culture Policy: Perspective/Challenges of a State's Project.- Chapter 3 Community Museum for National Integration in Nigeria, 1960-2000.- Chapter 4 La rehabilitation de la performance rituelle Melan pour une reconstruction de la spiritualite originelle du peuple Ekang.- Chapter 5 Pan Africanism and Cultural Policy Management: A Formative Evaluation of Nigeria and Ghana Cultural Policies.- Chapter 6 Ife Art School as a Centre of Decolonization and Decolonial Thinking in Nigerian Visual Art Practice.- Chapter 7 Body Tattoo and Social Communicative Value in Nigeria: A Study of Ogallala Studio of Arts and Tattooing.- Chapter 8 Cultural Policy and Creative Practice in Africa: Impact and Challenges.- Chapter 9 Dutch-Moroccan cultural cooperation? A discourse on network of cultural policy.- Theme II: Creative Practice, Soft power and Diplomacy.- Chapter 10 Rewriting Africa's Single-Story Narrative: Lessons from Darmasiswa.- Chapter 11 Something of Value: The Neo-colonial Impulse of Basketball in Africa in the Performance of Modernity.- Chapter 12 Orange Economy, Cultural Diplomacy and Soft Power: Prospects and Problems in Africa (2).- Chapter 13 Structural Violence in Post-colonial Kenya bing represented through the Film Nairobi Half Life (2012).- Chapter 14 Nigeria's Orange Economy and the Appropriation of Soft Power.- Chapter 15 Psychosocial Aesthetics of Contemporary Inflight Entertainment.- Chapter 16 Hunters, Fighters, and Blue- Blood: A Post-modern Reading of African Folktales and the Soft Will to Africanise.- Chapter 17 Beyond Entertainment: Power and Performance in two Urban Festivals in Niger.- Chapter 18 The National Troupe of Nigeria Post-Ogunde: A Cultural Diplomacy Fad or Farce?.- Theme III: Cultural Performance and Sustainability.- Chapter 19 Tumaini Festival: Deconstructing Colonial Borders at Dzaleka Refugee Camp in Malawi.- Chapter 20 To Own, Benefit and Sustain: Rethinking Museum Concept and Practice in Africa.- Chapter 21 Tapping into Africa's Environmental and cultural Heritage: Roles and responsibilities of the Citizens.- Chapter 22 B?b??b? Music Festivals: Agency and Sustenance of Cultural Performance in Ghana.- Chapter 23 Problematic Leisure: The Consequences of the Engagement of Chess as Educational Aid within African/ Black School Curriculum.- Chapter 24 Bemoaning Extinct Cultural Practices: A Study of Olobonbori Performance.- Chapter 25 The role of Art Administration and Cultural entrepreneurship: an explorative analysis of the cap weaving industry of Maiduguri, Borno state-Nigeria.- Chapter 26 Conclusion.
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African Soft Power;Cultural Performance;Darmasiswa;Orange Economy;Soft Power;Cultural Diplomacy;Post-colonial
Theme I: Culture and Policy.- Chapter 1 Introduction.- Chapter 2 Tunisia Music Culture Policy: Perspective/Challenges of a State's Project.- Chapter 3 Community Museum for National Integration in Nigeria, 1960-2000.- Chapter 4 La rehabilitation de la performance rituelle Melan pour une reconstruction de la spiritualite originelle du peuple Ekang.- Chapter 5 Pan Africanism and Cultural Policy Management: A Formative Evaluation of Nigeria and Ghana Cultural Policies.- Chapter 6 Ife Art School as a Centre of Decolonization and Decolonial Thinking in Nigerian Visual Art Practice.- Chapter 7 Body Tattoo and Social Communicative Value in Nigeria: A Study of Ogallala Studio of Arts and Tattooing.- Chapter 8 Cultural Policy and Creative Practice in Africa: Impact and Challenges.- Chapter 9 Dutch-Moroccan cultural cooperation? A discourse on network of cultural policy.- Theme II: Creative Practice, Soft power and Diplomacy.- Chapter 10 Rewriting Africa's Single-Story Narrative: Lessons from Darmasiswa.- Chapter 11 Something of Value: The Neo-colonial Impulse of Basketball in Africa in the Performance of Modernity.- Chapter 12 Orange Economy, Cultural Diplomacy and Soft Power: Prospects and Problems in Africa (2).- Chapter 13 Structural Violence in Post-colonial Kenya bing represented through the Film Nairobi Half Life (2012).- Chapter 14 Nigeria's Orange Economy and the Appropriation of Soft Power.- Chapter 15 Psychosocial Aesthetics of Contemporary Inflight Entertainment.- Chapter 16 Hunters, Fighters, and Blue- Blood: A Post-modern Reading of African Folktales and the Soft Will to Africanise.- Chapter 17 Beyond Entertainment: Power and Performance in two Urban Festivals in Niger.- Chapter 18 The National Troupe of Nigeria Post-Ogunde: A Cultural Diplomacy Fad or Farce?.- Theme III: Cultural Performance and Sustainability.- Chapter 19 Tumaini Festival: Deconstructing Colonial Borders at Dzaleka Refugee Camp in Malawi.- Chapter 20 To Own, Benefit and Sustain: Rethinking Museum Concept and Practice in Africa.- Chapter 21 Tapping into Africa's Environmental and cultural Heritage: Roles and responsibilities of the Citizens.- Chapter 22 B?b??b? Music Festivals: Agency and Sustenance of Cultural Performance in Ghana.- Chapter 23 Problematic Leisure: The Consequences of the Engagement of Chess as Educational Aid within African/ Black School Curriculum.- Chapter 24 Bemoaning Extinct Cultural Practices: A Study of Olobonbori Performance.- Chapter 25 The role of Art Administration and Cultural entrepreneurship: an explorative analysis of the cap weaving industry of Maiduguri, Borno state-Nigeria.- Chapter 26 Conclusion.
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